1548 (92 Ergebnisse)

Paperback. Zustand: Very Good. 1548 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

OBroschur im Schuber. Zwei Bücher im Schuber, 636(11, 11) Seiten. Taschenbücher, guter Zustand. Size: 8°.

Zustand: Gut - gebraucht. Taschenbuch Guter Zustand, ohne Namenseintrag Zustand: 3, Gut - gebraucht, Taschenbuch Cora Baccara Band 1548 , 5,11111111111111 , So errregend rätselhaft, Emily McKay.

8°, 3 Bände illustrierte Originalbroschur ( Paperback ) 637 + 268 s., LIEFERUNG ALS DHL-BRIEFSENDUNG/PAKET MIT BEILIEGENDER RECHNUNG - papierbedingt leicht gebräunt, Band 2 vereinzelt eselsohrig handschriftliche Nummern auf Titelblättern, sonst gutes Exemplar.

2 Schellackplatten 30 cm/78 UpM. Neue Pappcover. Platten mit leichteren Oberflächenkratzern. Deutsche Erstpressung der Aufnahmen vom Mai 1931, Central Hall Westminster, London. Matrizen-Nrn. WAX 6104 - WAX 6107. Sprache: de.

Couverture souple. Zustand: bon. RO90021990: 1980. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 220 pages. Tampon "Maison de la presse". . . . Classification Dewey : 843.0872-Le roman policier.

Overall condition: Very good / Zustand: Sehr gut. Sheetmusic / Noten.

Zustand: Fair. No Jacket. New edition. Whatever original binding it may have had has now been discarded. A binding copy. Weight: 1.0 Language: English Enclosed in replacement boards taken from an 1880 diary.

Couverture souple. Zustand: bon. RO90110673: 1998. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 149 pages. . . . Classification Dewey : 820-Littératures anglaise et anglo-saxonne.

Mooie half leren band (gesigneerd Flammarion Vaillant), origineel omslag mee ingebonden. Band wat geschaafd, verder een goed exemplaar. Please see description or ask for photos.

Zustand: sehr gut. Sprache: deutsch Heftroman 1.Aufl..

Zustand: sehr gut. Sprache: deutsch Heftroman 1.Aufl..

Vinyl, 12", 45 RPM. Zustand: Gut. LP-Vinyl Schallplatte(n) in einem guten bis sehr guten Zustand, am Cover kleinere Gebrauchsspuren. Stereo und/oder Mono. Platte top. A I Want To Make The World Turn Around (Extended Version) 6:21 B1 I Want To Make The World Turn Around (LP Version) 4:20 B2 Slinky (LP Version) 2:40 LP103 Sprache: Deutsch Gewicht in Gramm: 1001.…

322, 64 S. -TEXT IN LATEIN- la Gewicht in Gramm: 1400 4°. Original-Leineneinband, ehemaliges Bibliotheksexemplar mit Rückenschild, Signaturen und Stempeln (ausgeschieden), Einband mit Kleberest, teils verfärbt und teils lädiert, zahlreiche Bleistiftanstreichungen und -anmerkungen.

In-12°. [16] 444 pp. Contemporary full leather covered with linnen and paper. Raised spine with loss of leather. Spine worn. Comments by Chrysostomus on the letters by Paulus, interpreted by Wolfgang Musculus and Franciscus Arentinus.

(48) Bll. Pappband. Mit einigen figuralen und floralen Holzschnittinitialen. Dreiseitiger Farbschnitt. 8vo. Juristische Abhandlung der Reformationszeit über kirchliche Zeremonien, Riten und Feste. Separatabdruck aus der ebenfalls 1548 in Mainz erschienenen Gesamtausgabe der Schriften Brauns. Der württembergische Rechtsgelehrte Braun (1491-1563), langjähriger Beamter des Reichskammergerichts, trat "als Vorkämpfer der katholischen Sache auf [.] Sein Hauptziel war die Wiederherstellung der Glaubenseinheit durch Rückführung der Neugläubigen in eine von innen heraus erneuerte Kirche" (NDB II, 556). - Unbedeutend gebräunt; Buchblock nach Lage A angebrochen. - VD 16, B 7199. Adams B 2959.…

