Work von friedlander lee (27 Ergebnisse)

First Edition. First edition. Oblong softcover. 91 pages. Features text by Keith F. Davis. Includes images by and information about Linda Connor, Ed Grazda, Richard Pare, Stuart Klipper, Mitch Epstein, Rosalind Solomon, Lois Conner, and Lee Friedlander. A very near fine copy in wrappers.

Cloth over boards. Zustand: About fine. About fine. First edition. Hardcover with complete Dj. Large sq. 4to. Unpaginated. 193 doutone plates. Clean, unmarked and square.

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Hardcover. Black matte paper-covered boards with tipped-in black-and-white plate and title stamped in gray on cover, with rust cloth-covered spine; no dust jacket as issued. Photographs by Lee Friedlander. Afterword by Maria Friedlander. Includes a list of plates and an illustrated overview of JGS activities in the arts. Unpaginated (96 pp.), with 157 duotone plates and additional illustrations. 12 x 9-1/2 inches. New in publisher's shrink-wrap. From Nazraeli Press: "Witness Number 6 provides a portrait -- in 157 photographs by Lee Friedlander, and accompanying essay by Maria Friedlander -- of the sculptor Raoul Hague. The Friedlanders knew Hague for over two and a half decades, and their deep fondness for, and mutual trust with, the Armenian-born sculptor comes through in every image and word of this gorgeous addition to JGS's Witness series." From the text by Maria Friedlander: "Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and worked. To enter Hague's cabin was entering his universe. It was not simply a dwelling and a studio but a carefully organized way of life, a reflection of an esthetic ideal. All he did, whether work or pleasure, was driven by this ideal, which he created for himself and carried out without compromise. Hague was the quintessential storybook artist.". …

Hardcover. Zustand: Fine. Near Fine. 1st Edition. First edition, first printing. Hardcover. Fine cloth, with debossed title, with dust jacket. Photographs and text by Lee Friedlander. Afterword by Richard Benson. Designed by Katy Homans. 96 pp., with 231 duotone reproductions, beautifully printed by Steidl, Göttingen, Germany. 12-1/4 x 12 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Fine in Near Fine dust jacket (small closed tear at the upper rear dust jacket, else Fine). Includes photographs from the following series: Factory Valleys; Gund Foundation; Cray, Chippewa Falls; MIT; Dreyfus; Telemarketing (some photographs have been reproduced in previous publications of the same name, such as Factory Valleys and Cray at Chippewa Falls). From the publisher: "In the Industrial North at the end of the 1970s, people were at work using hands and machinery to make things we all use. In the mid 80s, in Wisconsin, they built supercomputers; at the same time, near Boston, they typed on desktop computers. In New York City, in the early 90s, people stood on stock floors, trading. In 1995, in Omaha, they sat at computers, cold calling as telemarketers; and in Cleveland, in that same year, they used their human skills in traditional ways to once again craft products we all depend on. Work, work, work--we spend the better part of our lives on the job, be it in a factory or an antiseptic office, or somewhere else in the vast assembly line in between. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana--her monuments, jazz musicians, and urban landscapes--here presents 16 years of Americans at work. A collection of commissioned portfolios, some made at the request of art institutions, others at the behest of company CEOs, Lee Friedlander At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers--at work.".…

1. Auflage.. 193 sehr gute s/w-Abb., ohne Seitenzahlen, Zustand: erstklassiges, neuwertiges Exemplar. Fotografiert bei: Factory Valleys, Ohio; Gund, Cleveland; Cray, Chippewa Falls; MIT, Boston; Dreyfus, New York; Telemarketing, Omaha. Sprache: Englisch Gewicht in Gramm: 1400 31,0 x 30,0 cm, gebundene Ausgabe, dunkelgraues Leinen mit Blindprägung, Original-Schutzumschlag. …

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. 1st Edition. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana presents here 16 years of Americans at work. A collection of portfolios commissioned in part by art institutions and in part by company CEOs, At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers -- at work. Unpaginated ; 30 x 31 cm. First edition, first impression of 3000 copies. Grey cloth boards, unclipped dust jacket (now in a removable protective sleeve). Slight shelf wear and tanning to edges, no inscriptions, tight and square binding. Photographs available on request. All books dispatched same or next working day in robust packaging.…

Leinen. mit Schutzumschlag. Quart. Unpag. Leinen mit Schutzumschlag. Sprache: Englisch, Mit zahlr. schw.-w. Abb. sehr gutes Exemplar. LMEX.

