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Verlag: Da Capo Press (edition ), 1993
ISBN 10: 0941423425ISBN 13: 9780941423427
Anbieter: BooksRun, Philadelphia, PA, USA
Buch
Paperback. Zustand: Good. Ship within 24hrs. Satisfaction 100% guaranteed. APO/FPO addresses supported.
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Gebraucht ab EUR 6,92
Verlag: Pocket Books, 1971
ISBN 10: 0671780972ISBN 13: 9780671780975
Anbieter: medimops, Berlin, Deutschland
Buch
Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Unbound. Zustand: Very Good. Photomechanically reproduced typescript. 196 quarto and folio sheets printed mostly rectos only, with intermittent page numbering and several groupings of pages stapled or paper clipped together, and with slips of paper containing edits taped to occasional sheets. The pages consist of photomechanically reproduced copies of Hoffman's edited typescript pages submitted to the publisher (we suspect in parts) with the editor's original pencil and ink edits to the copied pages as well as proofreader's markings in blue pencil. The manuscript is accompanied by a tattered light blue envelope ("John C. Meyer & Son Inc. Typographers") with "Woodstock Nation Manuscript" written large in black marker on the front and underneath it in smaller letters "Concert Hall," which was the name of the company that edited and designed the book, as well as having produced the Woodstock Festival program. Overall near fine with some scattered creasing and typical nicks and tears at the edges, most noticeable on the folio sheets. The suitably chaotic typescript of Abbie Hoffman's *Woodstock Nation*, a rambling, stream of consciousness-style recounting of the era-defining 1969 Woodstock Music and Arts Festival, where Hoffman famously interrupted The Who's performance while high on an LSD trip, to rant about the imprisonment of White Panther Party leader John Sinclair, before being knocked down by an angry Pete Townshend. Hoffman feverishly wrote the book in the month between the end of the Woodstock Festival and the beginning of his trial as a member of the Chicago Eight, charged with inciting a riot at the 1968 Democratic National Convention. The manuscript shows hundreds of changes and corrections in the text made by Hoffman, including several variations of a chapter title, an excised pseudonymous author citation ("Agent 12 - Yippie Conspirator"), and evidence of how several of his previously published articles were integrated into the text. The editor's handwritten notations are numerous with corrections throughout, including additions to the end of several chapters, and instructions to the designer for innovative ways to display the text and photo placement. There are also a few additional pages left for a planned promotional poster, a publisher's advertising card, and the list of photo credits. A few small but significant additions to the text in blue pencil at the ends of a few chapters are added in an unknown hand. While there is some evidence they could be in Hoffman's hand, we could not definitively prove who wrote the hastily produced scrawl (although we are comfortable in our assertion that drugs were likely involved). While this contemporary copy of Hoffman's original edited draft was used by the book's editors, we have been unable to turn up evidence or reference to any other copies, leading us to believe that this is the only extant copy, despite there being institutionally housed archives of Hoffman's papers at the University of Connecticut, New York Public Library, and a recent acquisition by the University of Texas at Austin. It is certainly possible that the editors of the book compiled the manuscript from the various sources that Hoffman sent along and then discarded the piecemeal submissions. With a letter of provenance from the wife of Michael Forman, who worked at Concert Hall Publications as the editor of the official program of the Woodstock Music and Arts Festival, and who served as a co-editor on *Woodstock Nation*. Hoffman gifted the manuscript to her on one of his visits as a token of friendship. A significant and likely unique manuscript of Hoffman's second book, written in the brief period between two of the most important events of his eventful life.
Verlag: Vintage, New York, 1969
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Softcover. Zustand: Very Good. Seventh edition. Illustrated wrappers. Very good with moderately rubbed wraps, partial crease to front cover and tidemark affect two pages.
Verlag: Pocket Books, New York, 1969
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Softcover. Zustand: Near Fine. Reprint. Mass market paperback. Light wear and a tiny bit of foxing, near fine. Pocket Book 78097.
Verlag: Vintage, New York, 1969
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Very Good. First edition, wrappered issue. Octavo. 153pp. Heavily illustrated. Modest wear and topedge very lightly foxed, very good or better. Issued simultaneously with an uncommon hardcover version. Vintage V576.
Verlag: Vintage Books / Random House NONE, New York
Anbieter: Spafford Books (ABAC / ILAB), Regina, SK, Kanada
Erstausgabe
[NONE] 1969, 1st edition, 3rd printing. (Mass market paperback) Fine. vi, 154pp. 8vo. A manifesto at the corner of art and politics, wrtiiten in 1969, as Hoffman awaited trial with 7 others for conspiracy to incite a riot at the Democratic convention held in Chicago in 1968. Bobby Seale, the only African American member of the group, was eventually tried separately and sentenced to 4 years in prison for contempt of court; the group then became known as the Chicago Seven. Written in the 5 days between when he returned home from Woodstock to the day he went to Chicago to get ready for the trial, Hoffman wrote this out by hand, while he lay upside down, stoned, on the floor of an unused office of the publisher. Blind stamp to title page, else is clean, tight, bright, and well, flawless. Remains a very cool piece of history.
Verlag: Vintage, New York, 1969
Anbieter: Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, USA
Erstausgabe
Softcover. Zustand: Near Fine. First edition, paperback issue, issued simultaneously with an uncommon hardcover version. Illustrated. Modest rubbing on the wrappers else near fine. Advance Review Copy with slip laid in.
Verlag: Random House, New York, 1969
Anbieter: Lorne Bair Rare Books, ABAA, Winchester, VA, USA
Erstausgabe
First Edition. First printing. Cloth issue. Octavo; black cloth boards; dustjacket; 154pp; illus. Old faint splash-stain to upper edge of text block, encroaching onto margin of rear endpaper and jacket flap; Very Good. Jacket unclipped (priced $5.95 on front flap), lightly worn and soiled with aforementioned stain at upper margin of rear flap and rear panel; Very Good. A presentable but clearly used copy of Hoffman's counterculture classic.
Verlag: Da Capo Press, 1993
ISBN 10: 0941423271ISBN 13: 9780941423274
Anbieter: Antiquariat Buchhandel Daniel Viertel, Diez, Deutschland
Buch
Zustand: Sehr gut. 420 S. in gutem Zustand 31177 ISBN 9780941423274 Sprache: Englisch Gewicht in Gramm: 771 Gebundene Ausgabe, Maße: 17.15 cm x 3.81 cm x 23.5 cm.