Größe 4°, (12) S., neuer Ppbd., Einband berieben, wenig bestoßen, innen etwas gebräunt, fleckig u. wasserrandig - Einer von 2 Drucken der ersten Ausgabe. - STC 4. IA 100.637. VD 16 A 279 = 281. Hohenemser 3549. Schottenloher 121. - Vgl. NDB I, 332. - Im Kampf gegen das Interim gab Adler 1548 "Christlich Bedenken auf das Interim" heraus, in dessen Zusammenhang vorliegende Streitschrift steht. Der darüber erboste Kaiser setzte auf den Kopf Adlers eine Belohnung von 5000 Gulden aus. Lt. der Angabe auf dem Titelblatt war Adler seinerzeit "Bischoff zu Salfeld" (Saalfeld).…

Erster deutscher Auszug aus Enarratio symboli Niceni. Enth. am Ende Das Nicenisch Symbolon: durch D. Mart. Luther verdeudscht. - Gebräunt u. etw. braunfleckig. - VD16, C 5847. ge Gewicht in Gramm: 350 4°. Mit einigen Holzschn.-Initialen u. -Vignetten. 24 nn. Bll., Geheftet (ausgebunden; ohne Einband).…

Couverture rigide. Zustand: Très bon. 1 vol. in-8 17x22 cm ; Relié,à 5 ficelles d'époque, plats et dos dénudés. Gardes blanches avce 2 annotations à l'encre. 5 annotations ou signatures à l'encre en page de titre. Ancinne mouillure plae touchant qq feuillets en début d'ouvrage. 12B3.

Couverture rigide. Zustand: Bon. in 12, de 16ff. & 359 ff. (exemplaire sans le dernier f. blanc et sans les 2 ff. d'errata, comme souvent), quelques erreurs de pagination mais signatures par 8 bien conformes, illustré de 10 belles vignettes à pleine page dans de grands encadrements, pl. veau époque estampé à froid de motifs floraux en encadrement, bel exemplaire dans sa reliure XVIe estampée. Rare seconde édition illustrée de la célèbre traduction de Le Maçon, restée inégalée par son charme et sa fidélité, et réalisée à la demande de la Reine de Navarre. L'illustration se compose d'un titre gravé dans un encadrement fleuri et d'une suite de 10 vignettes avec encadrements dans le style de l'école de Fontainebleau, ainsi que de jolies lettrines à fond criblé. On attribue souvent l'exécution de ces vignettes, qui ornaient déjà la première édition publiée aussi par Roffet en 1545, à Étienne Delaune. Dans cette édition, elles sont agrémentées de nouveaux encadrements de quatre blocs gravés contenant la marque d'Étienne Roffet. ¶ Brunet I.1006 "Toutes ces anciennes éditions de la traduction d'Antoine Le Maçon sont entières, et c'est un avantage que n'ont pas les éditions plus récentes. Ces petites éditions sont recherchés." - Gay I. 830 "Les cent histoires du Décaméron sont très variées, écrites dans un style très pur, qualités rares alors. Aussi ce livre obtint-il un grand succès." - Brun illustré Renaissance p.136 - Mortimer Harvard French XVI cent. n°106 (pour l'édit. de 1545) - Brunet I.1006.…

Zustand: molto buono. in-8 piccolo (155x98 mm), ff. 49, carattere corsivo, impresa giolitina della Fenice al frontespizio, 44 grandi iniziali xilografiche figurate (30x30 mm). Legatura in carta decorata settecentesca. Precede il testo la "Lettera di Giovanni di Fiore, che già compose la seguente opera in lingua castigliana, alla sua signora". Seconda e non comune edizione del Giolito di questa fortunatissima opera di uno degli autori spagnoli più letti in Europa prima di Cervantes. La fama di Juan de Flores (ca. 1455-1525) è legata proprio al racconto di Grisel y Mirabella;  pubblicata nel 1495, ebbe nel Cinquecento oltre 50 ristampe, ispirando Lope de Vega, John Fletcher e G. de Scudéry per parti delle loro opere; nonché l'Ariosto per l'episodio di Ginevra dell'Orlando Furioso. La storia dei due amanti, costretti al suicidio per salvare l'altro, ha un sottotesto fortemente femminista, e fu letta per lo più dalle donne. Questo stimolò riflessioni sul dibattito sui due generi, l'eguaglianza delle donne davanti alla legge e il loro diritto a un'istruzione superiore e la maggiore gravità della seduzione maschile o femminile: nella sfida dialettica sul tema l'autore parla attraverso Briseide che difende Mirabel e tutte le donne, in un'accorata accusa al potere maschile che condanna la vittima e salva lo stupratore. Il suo antagonista maschile è Torellas,  in realtà una figura storica reale: poeta contemporaneo, noto per le violente posizioni misogine e in particolare per il celebre Maldecir de las mujeres. Questa novela sentimental esprime sia tutta la carica misogina della letteratura del tempo ma, forse involontariamente, esprime un'invettiva contro il patriarcato e rivendicazioni femministe ancora attuali. Buon esemplare, lievi fioriture della carta, per lo più marginali.  Papanti, Novellieri Italiani, p. 9. Bongi, Annali, pp. 212-213. Manca a varie bibliografie. Book.…