1. ed. Numerous illustrations on plates, unpaginated. Very fine copy. Dust jacket marginally rubbed, the book in mint condition. Sprache: Englisch Gewicht in Gramm: 0 4°, original cloth binding with dust jacket.

Hardcover. Zustand: Fine. dj. First edition. Square 4to. Unpaginated. Dust jacket over color printed boards. Still in publishers brown paper shipping wrapper. Signed on the half-title by Friedlander. A new copy. Signed.

Zustand: Gut. druckfrisches Exemplar, mint and fresh. Sprache: Englisch Gewicht in Gramm: 1500 4°, [84] S. : überw. Ill. , 31 cm, Olwd Ou.

Leinen. mit Schutzumschlag. Quart. Unpag. Leinen mit Schutzumschlag. Sprache: Englisch, Mit zahlr. schw.-w. Abb. sehr gutes Exemplar. LMEX - auf dem Vortitel von Lee Friedlaender signiert. Signatur des Verfassers.

Hardcover. Zustand: Brand New. 96 pages. 12.25x12.00x0.75 inches. In Stock.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Price is net to all; promotional discounts do not apply. First edition, first printing. Signed in black ink on the title page by Friedlander. Hardcover. Fine cloth, with debossed title, with photographically illustrated dust jacket. Photographs and text by Lee Friedlander. Afterword by Richard Benson. Designed by Katy Homans. 96 pp., with 231 duotone reproductions, beautifully printed by Steidl, Göttingen, Germany. 12-1/4 x 12 inches. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. Fine in Fine dust jacket (from Friedlander's personal archive). Includes photographs from the following series: Factory Valleys; Gund Foundation; Cray, Chippewa Falls; MIT; Dreyfus; Telemarketing (some photographs have been reproduced in previous publications of the same name, such as Factory Valleys and Cray at Chippewa Falls). From the publisher: "In the Industrial North at the end of the 1970s, people were at work using hands and machinery to make things we all use. In the mid 80s, in Wisconsin, they built supercomputers; at the same time, near Boston, they typed on desktop computers. In New York City, in the early 90s, people stood on stock floors, trading. In 1995, in Omaha, they sat at computers, cold calling as telemarketers; and in Cleveland, in that same year, they used their human skills in traditional ways to once again craft products we all depend on. Work, work, work--we spend the better part of our lives on the job, be it in a factory or an antiseptic office, or somewhere else in the vast assembly line in between. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana--her monuments, jazz musicians, and urban landscapes--here presents 16 years of Americans at work. A collection of commissioned portfolios, some made at the request of art institutions, others at the behest of company CEOs, Lee Friedlander At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers--at work." Signed by Author. Signed.…

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first printing. Signed in black ink on the title page by Friedlander. Hardcover. Black matte paper-covered boards with tipped-in black-and-white plate and title stamped in gray on cover, with rust cloth-covered spine; no dust jacket as issued. Photographs by Lee Friedlander. Afterword by Maria Friedlander. Includes a list of plates and an illustrated overview of JGS activities in the arts. Unpaginated (96 pp.), with 157 duotone plates and additional illustrations. 12 x 9-1/2 inches. New (from Friedlander's personal archive). From Nazraeli Press: "Witness Number 6 provides a portrait -- in 157 photographs by Lee Friedlander, and accompanying essay by Maria Friedlander -- of the sculptor Raoul Hague. The Friedlanders knew Hague for over two and a half decades, and their deep fondness for, and mutual trust with, the Armenian-born sculptor comes through in every image and word of this gorgeous addition to JGS's Witness series." From the text by Maria Friedlander: "Lee and I have shared a number of unconventionally interesting friends during our five decades together, people who show us an unusual way of living a life. I would put Raoul Hague on that list, maybe at the top. Beginning in the mid 1960s and continuing for more than 25 years, Lee and I and our children visited him at the Woodstock, New York, cabin where he lived and worked. To enter Hague's cabin was entering his universe. It was not simply a dwelling and a studio but a carefully organized way of life, a reflection of an esthetic ideal. All he did, whether work or pleasure, was driven by this ideal, which he created for himself and carried out without compromise. Hague was the quintessential storybook artist." Signed by Author.…

Hardcover. Zustand: gut. 2002. Lee Friedlander - At Work. Signed first edition. In deutscher Sprache. pages.

