works architecture robert james (32 Ergebnisse)

Zustand: New. In.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. Zustand: Gut. Softcover, 184 S., zahlr. Abb., 31 x 23,5 cm, Einband mit Gebrauchsspuren, Buchschnitt stockfleckig, sonst guter Zustand, cover with traces of usage, partly foxed, apart from that age-appropriate good condition, 1. Aufl. 910 gr.

Red Cloth. Zustand: Very Good. No Jacket. First Thus. iv., 24, xiv., 106 pages, plates, illustrations. Minor wear, bumping to covers, contents fine, unmarked. [769] Size: 285mm. x 230mm. Book.

Zustand: Buone. inglese Condizioni dell'esterno: Discrete con difetti, segni d'uso manca sovraccoperta Condizioni dell'interno: Discrete con Difetti, macchie bruniture.

Hardcover. Zustand: Fair. 30 b&w plates. The plates are loose, so sold as a portfolio. Light dampstaining and tanning, but the plates are very useable.

Soft cover. Zustand: Near Fine. 1st. Dust Jacket: N/A. External/Dust Jacket Condition: Excellent. Clean. Minor wear and creasing to the corners and edges. Internal Condition: Excellent. Clean. Author/Editor: Reed, Henry Hope. Publisher: Dover Publications. Year: 1980. Edition: 1st. Binding: Softcover. Illustrated: Yes, B&W. Language: English. Page Count: 128. Keywords: Henry Hope Reed, Syon House, Lord Mansfield's Villa Kenwood, Luton House, The Earl Of Derbys House, Sir Watkin Williams Wynn's House, Shelburn House. The book for sale is the one in the photo.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1050grams, ISBN:

Paperback. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.15.

Paperback. Zustand: Very Good+. Please note that this is a heavy item and may require extra postage for international shipping; Card covers are sturdy but slightly sunned from age with bumping at edges; spine shows creasing from reading and has minor tears at edges; binding is tight; pages are crisp, white with no annotations from previous owners aside from previous owner's signature which appears on the half-title; 'No.20 St James Square' pamphlet included within. Overall, this is a nice copy. ; 9.4 X 0.7 X 12 inches; 183 pages.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Folio. Library cloth. Secure binding. First few pages dampstained, otherwise clean. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1750grams, ISBN:

Hardcover. Zustand: As New. No Jacket. 23pp. 105 b&w plates. Facsimilie edition.

London, New York, Academy, St. Martin?s Press 1975. 4°. 184 S. mit zahlr. Abb. Orig.-Pappband / hardcover. Original Schutzumschlag. Orig.-Pergaminumschlag. Vorbesitzer-Stempel auf Titelblatt. Sehr gutes Exemplar.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. 1st Edition. Large-format volume, measuring approximately 9.75" x 12.5", is bound in pale green paper spine and boards, with stamped gilt lettering to spine. Edges of text block display scattered light foxing. Book is otherwise in fine condition, with solid binding, clean and bright pages. Dust jacket, with price of $30 on front flap, shows light wear at edges. Jacket is preserved in mylar. 184 pages. ""The Works in Architecture of Robert and James Adam" provoked a fierce reaction from the moment of the publication of its earlier sections in 1773. Personalities as divergent as George III and Horace Walpole found its assertively self-confident tone intolerable, but however hostile this initial reception may have been, the importance of the first volume, issued in complete form in 1778, soon became apparent to all unbiased observers. A second volume appeared in 1779, followed by a third, posthumous one in 1822. "The Works" set out clearly Robert and James Adam's aesthetic credo and stake their claim to having affected a revolution in the decorative arts of the late eighteenth century. First published after the completion of several staggeringly influential projects for English country houses, these volumes were at once a stunning summation of the Adam mode and a brilliant advertising ploy, designed to affirm the originality of the brothers's (sic) innovations against the initiative schemes of Wyatt and Chippendale. Following the tradition of the great Renaissance and Baroque architects, the Adam brothers codified their style and made their rich vocabulary of decoration available to designers in England and on the continent. Indeed, the publication of "The Works" gave a massive impetus to the Anglomania which swept French artistic circles at the time. Like many great modes of design, the Adam style was fundamentally eclectic ,drawing most heavily for inspiration upon the antique while borrowing also from the cinquecento and the French Rococo. Diverging from the sobriety of continental Neo-Classicism, Robert and James Adam reacted against the heavy Palladianism of their immediate English predecessors and developed an increasingly refined, elegant and even delicate translation of Greek and Roman forms which was unique and totally original. Their vision permeated every aspect of their designs, from the shape of the rooms to the smallest detail of ormolu beading, and the Adam mode became as integral a part of late eighteenth century style as the Reynolds portrait. Robert Oresko, who researches primarily in the fields of seventeenth and eighteenth century architecture, has produced the first complete edition of both the text and the engravings of "The Works" to appear for over seventy years. To this he added an introductory essay, bibliography, indexes of buildings and engravers and over forty-five photographs which illustrate the lasting achievement of the Adam brothers. This long overdue reappearance of the complete "Works" provides the scholar, the connoisseur and the layman with both an invaluable document of eighteenth century architectural and decorative thought and the essential primary material for understanding "the Adam revolution" in design.".