Folio. (18), CCCXX + (1) ff. Title-page printed in red and black; numerous woodcut illustrations in the text. Near-contemporary blind-tooled pigskin over wooden boards with 2 clasps. Housed in a modern slipcase. The first German translation of the only architectural treatise to survive from classical antiquity. Considered the supreme authority by Italian Renaissance architects, it became the single most influential work for the later development of European architecture. - The translation is by Walther Hermann Ryff (Rivius), who was responsible for two more architectural works in German, both printed by Petreius in 1547, as well as a Latin edition of Vitruvius from 1543. "The illustrations are attributed to Peter Flötner, Virgil Solis, Georg Pencz, Hans Brosamer and Erhard Schön, with initial letters by Hans Springinklee. They are mainly based on the 1521 Como edition, but many of the plates were used in Ryff's Bawkunst [1547]" (Fowler, p. 317f.), while some are ultimately derived from the 1499 "Hypnerotomachia Poliphili". Chipps Smith concludes that Flötner was the principal artist of the project and that his designs were followed by Solis and Pencz. "Excepting Serlio's 'General Rules of Architecture' of 1542, the 'Vitruvius teutsch' was the first significant architectural treatise published in German. Much of the technical information was still relevant to 16th century architects and artists" (Chipps Smith). - Binding somewhat rubbed, lower board with small neat repair at foot. Old inscription washed from title-page, woodcut on mmm2v very slightly shaved at outer margin, some marginal dampstaining. Marginal annotations in Latin in a humanist hand to aa2 and aa3r. - Thomas Kimball Brooker, oil industry executive (b. 1939), purchased in 1999 from Robin Halwas, London. - VD 16, V 1765. Fowler 404. Adams V 913. BM-STC German 898 (imperfect). Kat. der Ornamentstichslg. Berlin 1810. Schweiger II, 1262. Graesse VI.2, 378. Thieme/B. XII, 113; XXXI, 249. Poleni 66f. J. Chipps Smith, Nuremberg, A Renaissance City, 1500-1618 (1983), no. 136. Bange/Flötner, Meister der Graphik XIV, p. 20, No. 5. Röttinger, Die Holzschnitte zur Architektur und zum Vitruvius Teutsch des Walther Rivius. Not in BAL RIBA.…

Erste dt. Ausgabe des Hauptwerkes der Architekturtheorie der Renaissance. - Die Zehn Bücher über Architektur bieten die erste umfassende Behandlung der antiken Technik (Zeitmessung, Baumaschinen, Wasserräder, Kriegsmaschinen usw.), Architektur und Raumgestaltung. - Der Übersetzer, der Humanist Walther Hermann Ryff, stützte sich in seinen Ergänzungen und Kommentaren vor allem auf die Vitruv-Ausgabe von Cesariano (Venedig 1521) und die Architekturtraktate des Sebastiano Serlio. Die Holzschnitte schreibt Dodgson (I, 528, 3) Peter Flötner zu, nach Fowler haben aber auch Jörg Pencz, Virgil Solis, und Hans Brosamer beigetragen. Die Initialen stammen von Hans Springinklee. - Einband beschabt u. bestoßen (Ecken u. Kanten tlw. m. Bezugsfehlstellen). Ein Holzschnitt alt ankoloriert. Die übergroßen Bll. 122 u. 226 wie meist leicht angeschnitten. Rechte untere Ecke durchg. etw. fingerfleckig. Vereinzelt gering wasserrandig. Schwach gebräunt bzw. (stock-)fleckig. - VD16, V 1765; Adams V 913; BM STC, German Books 898; Ornamentstichslg. Berlin 1810; Fowler 404; Millard 133; Benzing, Ryff 185; Ebhardt, Vitruv 70; Millard Coll. III, 133. ge Gewicht in Gramm: 3000 Fol. Mit ca. 190 tlw. blattgr. Textholzschnitten. 18 nn., 320 num. Bll., Marmor. Ppbd. d. 19. Jhds. m. goldgepr. Rückentitel u. gespränkeltem Rotschnitt.…