12 Seiten Text & 30 ganzseitige Fototafeln. Kartoniert. 4°. Sauberes Exemplar ohne Stempel oder Anstreichungen. Sehr gut erhalten. Sprache: eng.

Nachwort Richard Benson. Göttingen: Steidl, 2002. OLn. m. OU. 192 S. m. s/w. Fotografien. - 31 x 30. * Neuwertig. - Text in Englisch. - Fabrikfotografien von 1979 - 1995 in Ohio, Cleveland, Chippewa Falls, Boston, New York und Omaha.

Softcover. Zustand: Very good. First edition. Small square quarto (10"). 45,(1)pp. Lettered cream wrappers, head & foot of front hinge rubbed. Illustrated with photographs (some nudity) on rectos, and mostly erotic etchings on rectos.

Zustand: Good. London: Trigram Press Ltd, 1969. 1st edition. Paperback edition. Oblong sm 4to. Unpaginated. Illus. Good book. (artistic photography, etching) Inquire if you need further information.

First trade edition. [46 pp]. Fine in printed wrappers. Typography by Asa Benveniste. Introductory statement by Dine, reproduced from his holograph. Sixteen paired images.

weicher Einband. . 25 x 25 cm, Broschur, unpaginiert. * Ex Libris Michael Ruetz im Innendeckel, Einband etwas angegilbt und berieben, ansonsten guter Zustand (K21).

First Edition. First edition. Softcover. Friedlander's scarce first book a collaboration of sorts between these two artists who were roommates. Includes sixteen images from each artist. A very good copy in wrappers with some wear to the top of the spine, some bumping to the corners and some other minor wear. Still, a very presentable copy of this important debut.…

A near-fine copy in the original dustjacket, signed by Friedlander on the half-title. With an afterword by Richard Benson. First edition, signed by Lee Friedlander; 4to; 193 black and white illustrations, many full-page; publisher's grey cloth, green lettering to spine, title blindstamped to upper cover, orange endpapers, with the original pictorial dust-jacket; a near-fine example.…

Soft cover. Zustand: As New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. Price is net to all; promotional discounts do not apply. Pricing and availability are subject to change. First edition, first printing. Signed in black ink on the title page by Friedlander (under his printed name). Soft cover. Laminated white wrappers with title printed on front and spine, no dust jacket as issued. Photographs by Lee Friedlander. Etchings and text by Jim Dine. Unpaginated (48 pp.), with 33 black and white plates printed on 70-lb. Ambassador White Art Double Crown coated paper by W&J Mackay & Co., Ltd., Chatham, Kent. 9-3/4 x 9-7/8. Out of print. Very scarce. As New (from Friedlander's personal archive). A Mint copy. This collaborative artists' book reflects a visual dialogue presenting photographs by Lee Friedlander on the left-hand pages, with Dine's etchings facing them on the right side. From the publisher: "Their mutual obsession to record it all in their own media: egocentrifugal forces. who have succeeded here in dedicating their work to each other in the best way, by making them with each other in mind." Signed by Author. Signed.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. First edition. Large square quarto. Fine in fine dustwrapper. Inscribed by the photographer to his close friend, the artist R.B. Kitaj: "For Ron with love, Lee." A significant association between two American artists. Friedlander published a volume devoted exclusively to portraits of Kitaj: *Kitaj* (San Francisco: Fraenkel Gallery 2002).…

