visual language theory (28 Ergebnisse)

gebundene Ausgabe. Zustand: Gut. XI, 381 S. : graph. Darst. Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. In ENGLISCHER Sprache. Sprache: Englisch Gewicht in Gramm: 710.

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XXX, 690 Seiten. 8°, Pappeinband. Einband an den Kanten etwas berieben. Einige Blätter gering fingerflekig. Sonst einwandfreies Exemplar. Sprache: Deutsch.

Standardwerk, HBK 8°. XXX, 690 S. OPappbd., Gebrauchsspuren aussen, Schnitt etw. fleckig. ISBN: 3598100264.

Zustand: New. pp. 396 52:B&W 6.14 x 9.21in or 234 x 156mm (Royal 8vo) Case Laminate on White w/Gloss Lam.

8°. EA. - eine 2., erweiterte Auflage erschien 1989 unter dem Titel "Bibliographie der Photographie. Deutschsprachige Publikationen der Jahre 1839-1984"., XXX, 690 S. OPappband. Einband leicht bestoßen; Stempel auf dem Vordervorsatz.

XXX., 690 S. Orig.-Leinenband. = Schriftenreihe der Deutschen Gesellschaft für Photographie e.V. Band I. Gut erhalten.

Saur, München, 1980. 690 S., Pappband mit Leinenstruktur--- - zweisprachig Deutsch-Englisch/gutes Exemplar/good conditionSchriftenreihe der Deutschen Gesellschaft für Photographie e.V., Band 1 - 1080 Gramm.

Buch. Zustand: Neu. Neuware -Kim Marriott Bernd Meyer Communication is one of the hallmarks of humans. When we think of hu man communication, most people first think of spoken and written lan guages. These are similar in that symbols in the language are encountered and processed sequentially, either temporally as they are spoken or as char acters are read across a page. However, not all human communication is sequential in nature. Important components of human communication are visual languages, such as maps or diagrams. In these languages the basic symbols are not encountered sequentially but rather seen together at a glance. Visual languages are ubiquitous in human cultures, ranging from tradi tional paintings of central Australian aborigines which are, in part, maps of the countryside to an architect's design of a new building. Visual languages have been employed from earliest pre-history to the present and are used in almost every human endeavor. They cover the entire spectrum of human expression ranging from fine art, such as an abstract expressionist's private language, to precise technical communication using rigorously defined no tation, such as musical notation, mathematical notation, or street maps. Some visual languages, such as sign languages used by the deaf community, substitute spoken language entirely. Indeed, sign languages, for example American Sign Language, are a particularly interesting instance of visual communication, since they use three-dimensional spatial arrangements of signs in combination with their sequential temporal order to constitute meaning.Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 396 pp. Englisch.

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Kim Marriott Bernd Meyer Communication is one of the hallmarks of humans. When we think of hu man communication, most people first think of spoken and written lan guages. These are similar in that symbols in the language are encountered and processed sequentially, either temporally as they are spoken or as char acters are read across a page. However, not all human communication is sequential in nature. Important components of human communication are visual languages, such as maps or diagrams. In these languages the basic symbols are not encountered sequentially but rather seen together at a glance. Visual languages are ubiquitous in human cultures, ranging from tradi tional paintings of central Australian aborigines which are, in part, maps of the countryside to an architect's design of a new building. Visual languages have been employed from earliest pre-history to the present and are used in almost every human endeavor. They cover the entire spectrum of human expression ranging from fine art, such as an abstract expressionist's private language, to precise technical communication using rigorously defined no tation, such as musical notation, mathematical notation, or street maps. Some visual languages, such as sign languages used by the deaf community, substitute spoken language entirely. Indeed, sign languages, for example American Sign Language, are a particularly interesting instance of visual communication, since they use three-dimensional spatial arrangements of signs in combination with their sequential temporal order to constitute meaning.

Zustand: New. In.

Zustand: New. In.

Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Kim Marriott Bernd Meyer Communication is one of the hallmarks of humans. When we think of hu man communication, most people first think of spoken and written lan guages. These are similar in that symbols in the language are encountered and processed sequentially, either temporally as they are spoken or as char acters are read across a page. However, not all human communication is sequential in nature. Important components of human communication are visual languages, such as maps or diagrams. In these languages the basic symbols are not encountered sequentially but rather seen together at a glance. Visual languages are ubiquitous in human cultures, ranging from tradi tional paintings of central Australian aborigines which are, in part, maps of the countryside to an architect's design of a new building. Visual languages have been employed from earliest pre-history to the present and are used in almost every human endeavor. They cover the entire spectrum of human expression ranging from fine art, such as an abstract expressionist's private language, to precise technical communication using rigorously defined no tation, such as musical notation, mathematical notation, or street maps. Some visual languages, such as sign languages used by the deaf community, substitute spoken language entirely. Indeed, sign languages, for example American Sign Language, are a particularly interesting instance of visual communication, since they use three-dimensional spatial arrangements of signs in combination with their sequential temporal order to constitute meaning.

Paperback. Zustand: Brand New. reprint edition. 392 pages. 9.25x6.10x0.90 inches. In Stock.

Zustand: New. Editor(s): Marriott, Kim; Meyer, Bernd. Num Pages: 381 pages, 2 black & white tables, biography. BIC Classification: JFD; UMX; UYQ. Category: (P) Professional & Vocational. Dimension: 156 x 235 x 29. Weight in Grams: 564. . 2012. Softcover reprint of the original 1st ed. 1998. Paperback. . . . . Books ship from the US and Ireland.

Zweite verbesserte und erweiterte Ausgabe. 21,5 x 30 cm. XVI. X. 886 Seiten. Leinen. Einbände mit minimalen Gebrauchsspuren, insgesamt gute Ex.

gr.-4° geb. Opbd. Zustand: Gut. 2. Verb. U. erw. Auflage Aufl. XVI/ X, 878 S. Die maßgebliche Bibliographie für deutschsprachige Veröffentlichungen im Bereich der Photographie in der aktuellen, erweiterten Auflage Bibl. Ex. Sprache: Deutsch Gewicht in Gramm: 550.

2. verbesserte u. erweiterte Ausgabe / 2nd revised and enlarged Edition. Seiten XVI, 1-474 u. X, 475-886, Fadenheftung, Format 20,5 x 30 cm, hartgebundene Original-Pappbände (Schriftenreihe der Deutschen Gesellschaft für Photographie, Band 3). * Der Druck zweispaltig. Die einleitenden Worte sowie das Inhaltverzeichnis zweisprachig (deutsch u. englisch). Der Neupreis für das Gesamtwerk war 298,00 DM. Stammt aus dem Nachlaß von Hans-Joachim Bresemann [beachten Sie auch unsere Bestell-Nr. 22601]. Erhaltung: Die Deckel bei Band 1 an der oberen Außenecke gering angestossen. Sonst keine weiteren Mängel, auch keine Eintragungen bzw. Markierungen. Insgesamt sehr gut erhalten. . BITTE BEACHTEN: Geht vom Gewicht (ohne Verpackung ca. 2,7 kg) her im Inland nicht als Büchersendung, sondern nur als Paket mit dem entsprechenden Porto. Die vom ABEBOOKS/ZVAB-Computer ausgeworfenen Portokosten sind nicht zutreffend. Sprache: Deutsch.