Visualizing holocaust documents aesthetics (4 Ergebnisse)
Visualizing the Holocaust Documents, Aesthetics, Memory
Bathrick, David (Editor)/ Prager, Brad (Editor)/ Richardson, Michael D. (Editor)
Sprache: Englisch
Verlag: Camden House, 2012
Serie: Screen Cultures: German Film and the Visual, Buch 2 von 24. Buch 2 von 24 - Screen Cultures: German Film and the Visual
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Paperback. Zustand: Brand New. reprint edition. 336 pages. 8.75x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: BOYE6, 2012
Serie: Screen Cultures: German Film and the Visual, Buch 2 von 24. Buch 2 von 24 - Screen Cultures: German Film and the Visual
- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Zustand: New. In.
Sprache: Englisch
Verlag: Camden House Inc.,U.S., 2008
Serie: Screen Cultures: German Film and the Visual, Buch 2 von 24. Buch 2 von 24 - Screen Cultures: German Film and the Visual
- Hardcover
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Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN:1571133836.
Sprache: Englisch
Verlag: Boydell & Brewer Jul 2012, 2012
Serie: Screen Cultures: German Film and the Visual, Buch 2 von 24. Buch 2 von 24 - Screen Cultures: German Film and the Visual
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - Collection of essays exploring the controversies surrounding images of the Holocaust.Visual representations are an essential but highly contested means of understanding and remembering the Holocaust. Photographs taken in the camps in early 1945 provided proof of and visceral access to the atr…ocities. Later visualrepresentations such as films, paintings, and art installations attempted to represent this extreme trauma. While photographs from the camps and later aesthetic reconstructions differ in origin, they share goals and have raised similar concerns: the former are questioned not as to veracity but due to their potential inadequacy in portraying the magnitude of events; the latter are criticized on the grounds that the mediation they entail is unacceptable. Some have even questioned any attempt to represent the Holocaust as inappropriate and dangerous to historical understanding. This book explores the taboos that structure the production and reception of Holocaust images and the possibilities that result from the transgression of those taboos. Essays consider the uses of various visual media, aesthetic styles, and genres in representations of the Holocaust; the uses of perpetrator photography; the role of trauma in memory; aesthetic problems of mimesis and memory in the work of Lanzmann, Celan, and others; and questions about mass-cultural representations of the Holocaust. David Bathrick is Emeritus Professor of German at Cornell University, Brad Prager is Associate Professor of German at the University of Missouri, and Michael D. Richardson is Associate Professor of German at Ithaca College.
