Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Zustand: Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.
Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Zustand: As New. Like New condition. A near perfect copy that may have very minor cosmetic defects.
Paperback. Zustand: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Museum of Modern Art (edition ), 1992
ISBN 10: 0870701932 ISBN 13: 9780870701931
Anbieter: BooksRun, Philadelphia, PA, USA
Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Sprache: Englisch
Verlag: Museum of Modern Art, New York, 1992
ISBN 10: 0870701932 ISBN 13: 9780870701931
Anbieter: Abacus Bookshop, Pittsford, NY, USA
Erstausgabe
softcover. Zustand: Nearly fine copy. Profusely illustrated (illustrator). 1st. 4to, 192 pp., Slight peeling of lamination on rear cover, else fine.
Sprache: Englisch
Verlag: The Museum of Modern Art, New York (edition Revised), 2012
ISBN 10: 0870708406 ISBN 13: 9780870708404
Anbieter: BooksRun, Philadelphia, PA, USA
Paperback. Zustand: Very Good. Revised. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
paperback. Zustand: Very GOOD. Zustand des Schutzumschlags: NONE. 180 pages in large softcover. Pages are clean, unmarked, flat with a tight spine. Front corners and edges have been lightly bumped.
Zustand: Good. Revised. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Zustand: Very Good. Revised. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Zustand: Very Good. Revised. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Museum of Modern Art, New York, NY, 1992
ISBN 10: 0870701932 ISBN 13: 9780870701931
Paperback. Zustand: Good+. Exhibition Edition. 180 pages; color and B&W illustrations throughout the book. Very slightly cocked spine. Light shelf wear on back cover's edges. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.
Sprache: Englisch
Verlag: Museum of Modern Art, New York, 1996
ISBN 10: 0870701932 ISBN 13: 9780870701931
Paperback. Zustand: Very good +. third printing. 10 x 13 in. Paper wraps. Lavish color plates. Condition is VERY GOOD+ ; minor wear, covers clean. BInding tight and text unmarked. Art. Stax.
hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. First Edition. Jacket is a bit edgeworn and marked.Previous ownership inscription.Excellent binding.Due to weight postal adjustments may be required.[RK]. Our orders are shipped using tracked courier delivery services.
Sprache: Englisch
Verlag: The Museum of Modern Art, New York, 1996
ISBN 10: 0870701932 ISBN 13: 9780870701931
Anbieter: Adelaide Booksellers, Clarence Gardens, SA, Australien
Softcover. 3rd Printing. Folio Size [24x31cm approx]. Very Good condition. Corners lightly bumped. Illustrated with colour and black & white reproductions. 180 pages. A highly personal collection of eighty-four paintings, sculptures, prints and drawings. Robust, professional packaging and tracking provided for all parcels.
Anbieter: West Cove UK, Wellington, Vereinigtes Königreich
EUR 14,45
Anzahl: 1 verfügbar
In den WarenkorbSoftcover. Zustand: Very Good. Immediate dispatch from Somerset. Nice older book in great condition. Pages in excellent condition. No notes or highlighting. Dustcover does have some light wear and tear. See images. Fantastic book. About the book >.>.> William S. Paley, founder and guiding spirit of CBS, Inc., and for some fifty years, a towering figure in the development of the entertainment, communications, and news dissemination industries, was also a commit- ted and enthusiastic collector and patron of the arts of this century. The present volume illustrates and cata- logues a highly personal collection of eighty-four paintings, sculptures, prints, and drawings, and in- cludes works by C?zanne, Derain, Gauguin, Matisse, Picasso, Rouault, Toulouse-Lautrec, and Vuillard. This collection, bequeathed to The Museum of Modern Art, constitutes one of the most important transfers of privately owned art to a public institution in recent years. Here, all of the works are provided with comprehen- sive catalogue notes, along with relevant historical in- formation and comments on the work's position in relation to modern art movements. The catalogue has been prepared under the direction of William Rubin, Director.
Anbieter: Roland Antiquariat UG haftungsbeschränkt, Weinheim, Deutschland
Softcover. 180 p. Very good condition. The reading pages are clean and unmarked. Slight signs of storage and wear. Otherwise a very good copy. 9780870701931 Sprache: Englisch Gewicht in Gramm: 1500.
EUR 44,83
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 192 pages. 12.10x9.50x1.20 inches. In Stock.
