779 editions (11 Ergebnisse)

Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Gebundene Ausgabe, 4°. Zustand: Sehr gut. unpag. Das Buch ist in sehr gutem, sauberen Zustand. Einband minimal berieben. Sonst sauberes und wohlerhaltenes Exemplar. ISBN: 9782914573139 Wir senden umgehend mit beiliegender MwSt.Rechnung. Sprache: Französisch Gewicht in Gramm: 800.

Soft cover. Zustand: Near Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Manipulated photography. 64p, 17x22cm, 0.3KG.

Couverture souple. Zustand: bon. RO90073936: 1961. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 498 pages. . . . Classification Dewey : 840.091-XX ème siècle.

Couverture souple. Zustand: bon. RO90017779: 1977. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 222 pages. . . . Classification Dewey : 843.0876-La science-fiction.

Couverture souple. Zustand: bon. RO90019828: 1969. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 251 pages. . . . Classification Dewey : 843.0872-Le roman policier.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Zustand: Very good+ to fine condition. First limited edition. 26/50 With original color photograph (6 x 7 3/8"), signed and numbered on verso. Octavo. 63 (1)pp. Original heavy cardboard white wraps with black lettering on cover and spine, with color photo-illustrated stiff dustjacket in slightly reduced size, with black lettering on spine, in printed white slip cover. "These [photographic] works have one thing in common: they are based on film stills which the artist has selected after painstaking searches with a VCR or film viewer and then photographed and enlarged. Within a given corpus (early films or trailers, for example), he will locate and capture a fragment, or sometimes two, which he will extract in function of a specific project. What then are the criteria of this special form of freeze frame? In the Excédents (Surpluses) series, they are black images, frames which were used for subtitles or quite simply added during the restoration of the film." Illustrated with striking color and b/w photographs from various series throughout. Slip cover slightly rubbed, else in fine condition.

Softcover. Zustand: Fine condition. Limited edition. 29/50. Octavo. 63 (1)pp. Original stiff white wraps with black lettering on cover, stiff stiff photo-illustrated dustjacket in color, housed in printed and hand-numbered white slipcase. Laid in original color print (7 1/2 x 6") signed by Fréger and numbered on verso. Referencing Leonardo Sciascia on the painter Antonello da Messina Philippe Abraizar states: "The contemporaries of that Sicilian painter have such a presence in his paintings that they invite one to look for a corresponding model in real life since "order, knowledge, and judgment cannot exist without similarities." That is the game that Charles Fréger's four series, Water-polo, Pattes blanches, Miss, and Notre-Dame, are poised for. The artist brings a new way of looking at comparable and differentiating traits, at what bonds together and what breaks apart." Illustrated with thirty-five striking full page color portraits, plus thumbnail photographs for each series. With exhibition history at rear. Text in French, English and German.

Softcover. Zustand: Fine condition. Limited edition. 28/50. Octavo. 63 (1)pp. Original stiff white wraps with black lettering on cover, stiff stiff photo-illustrated dustjacket in color, housed in printed and hand-numbered white slipcase. Laid in original color print (7 1/2 x 6") signed by Gisinger and numbered on verso. 6,2 "The artist and historian Arno Gisinger takes hold of landscape, evidence, and the object, and turns them into subjects of analysis and privileged reference. These everyday topics serve an investigation, which uses the graveness or seeming insignificance of an event to sound out and open up its operation toward the detection and dogged tracking of the trace the vanished-vanishing trace of people and things." (Dulau). The series in this publication include "Betrachterbilder (Pictures of observers), Faux terrain, Messerschmidthalle, Oradour sur Glane, and Mémoires lapidaires. Profusely illustrated with color and b/w photographs throughout. Contains bibliography, publications and exhibition history at rear. Text in French, English and German.

dos carré collé sous jaquette. In-8 (17,2 x 22 cm), dos carré collé sous jaquette, 63 pages, photos en couleur, texte en français, anglais, allemand ; traces sur les plats, par ailleurs assez bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.