wallet card (20 Ergebnisse)

Zustand: Good. Green, Barry (illustrator). Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Green, Barry (illustrator). Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Loose Leaf. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Loose Leaf. Zustand: Very Good. Sealed in plastic but has slight rips and scratches.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Zustand: Brand New. 121 pages. 9.00x6.00x0.28 inches. In Stock.

Zustand: New. In.

Paperback. Zustand: Very Good. New York: Alcoholics Anonymous, ca. 1970(?). Small wallet-sized four page card with the 12 Traditions on front cover, "God grant me the serentity" prayer inside front cover, description of a.a., and 12 Steps list on the back. Date of publication unknown but looks old. A.A.'s address is listed as P.O. Box 49, Grand Central Station, New York< N.Y. 10017 so perhaps that might help bibliographically.

Paperback. Zustand: Very Good. 16mo. A nice postcard. Book.

Ephemera. Zustand: Very good. Approximately 2 inches by 3.5 inches. Blue card stock with black lettering. Information on both sides. One side lists Enduring Stockpile of the U.S. First bombs and then warheads. Includes information on bomb and warhead designation, design laboratory, service, weapon type, and delivery path. The other side lists the delivery platforms and presents information on the weapon/warhead, and the associated delivery platform. The Sandia National Laboratories (SNL), managed and operated by the National Technology and Engineering Solutions of Sandia, is one of three NNSA research and development laboratories. Their primary mission is to develop, engineer, and test the non-nuclear components of nuclear weapons. The primary campus is located on Kirtland Air Force Base in Albuquerque, New Mexico and the other is in Livermore, California, next to Lawrence Livermore National Laboratory. There is also a test facility in Waimea, Kauai, Hawaii. It is Sandia's mission to maintain the reliability and surety of nuclear weapon systems, conduct research and development in arms control and nonproliferation technologies, and investigate methods for the disposal of the United States' nuclear weapons program's hazardous waste. The Enduring Stockpile is the United States' arsenal of nuclear weapons following the end of the Cold War. Weapons in the Enduring Stockpile are categorized by level of readiness. The three levels are: Active Service: fully operational, connected to a delivery system, and available for immediate use (e.g. ICBM silos and ballistic missile submarines) Hedge Stockpile: fully operational, but kept in storage; available within minutes or hours; not connected to delivery systems, but delivery systems are available (e.g. missile and bomb stockpiles kept at various Air Force bases) Inactive Reserve: not in operational condition and/or do not have immediately available delivery systems, but can be made ready if needed.

Zustand: New. In.

Triptych folding dark grey leather credit card wallet, large pocket across the rear, maroon silk Concorde motif lining. Sadly without the box. In Fine condition Member of the P.B.F.A. CONCORDE (British Airways).

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hard Cover. FIRST EDITION. Quarto, pp 64. Illustrated throughout with photographic images in both colour and black-and-white. Grey quarter cloth with deep blue paper-covered boards; company logo in white to upper board. Unclipped white pictorial dust-jacket. Housed in printed white card folder and accompanied by 6 associated softcover brochures in stapled pictorial card wraps comprising: Bofors Forgings for Gas Turbines and Aircraft, undated, quarto, pp4 with Supplement and Specifications loosely inserted; Introducing Bofors High Grade Steels, undated, quarto, pp 6 in fold-out format; Bofors Drop and Press Forgings, 1970,quarto, pp 8 paginated to include covers; Bofors Press and Hammer Forgings, 1969, quarto, pp 12 paginated to include covers; Bofors Steel Castings, 1969, quarto, pp 24 paginated to include covers; A Brief Introduction to Aktiebolaget Bofors and its Activities, 1971, octavo, pp 20. A clean copy with only very minor creasing to jacket top edge. Ringbinder holes punched to Steel Castings brochure otherwise brochures as-new. Wallet lightly surface soiled, with faint "Bofors" inscription to spine and a few nicks & creases to edge. A Fine copy in like jacket accompanied by Fine brochures in Very Good wallet. English text. Scarce title relating to the Swedish arms manufacturing company and its products.

First Edition. 19 x 14 cm. 10 loose illustrated cards with one transparent sheet with text, all housed in printed card wallet. Undated [2012]. Published on the occasion of the exhibition held at Verey Gallery, Eton College, Windsor, 3 October 2012 - 28 February 2013. The high quality cards reproduce limited edition Scully artworks and photographs, many in colour. Rare. Copac locates one holding at Royal Academy of Arts. Slight suggestion of shelfwear to edges of wallet, otherwise very good condition.

First Edition. 15 x 10.5cm paperback in hand sewn neoprene cover, titled glassine pouch, and black card wallet, [84pp]. Signed and numbered by the artist (11 of 150). Hormazd Narielwalla's artist's book celebrates queer male sexuality in a series of 36 'rose-bud' images (reminiscent of Georgia O'Keeffe's lush, sexualised blooms) painted over the pages of a vintage pattern manual. Introduced with a text by Dr Michael Petry. From the press release: "the book explores the hidden codes through which desire is indicated or expressed". A lavish small publication illustrated in colour. Near fine condition.

Attractive folding cover which opens to reveal four images, including a panorama of Melbourne "Melbourne from Fire Station - Graphic Series No. 26.; A Peep in the Botanical Gardens, "The Block", Collins Street; Spring Street. People, trams and carriages are visible on the streets but no cars. Seemingly unrecorded on Trove. Libraries Australia ID 74764413 cites a New Zealand wallet card of Waimangu at the SLV. Printed on the front: Wallet H&B Card. Printed on back of folder: Registered No. 739, 29/4/04, Harding & Billing. Harding & Billing. Sydney & Auckland. Wholesale Agents, Collins Bros. & Co., Ltd., Sydney. Tinted postcard, 10 x 15 cm. and smaller. Cover slightly dusty, tiny separation at insert slot, internally fine.

25 x 18cm. Illegible signature on inner flap - possibly by one of the contributors. Card wallet containing cards numbered I to VII with unnumbered eighth card, plus 20pp of loose leaf text, with colophon. One of an edition of 150. Designed and edited by Andro Semeiko and printed in-house at the TAP print room. Temporary Arts Project, or TAP, is an artist studio space at The Old Waterworks in Southend-on-Sea. Published on the occasion of Andro Semeiko's residency and solo exhibition at TAP, 24th February to 27th April 2014. Texts by Amy McKenny and Tom Morton. The set of cards constitutes the uncut panels for a "Viaorama" - a form of hanging diorama with a hollow channel. Instructions for building this form the twentieth page of the text. 'Only Words Can Tell You How I Feel' was the culmination of Andro Semeiko's month-long residency at TAP - a multi-layered display of histories, events, stories and memories. It delves into the past of TAP and its surrounding area, conflating fact and fiction in rich, compelling narratives. Semeiko has collaborated closely with the team at TAP, the studio artists and its wider community to give a unique, site-responsive dramatisation. In the exhibition, Semeiko's works were interwoven with text by Amy McKenny and Tom Morton; McKenny reinterpreting TAP's collective voice, and Morton's chronicling a journey of creative thought using the setting of Ray Bradbury's 'The One Who Waits' as a reference point. Not in OCLC or Copac.