Zustand: Bueno. Folio, [11]+CCI+[2] hojas. EJEMPLAR FALTO DE LOS FOLIOS LXXII Y LXXIII, ASÍ COMO DE LA HOJA FINAL CON MARCA DE IMPRESOR; POR EL CONTRARIO, PRESENTA UNA HOJA DE PRELIMINARES MÁS QUE EL RESTO DE EJEMPLARES CONSULTADOS, EN LA QUE SE INCLUYE LA APROBACIÓN Y TASA DE LA OBRA, RUBRICADA POR FRANCISCO DE LEDESMA POR MANDADO DE "EL PRÍNCIPE". Encuadernación del siglo XIX en pasta española rozada, tejuelo; ex libris de José Menéndez Pidal y Álvarez en contraplano. Portada presenta dos firmas de Gabriel de Canencia, así como algunas manchas y restauración en margen inferior, sin afectar. El folio añadido en los preliminares, con la aprobación y tasa, se presenta suelto, con mancha y con falta en punta inferior, sin afectar. Algunas anotaciones y pasajes subrayados, primer cuadernillo suelto; papel tostado, huellas de humedad. Tipografía gótica, capitulares, texto a dos columnas. EJEMPLAR FATIGADO.…

Zustand: Buono (Good). 8vo. Two volumes. I: (32), 453, (3) pp. The last leaf is a blank. *-**8, A-Z8, AA-EE8, FF4. With the printer's device on title-page and at the end; II: (4), 260 leaves. A-Z8, AA-KK8. With the printer's device on title-page and at the end. Entry of ownership by Giovanni Battista Zuccari (April 10, 1683). Contemporary limp vellum.Adams, G-1486 (book I); Bongi, I, pp. 465-466 and 205; Basso, pp. 96-97; Edit 16, CNCE 22187 and CNCE 22170. TENTH ITALIAN EDITION of book I and SECOND ITALIAN EDITION of book II. The Epístolas familiares by Antonio de Guevara, after their first appearance at Valladolid in 1539-1541, became an European bestseller. They were reprinted several times and translated into English (The Familiar Golden Epistles, London, 1574), German (Guldene Sendschreiben, München, 1598-1599), French (Les epistres dorées moralles et familières, Lyons, 1556), and Italian (libro primo, Venezia, 1545; libro secondo, Venezia, 1546; libro terzo, Venezia, 1557; libro primo-quarto, Venezia, 1565).The Italian translation is due to Domingo de Gaztelu, secretary to the Spanish ambassador in Venice Don Hurtado de Mendoza. Gaztelu dedicates the first book to Cristoforo Madruzzo (Venice, April 7, 1545), and the second to Cosimo de' Medici (Venezia, September 15, 1546).?El género epistolar español no llega a la cumbre con Guevara: la había alcanzando mucho antes con las Letras de Hernando del Pulgar; [?] Las Epístolas familiares marcan el punto en le que el género epistolar va destilándose en modo. En Guevara, hay una consciente utilización de la retórica epistolar y de sus estrategias textuales para otros fines, para otros géneros. Las Epístolas familiares tienen formam de epístolas, sí, pero cuando las leemos descubrimos que apenas queda nada de aquella cálida (fingida, pero cálida) conversación entre amigos que eran las colecciones a las que nos remite el títuolo guevariano, Epistulae ad familiares de Cicerón y Familiarum rerum libri de Petrarca. Descubrimos en cambio una huida hacia adelante, un acusado family resemblance con los Essais de Montaigne del 1580. El continente sumergido de escritura guevariana comienza a emerger, y en él descubrimos pasajes y paisajes familiares. La lectura de las Epístolas familiares se hace siempre con muchos sobresaltos, porque a cada paso nos topamos con figuras, puntos de vista, malicias narrativas y voces cuyos ecos reconoceremos en el Lazarillo, en el Guzmán y en el Quijote? (A. Orejudo, Las epistolas familiares de Antonio de Guevara en el contexto epistolar del Renacimiento, Madison, WI, 1994, pp. 123-124).The letters of book I are mainly addressed to people at the imperial court and include humanist debates, sermons, comments on moral philosophy, policy and contemporary events. For their style they are considered as antecedents to the modern ?essay'. The influence of the letters of famous epistle writers as Cicero, Petrarch or Erasmus is quite evident. On the other hand the second book is more concerned with devotional and ascetic topics.?Guevara llamó a sus epístolas, familiares, y pocas, en realidad, justifican este nombre. Puede aplicarse sin gran violencia a las que, dirigidas a personajes de su tiempo, le dan ocasión para referirse a casos de actualidad, y muchas veces proprios, así como a intercalar reflexiones ingeniosas y anécdotas pintorescas, que son lo más sabroso y original de sus cartas. Entre ellas entrevera otras más severas y doctrinales y numerosos sermones y razonamientos qui sin duda se predicaron o dijeron en las ocasiones que suele señalar en las rubrícas de las epístolas? (A. de Guevara, Epistolas Familiares. Libro primero [-segundo], J.M. de Cossio, ed., Madrid, 1950-1952, I, p. XI).In Italy several passages of Guevara's letters were plagiarized by Anton Francesco Doni (cf. P. Pellizzari, I plagi nei ?Mondi'. L'inserzione di alcune ?Epistolae familiares' di Antonio de Guevara, in: ?Anton Francesco Doni, I Mondi e gli Inferni?, Torino, 1994, pp. 417-441).We have d. Book.…