Complete reprint of the plates from Works in Architecture 1773-1822. Cloth. Very good in edge damaged dustjacket.

Zustand: Good. 30x40 cm. Black and white engraving. Very Good. In plastic.Provenance: Jean-Louis Debauve (1926-2016) aka Henry Jean-Louis DebauvveMagistrat honoraire, spécialiste de la poésie romantique et du Symbolisme. historien et critique littéraire. - Membre de la Société polymathique du Morbihan - Docteur en droit (Paris, 1961)Item in plastic sleeve, new photos of item can be sent to customer upon request.

Hardcover. Zustand: VG+. Reprint. 106 pages in very good, clean condition. Many illustrations. Ex-private library, with a card sleeve on the back paste-down endpaper. Previous owners' names on the ffep. Red cloth with gilt titles on the spine. Light wear on the corners, head/tail of spine. VG+ Size: 8 1/2 x 11. Book.

2°. 3 Bl., 30 faksim. Taf. OPbd. Finger- bzw. staubfleckig, Einbd. beschäd., Lagerspuren. Gewicht in Gramm: 3000.

Tadellos erhalten.

Zustand: Good. Good condition. Poor dust jacket. (neoclassicism, architecture, great britain ) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

1/4 Vellum. Zustand: Minor Wear and Soiling. No Jacket. First Edition. Gray paper-covered boards. Thirty full-page plates. Quite a clean copy throughout. Size: Large Folio.

Unbound. 2 vols., 106 illus. reproduced on 70 6.75 x 9 inch, B & W photographs mounted on 10 x 12.5 brown card stock (lacking plates 1 & 58) Ex-library, Good condition, in portfolio, lacking 2 plates.

Hardcover. Zustand: Very Good. Very Good. Very Large hardcover volume. Approximately 19" tall by 13 1/2" wide. Green boards with black lettering. Some sun-fading to right-most portion of front board and usual shelf-wear to bottom edge. White spine and corners are also toned from age. Pages are clean and unmarked. Binding has weakened over the years and some pages are unattached and some are torn and chipped at the edges. Includes 30 engraved plates showcasing details of interior design styles from the late 18th and early 19th centuries.

Hardcover. Zustand: Good. Good. Very large hardcover volume. 19 by 13 1/2 inches. Green boards with black lettering. Boards are rubed and faded from age and edges and corners show rubbing and chipping. Bound in 3/4 white leather which is faded and rubbed. Spine is beginning to crack. Some pages are unattached. Includes 30 black and white engraved plates detailing elements of interior design from the late 18th and early 19th centuries. Pages are clean and unmarked and plates remain handsome and presentable.

London, John Tiranti & Co., Architectural Publishers, 1931. VIII S., 4 nn. Bll., 6 nn. Bll. und zahlreiche Abbdilungen auf zusammen 105 Tafeln. Folio (ca. 37 x 25 cm). OHlwd.-Bde. mit schwarzgeprägten Titel und Rückentiteln.- (= The Scopas Series. Tiranti's Edition).- Sprache, Englisch.- Einbände berieben und stellenweise fleckig, Band 3 stärker. Vorsätze teils gebräunt, schwach fleckig oder leimschattig, 2 Titel mit Eignerstempel, wenige Tafeln mit kleinen Eselsohren. Textseiten und Tafeln sauber. Kunst, Architektur, Baustile, England, Schottland, Großbrintannien, 18. Jahrhundert, Klassizismus, Tafelwerke, Nachdrucke, Robert Adam, James Adam, Adamstil.

2°. 3 Bl., 30 faksim. Taf. OHPgmt. Lagen gelöst. Gewicht in Gramm: 3000.

Londres, 1778-1822. [Reprint Paris 1900-1902]. 3 vols in 1. Text & 89 (of 105) plates. H.cloth portfolio, dam. & soiled. Large folio.16 plates missing.Text in French and English. Limited edition of 500 copies, number 324.