Zustand: Wie neu. Steidl, Göttingen. 2003. First edition, first printing. New, mint, unread; originally shrink-wrapped in publisher`s plastic foil. Hardcover with dustjacket. 305 x 288 mm. 96 pages. 231 duotone plates. With an essay by Richard Benson. Perfect condition! Collector`s copy! Friedlander is famous for fantastic photobooks like "The American Monument" (Andrew Roth, The Book of 101 Books, page 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, page 28. The Open Book, Hasselblad Center, page 310. 802 photo books of the M. + M. Auer collection, page 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, page 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, page 258. The Open Book, Hasselblad Center, page 262/263. 802 photo books of the M. + M. Auer collection, page 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, page 199). In the industrial north at the end of the 1970s, people were at work using hands and machinery to make things we all use. Less than a decade later, supercomputers were being made in Wisconsin while desktop computers were being used in Boston. In New York City in the early nineties, people were avidly trading at stock exchanges. In 1995, telemarketers sat at computers in Omaha, cold-calling potential customers, while in Cleveland, in that same year, human skills were once again put to traditional use to craft products we all depend on. Work, work, work we spend the better part of our lives on the job, in a factory or an antiseptic office or somewhere else in the vast assembly line in between. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana monuments, jazz musicians, and urban landscapes presents here 16 years of Americans at work. A collection of portfolios commissioned in part by art institutions and in part by company CEOs, At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers at work. Lee Friedlander has had a distinguished career as a photographer. Among his many awards are a MacArthur Foundation Award, grants from the National Endowment of Art, and three Guggenheim Fellowships. His previously published books include the seminal Self Portrait and The American Monument, and, more recently, American Musicians, Letters from the People, Little Screens, The Desert Seen, and Kitaj. He lives in New York State.***************Steidl, Göttingen. 2004. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweisst in Plastikfolie des Verlages. Leinen mit Schutzumschlag. 305 x 288 mm. 96 Seiten. 231 Fotos. Mit einem Essay von Richard Benson. Perfekter Zustand! Sammler-Exemplar! Friedlander ist berühmt für wunderschön gemachte Fotobücher wie "The American Monument" (Andrew Roth, The Book of 101 Books, Seite 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 28. The Open Book, Hasselblad Center, Seite 310. 802 photo books of the M. + M. Auer collection, Seite 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, Seite 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, Seite 258. The Open Book, Hasselblad Center, Seite 262/263. 802 photo books of the M. + M. Auer collection, Seite 514) oder "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 199). Sprache: Englisch Gewicht in Gramm: 1600.…

Zustand: Wie neu. Steidl, Göttingen. 2003. First edition, first printing. Signed by Lee Friedlander! New, mint, unread; only opened once for signature. Hardcover with dustjacket. 305 x 288 mm. 96 pages. 231 duotone plates. With an essay by Richard Benson. Perfect condition! Signed by the artist! Collector`s copy! Friedlander is famous for fantastic photobooks like "The American Monument" (Andrew Roth, The Book of 101 Books, page 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, page 28. The Open Book, Hasselblad Center, page 310. 802 photo books of the M. + M. Auer collection, page 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, page 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, page 258. The Open Book, Hasselblad Center, page 262/263. 802 photo books of the M. + M. Auer collection, page 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, page 199). In the industrial north at the end of the 1970s, people were at work using hands and machinery to make things we all use. Less than a decade later, supercomputers were being made in Wisconsin while desktop computers were being used in Boston. In New York City in the early nineties, people were avidly trading at stock exchanges. In 1995, telemarketers sat at computers in Omaha, cold-calling potential customers, while in Cleveland, in that same year, human skills were once again put to traditional use to craft products we all depend on. Work, work, work we spend the better part of our lives on the job, in a factory or an antiseptic office or somewhere else in the vast assembly line in between. Tireless photographer Lee Friedlander, the maniacally inclusive but blessedly nonchalant cataloguer of Americana monuments, jazz musicians, and urban landscapes presents here 16 years of Americans at work. A collection of portfolios commissioned in part by art institutions and in part by company CEOs, At Work also documents, albeit subtly, 16 years of one of America's most exceptional and hard-working photographers at work. Lee Friedlander has had a distinguished career as a photographer. Among his many awards are a MacArthur Foundation Award, grants from the National Endowment of Art, and three Guggenheim Fellowships. His previously published books include the seminal Self Portrait and The American Monument, and, more recently, American Musicians, Letters from the People, Little Screens, The Desert Seen, and Kitaj. He lives in New York State.***************Steidl, Göttingen. 2004. Erstausgabe. Originalausgabe. Signiert von Lee Friedlander! Neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signatur! Leinen mit Schutzumschlag. 305 x 288 mm. 96 Seiten. 231 Fotos. Mit einem Essay von Richard Benson. Perfekter Zustand! Signiert vom Künstler! Sammler-Exemplar! Friedlander ist berühmt für wunderschön gemachte Fotobücher wie "The American Monument" (Andrew Roth, The Book of 101 Books, Seite 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 28. The Open Book, Hasselblad Center, Seite 310. 802 photo books of the M. + M. Auer collection, Seite 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, Seite 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, Seite 258. The Open Book, Hasselblad Center, Seite 262/263. 802 photo books of the M. + M. Auer collection, Seite 514) oder "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 199). Sprache: Englisch Gewicht in Gramm: 1600. …