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Paperback. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Zustand: New. Poets, academics, and those who simply speak a language are subject to mysterious intuitions about the perceptual qualities and emotional symbolism of the sounds of speech. This title investigates the expressive effect of sound patterns, addressing questions of concern for literary theorists and critics as well as for linguists and psychologists. Series: Sound & Meaning; the Roman Jakobson Series in Linguistics and Poetics. Num Pages: 188 pages, Illustrations. BIC Classification: CFH. Category: (P) Professional & Vocational. Dimension: 229 x 149 x 16. Weight in Grams: 284. . 1992. Paperback. . . . . Books ship from the US and Ireland.
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In den WarenkorbZustand: New. pp. 188.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 45,20
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In den WarenkorbPaperback. Zustand: Brand New. 188 pages. 9.25x6.00x0.75 inches. In Stock.
Anbieter: moluna, Greven, Deutschland
Zustand: New. Poets, academics, and those who simply speak a language are subject to mysterious intuitions about the perceptual qualities and emotional symbolism of the sounds of speech. This title investigates the expressive effect of sound patterns, addressing question.
Verlag: Duke University Press Jan 1992, 1992
ISBN 10: 0822311704 ISBN 13: 9780822311706
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Poets, academics, and those who simply speak a language are subject to mysterious intuitions about the perceptual qualities and emotional symbolism of the sounds of speech. Such intuitions are Reuven Tsur's point of departure in this investigation into the expressive effect of sound patterns, addressing questions of great concern for literary theorists and critics as well as for linguists and psychologists.Research in recent decades has established two distinct types of aural perception: a nonspeech mode, in which the acoustic signals are received in the manner of musical sounds or natural noises; and a speech mode, in which acoustic signals are excluded from awareness and only an abstract phonetic category is perceived. Here, Tsur proposes a third type of speech perception, a poetic mode in which some part of the acoustic signal becomes accessible, however faintly, to consciousness.Using Roman Jakobson's model of childhood acquisition of the phonological system, Tsur shows how the nonreferential babbling sounds made by infants form a basis for aesthetic valuation of language. He tests the intersubjective and intercultural validity of various spatial and tactile metaphors for certain sounds. Illustrating his insights with reference to particular literary texts, Tsur considers the relative merits of cognitive and psychoanalytic approaches to the emotional symbolism of speech sounds.
Verlag: Duke University Press, Durham [NC], 1992
Anbieter: Expatriate Bookshop of Denmark, Svendborg, Dänemark
Zustand: Minor rubbing. VG. orig.wrappers Minor rubbing. VG. 24x15cm, xi,174 pp., PAPERBACK. "Poets, academics and those who simply speak a language are subject to mysterious intuitions about the perceptual qualities and emotional symbolism of the sounds of speech. Such intuitions are Reuven Tsur's point of departure in this investigation into the expressive effect of sound patterns. Research in recent decades has established two distinct types of aural perception - a non-speech mode, in which the acoustic signals are received in the manner of musical sounds or natural noises, and a speech mode, in which acoustic signals are excluded from awareness and only an abstract phonetic category is perceived. This study proposes a third type of speech perception, a poetic mode in which some part of the acoustic signal becomes accessible, however faintly, to consciousness" - Publisher' s description.