Training american actor (24 Ergebnisse)

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Paperback. Zustand: Good. Successful acting must reflect a society's current beliefs. The men and women who developed each new technique were convinced that previous methods were not equal to the full challenges of their time and place, and the techniques in this book have been adapted to current needs in order to continue to be successful methods for training actors. The actor's journey is an individual one, and the actor seeks a form, or a variety of forms, of training that will assist in unlocking his own creative gifts of expression.--from the introduction The first comprehensive survey and study of the major techniques developed by and for the American actor over the past 60 years. Each of the 10 disciplines included is described in detail by one of today's foremost practitioners. Presented in this volume are: * Lee Strasberg's Method by Anna Strasberg, Lee's former student, widow, and current director of The Lee Strasberg Theatre Institute * Stella Adler Technique by Tom Oppenheim, Stella's grandson and artistic director of the Stella Adler Institute in New York * Sanford Meisner Technique by Victoria Hart, director of the Meisner Extension at New York University * Michael Chekhov Technique and The Mask by Per Brahe, a Danish teacher inspired by Balinese dance and introduced to the Chekhov technique in Russia * Uta Hagen Technique by Carol Rosenfeld, who taught under Hagen's tutelage at the Herbert Berghof (HB) Studio * Physical Acting Inspired by Grotowski by Stephen Wangh, who studied with Jerzy Grotowski himself * The Viewpoints by Mary Overlie, the creator of Viewpoints theory * Practical Aesthetics by Robert Bella of the David Mamet-inspired Atlantic Theatre Company school * Interdisciplinary Training by Fritz Ertl, who teaches at the Playwrights Horizons Theatre School * Neoclassical Training by Louis Scheeder, director of the Classical Studio of New York University Arthur Bartow is the artistic director of the Department of Drama at New York University's Tisch School of the Arts. A former associate director of Theatre Communications Group, he is the author of the landmark book The Director's Voice.…

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Paperback. Zustand: Very Good. Successful acting must reflect a society's current beliefs. The men and women who developed each new technique were convinced that previous methods were not equal to the full challenges of their time and place, and the techniques in this book have been adapted to current needs in order to continue to be successful methods for training actors. The actor's journey is an individual one, and the actor seeks a form, or a variety of forms, of training that will assist in unlocking his own creative gifts of expression.--from the introduction The first comprehensive survey and study of the major techniques developed by and for the American actor over the past 60 years. Each of the 10 disciplines included is described in detail by one of today's foremost practitioners. Presented in this volume are: * Lee Strasberg's Method by Anna Strasberg, Lee's former student, widow, and current director of The Lee Strasberg Theatre Institute * Stella Adler Technique by Tom Oppenheim, Stella's grandson and artistic director of the Stella Adler Institute in New York * Sanford Meisner Technique by Victoria Hart, director of the Meisner Extension at New York University * Michael Chekhov Technique and The Mask by Per Brahe, a Danish teacher inspired by Balinese dance and introduced to the Chekhov technique in Russia * Uta Hagen Technique by Carol Rosenfeld, who taught under Hagen's tutelage at the Herbert Berghof (HB) Studio * Physical Acting Inspired by Grotowski by Stephen Wangh, who studied with Jerzy Grotowski himself * The Viewpoints by Mary Overlie, the creator of Viewpoints theory * Practical Aesthetics by Robert Bella of the David Mamet-inspired Atlantic Theatre Company school * Interdisciplinary Training by Fritz Ertl, who teaches at the Playwrights Horizons Theatre School * Neoclassical Training by Louis Scheeder, director of the Classical Studio of New York University Arthur Bartow is the artistic director of the Department of Drama at New York University's Tisch School of the Arts. A former associate director of Theatre Communications Group, he is the author of the landmark book The Director's Voice.…

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Sprache: Englisch
Verlag: Routledge, 2011
Serie: Buch 11 von 256 - Routledge Advances in Theatre & Performance Studies
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Sprache: Englisch
Verlag: Routledge, 2011
Serie: Buch 11 von 256 - Routledge Advances in Theatre & Performance Studies
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Sprache: Englisch
Verlag: Routledge, 2011
Serie: Buch 11 von 256 - Routledge Advances in Theatre & Performance Studies
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Sprache: Englisch
Verlag: Routledge, 2010
Serie: Buch 11 von 256 - Routledge Advances in Theatre & Performance Studies
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Zustand: Fair. Volume 11. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9780415801218.…