Zustand: Very Good. First edition. Octavo (17cm); 161 [3] leaves (including final blank). Printer's device on title page and on verso of last leaf. Woodcut initial H on f.2 populated with racquetball players, and woodcut initial D on f.3 by the figure of a woman petting a boar. Italic and Roman type. Slight yellowing, light water stain to some lower outer corners. A very good copy in c.1750 polished vellum, gilt-stamped title on spine. C16 pen traces. Occasional scattered foxing. References: Adams, L-562; Bongi I, 213-214; BM Italian, 376; Melzi II, 115; Grendler, 14. See also, Meredith K. Ray, "Writing Gender in Women's Letter Collections of the Italian Renaissance" (Toronto, 2009); Serena Pezzini, "Dissimulazione e paradosso in Ortensio Lando," in "Italianistica" 31:1 (2002) pp. 67-83; Natalina Bellucci, "Lettere di molte valorose donne.e di alcune pettegolette, ovvero: di un libro di lettere di Ortensio Lando," in Quondam, ed., "Le carte messaggere: rhetorica e modelli di communicazione epistolare."(Rome, 1981) pp. 255-76. Lettere di molte valorose donne is a collection of model letters written by women to other women, demonstrating (in the context of the "querelle des femmes") that women are in no way inferior to men in eloquence and education. Topics range widely, embracing the commonplaces but with the addition of issues such as marriage, childbirth, the struggle for education, and the attractiveness of men, or lack thereof. The text seems to provide an intimate glimpse into a female network in which advice and comfort are shared. Authorship of Lettere di molte valorose donne puzzles scholars to this day. Published by the powerful Venetian house of Gabriel Giolito de' Ferrari, there is no attribution on the title page or in the front matter. Lando is only mentioned in the gratulatory verses at the end of the book, where his famous peers, Dolce, Aretino, Sansovino, and Pestalossa, celebrate him for the "copious sweat and considerable personal expenses" that he put into compiling the book. Succumbing to historical bias, nineteenth-century scholarship denied the authorship of the letters from the women who wrote them, insisting that Lando wrote the entire text. Recent research restores the texts to their female writers, and takes the view that Lando, in collaboration with his great friend and sometime patron, Lucrezia Gonzaga, may have done some heavy editing. The eccentric, peripatetic humanist Ortensio Lando was never comfortable with the noble courtesies of his Renaissance world. During his lifetime (ca. 1510-ca. 1559), he was in the top tier of Italian public intellectuals, but unlike his still-famous peers (Dolce, Sansovino, Bembo) he refused to buckle down. He attached himself to Rabelais's circle in Lyon while he worked in Gryphius's print shop there. He was especially close with Étienne Dolet there, the champion of free speech later hanged for heresy. He rambled on to Erasmus's Basel, and then to Germany, and returning to Italy he drifted through various Italian university towns (from Lucca, to Pisa, to Trent). He spent about ten years in Venice, and died, probably in Naples, in the late 1550s. Sometimes he published under his own name, but he frequently used pseudonyms or indeed no name. Despite this unsettled existence, he liked to call himself "Tranquillo.".…

Klein-8°. 92 num. Bl., mit Titelholzschnittbordüre und Holzschnittdruckermarke. Neuer Pergamentband. Gilt als das erste historische Wörterbuch zum poetischen Gebrauch und erschien erstmals 1498. Beinhaltet geographische, sowie historische und mythische Namen. - Gering fleckig.