Sprache: Englisch
Verlag: The Museum of Modern Art, New York, 1992
ISBN 10: 0870701703 ISBN 13: 9780870701702
Anbieter: Ground Zero Books, Ltd., Silver Spring, MD, USA
Erstausgabe
Hardcover. Zustand: Very good. Zustand des Schutzumschlags: Good. Presumed First Edition, First printing. The format is approximately 9.5 inches by 12.25 inches. xi, [1], 180 pages. Illustrations (234, 73 in color). The dust jacket has some wear, tears and soiling. Illustrated dust jacket. This was published in connections with an exhibition of the William S. Paley Collection at The Museum of Modern Art, New York, February 2--May 7, 1992, organized by William Burin, Director emeritus, Department of Painting and Sculpture. Foreword by Richard E. Oldenburg. Preface by William Rubin. Catalogue and Notes. William Stanley Rubin (August 11, 1927 January 22, 2006) was an American art scholar, a distinguished curator, critic, collector, art historian and teacher of modern art. From 1968 to 1988, Rubin was a curator at The Museum of Modern Art located in New York City and, from 1973 to 1988, he served as director of the Painting and Sculpture Department. He played a key role in building MoMA's collection, in particular acquiring work of abstract expressionism, and organized many groundbreaking exhibitions. Rubin's post at the Museum of Modern Art made him one of the most powerful and influential individuals in the art world of his day, but he eventually realized that it was time for a younger generation to take over, so he retired in 1988. Matthew Armstrong (Columbia General Studies, '84) is the former curator of the PaineWebber and UBS art collections and is now a private curator and art advisor. The William S. Paley Collection at The Museum of Modern Art, which constitutes one of the most important private collections to be entrusted to a public institution in recent years, will be shown to the public in its entirety for the first time. Mr. Paley, founder and guiding spirit of CBS and a towering figure in the modern entertainment, communication, and news-dissemination industries, left his collection of more than eighty works of art to the William S. Paley Foundation for donation to The Museum of Modern Art, where he was chairman emeritus at the time of his death in October 1990. This exhibition pays tribute to Mr. Paley's dedicated service to the Museum over a period of more than half a century. The Paley Collection, which includes paintings, sculpture, and drawings, ranges in date from the latter half of the nineteenth century through the early 1970s. It is especially rich in works by Cezanne, Matisse, and Picasso, and includes as well significant works by Toulouse-Lautrec, Degas, Derain, Bonnard, Gauguin, Rouault, and other modern masters. Among the pieces on view in the exhibition are Gauguin's splendid The Seed of the Areoi (Te aa no areois) (1892), an important female nude from the artist's first sojourn in Tahiti; Cezanne's superb Milk Can and Apples (187980); a large and exquisite late pastel by Degas, Two Dancers (1905); Derain's dynamic Fauve painting Bridge over the Riou (1906); Picasso's celebrated monumental painting Boy Leading a Horse (190506); and Matisse's striking masterpiece from his years in Nice, Woman with a Veil (1927). Many of the pieces in the collection fill important gaps in the Museum's collection, while others further enrich areas of strength. The William S. Paley Collection is a highly personal one, built according to the dictates of private taste rather than to any more public concerns. As William Rubin notes in his preface to the catalogue accompanying the exhibition, in the middle 1930s, when William Paley bought many of his paintings, "there were relatively few collectors of modern artand nothing chic about possessing it." Mr. Paley's passion for art made his collection a fundamental component of his private world. The works are, for the most part, intimate in both format and character, scaled for personal enjoyment and contemplation. Mr. Paley's affiliation with The Museum of Modern art commenced in 1937, only eight years after the Museum was founded. He served successively as trustee, chairman of the Painting and Sculpture Committee, president of the Museum, and chairman of the Board, under whom t.
hardcover. Zustand: Wie neu. 192 Seiten; Schutzumschlag an den Rändern leicht berieben/bestossen. Hellbrauner Leinenbuchdeckel + Innenteil tadellos - u n g e l e s e n - keine Risse, Knicke, Anmerkungen. ! KEIN Mängelexemplar! Altersbedingt minimal nachgedunkelt. Versand aus München Dust jacket minimally rubbed/bumped at the edges. Linen book cover + inner part perfect u n r e a d - no tears, creases, comments. ! NO defective copy! Minimally darkened due to age. Shipping from Munich/Germany V2567 Sprache: Deutsch Gewicht in Gramm: 3.
Verlag: New York: .Distributed by Harry N. Abrams, Inc., [1992]., 1992
Anbieter: D & E LAKE LTD. (ABAC/ILAB), Toronto, ON, Kanada
Hardcover. Dust Jacket Included. folio. pp. xi, [1], 180. 234 illus. (73 colour). cloth. dw.
Verlag: London, 18th and 19th cent.
Anbieter: Wittenborn Art Books, San Francisco, CA, USA
Kunst / Grafik / Poster
Zustand: Good. Five engravings on one scrapbook sheet by D. Lizars, Engleheart, Hopwood, Poselwhite, and Bromley, of William Paley, D.D. (1743-1805), theological writer; Gulielmus Burkitt; Alexander Webster, D.D. (1707-1784); Rev. John Forth, A.M.; and Henry Owen, D.D. Image size: 135 x 99 mm and others. Sheet size: 342 x 346 mm. Trimmed within plate marks. Pasted down at corners. Water staining and wrinkling on each.