Sprache: Englisch
Verlag: Routledge, 2010
Serie: Buch 11 von 256 - Routledge Advances in Theatre & Performance Studies
- Hardcover
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Zustand: Good. Volume 11. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN:9780415801218. …

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Sprache: Englisch
Verlag: Routledge, 2011
Serie: Buch 11 von 256 - Routledge Advances in Theatre & Performance Studies
- Softcover
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Taschenbuch. Zustand: Neu. Neuware - Successful acting must reflect a society's current beliefs. The men and women who developed each new technique were convinced that previous methods were not equal to the full challenges of their time and place, and the techniques in this book have been adapted to current needs in order to continue to be successful methods for training actors. The actor's journey is an individual one, and the actor seeks a form, or a variety of forms, of training that will assist in unlocking his own creative gifts of expression.from the introductionThe first comprehensive survey and study of the major techniques developed by and for the American actor over the past 60 years. Each of the 10 disciplines included is described in detail by one of today's foremost practitioners.Presented in this volume are: Lee Strasberg's Method by Anna Strasberg, Lee's former student, widow, and current director of The Lee Strasberg Theatre Institute Stella Adler Technique by Tom Oppenheim, Stella's grandson and artistic director of the Stella Adler Institute in New York Sanford Meisner Technique by Victoria Hart, director of the Meisner Extension at New York University Michael Chekhov Technique and The Mask by Per Brahe, a Danish teacher inspired by Balinese dance and introduced to the Chekhov technique in Russia Uta Hagen Technique by Carol Rosenfeld, who taught under Hagen's tutelage at the Herbert Berghof (HB) Studio Physical Acting Inspired by Grotowski by Stephen Wangh, who studied with Jerzy Grotowski himself The Viewpoints by Mary Overlie, the creator of Viewpoints theory Practical Aesthetics by Robert Bella of the David Mamet-inspired Atlantic Theatre Company school Interdisciplinary Training by Fritz Ertl, who teaches at the Playwrights Horizons Theatre School Neoclassical Training by Louis Scheeder, director of the Classical Studio of New York UniversityArthur Bartow is the artistic director of the Department of Drama at New York University's Tisch School of the Arts. A former associate director of Theatre Communications Group, he is the author of the landmark book The Director's Voice.…

- Softcover
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Zustand: New. Über den AutorrnrnArthur Bartow is the Artistic Director of the Department of Drama at New York University. He is the author of The Director s Voice (TCG) and has been a consultant and a producer. He staged the original production of S.

Sprache: Englisch
Verlag: Routledge, 2011
Serie: Buch 11 von 256 - Routledge Advances in Theatre & Performance Studies
- Softcover
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Zustand: New. In English.

Sprache: Englisch
Verlag: Routledge, 2011
Serie: Buch 11 von 256 - Routledge Advances in Theatre & Performance Studies
- Softcover
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Paperback. Zustand: Brand New. 1st edition. 218 pages. 9.00x6.00x0.75 inches. In Stock.

Sprache: Englisch
Verlag: Routledge, 2011
Serie: Buch 11 von 256 - Routledge Advances in Theatre & Performance Studies
- Softcover
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Zustand: New. Editor(s): Margolis, Ellen; Renaud, Lissa Tyler. Num Pages: 228 pages, black & white illustrations. BIC Classification: 1KBB; ANC. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 152 x 12. Weight in Grams: 362. . 2011. 1st Edition. paperback. . . . . Books ship from the US and Ireland. …

Sprache: Englisch
Verlag: Routledge, 2009
Serie: Buch 11 von 256 - Routledge Advances in Theatre & Performance Studies
- Hardcover
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Zustand: New. In English.

Sprache: Englisch
Verlag: Routledge, 2009
Serie: Buch 11 von 256 - Routledge Advances in Theatre & Performance Studies
- Hardcover
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Zustand: New. Contributes to the national dialogue the diverse perspectives and proposals needed to keep American actor training dynamic and germane, both within the US and abroad. Editor(s): Margolis, Ellen; Renaud, Lissa Tyler. Series: Routledge Advances in Theatre and Performance Studies. Num Pages: 226 pages, black & white illustrations. BIC Classification: 1KBB; ANC. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 238 x 163 x 17. Weight in Grams: 436. . 2009. 1st Edition. hardcover. . . . . Books ship from the US and Ireland.…

Sprache: Englisch
Verlag: Routledge, 2009
Serie: Buch 11 von 256 - Routledge Advances in Theatre & Performance Studies
- Hardcover
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Hardcover. Zustand: Brand New. 1st edition. 218 pages. 9.10x6.30x0.70 inches. In Stock.