Title moses (12 Ergebnisse)

Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Loose Leaf. Zustand: New. Reproduction. Original title: Winged burning heart with title and church fathers David, Phillipus, Moses and Hieronymus on architecture German: Geflügeltes brennendes Herz mit Titel und Kirchenvätern David, Phillipus, Moses und Hieronymus über Architektur French: Ailé c?ur brûlant avec le titre et les pères de l'église David, Phillipus, Moïse et Hieronymus sur l'architecture Spanish: Corazón ardiente alado con el título y los padres de la iglesia David, Phillipus, Moisés y Hieronymus en la arquitectura High-quality fine-art reproduction based on an original work from the Rijksmuseum. Creation period: 17th century (1624). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.…

leather_bound. Zustand: Good. Includes dust jacket. dirtiness on dustjacket and pages.

Paperback. Zustand: Very Good. Photos, 8 x 5.5", pict wraps, unpaginated, covers worn and darkened, extremities bumped and lightly creased with some light staining along the top of the foredges of both covers, contents used with staining along the top foredges of textblock. SCARCE. Mostly facsimile letters accusing the Florida Department of Corrections of discrimination for not allowing its material in Florida prisons.…

Hardcover. Zustand: Befriedigend. Journal Du Voyage Du Chevalier Chardin En Perse & Aux Indes Orientales, Par La Mer Noire & Par La Colchide. Chardin, Jean. Verlag: A Londres: Chez Moses Pitt, 1686., 1686 Beschreibung Folio, 31 x 20cm., [X], 150, 181-269, 263-349, [5] pp. With engraved title and 15 plates, some folding. This book is complete in contemporary binding, calf. Please look the pictures. First edition, reprinted in the same year in Amsterdam in a small format. This edition is a publication of the first volume of Chardins manuscript only and deals with the years 1671 - 73. With illustrations of Tiflis, Erivan, Kashan, Kom and a large folding map of the Black sea. Brunet, I, 1802; Chadenat 546; Hage Chahine 909; Weber II, 377; Wilson 40 (pour l'édition anglaise de 1686); Atabey, 218.…

First Edition. Author's presentation copy; signed and dated. Very good copy in the original gilt-blocked green buckram. Panel edges somewhat rubbed and dust-toned as with age. Very slight signs of hinging. Corners sharp with an overall tight, bright and clean impression. ; 88 pages; Description: 88 p. ; 25 cm. Ill. Endpapers. Subjects: Hadley family (George Hadley, d. 1686) . Hadley family (Moses Hadley, 1750-1829) . 1 Kg.…

.First edition. Tall 8vo. iii, 293 pp. Thompson's heirs successfully sued for the protection of his patents for a furnace that employed various forms of refuse as fuel. Preface: "In the decision of patent cases involving the considerations of scientific principles, the courts are resorting, much more than formerly, to the advice and assistance of men of science, supposed to be familiar with the matters under discussion; and, aside from simple points of law, such cases are, in a great measure, decided upon the balance of scientific testimony." Faded inscription on front wrapper, "To Mr. Parsons with kind regards of B. Silliman." OCLC records four copies (Columbia, New York Public, Rensselaer Polytech Institute, Yale). Very good. Original printed wrappers (some soiling, edges chipped and with several tears). (#6178).…

11 etched plates, 193 x 282 mm; original illustrated brown paper wrappers. A scarce series of privately-published etchings of shipping in the London Dockyards. This section of Henry Moses' publication comprises his complete series on London's Docklands. An advertisement in the Quarterly Review (1826) shows that he had then published altogether six parts of his Sketches of Shippng by that date, with a further two announced. The six parts contained five engravings each. The first ten etchings depicted shipping on the Thames, the second ten showed Sheerness and the Medway while the final ten depicted life on London's docks. The present copy, lettered in ink "Nos 5 & 6", actually contains 11 plates although the advertisement in fact only calls for nine plates in the these two parts. There are five with the shared title "London Docks" as against four called for in the advertisement, while the eleventh plate, differing in style to the others, probably comes from an earlier part. 1. Vessels off the Tower (Two-masted ship with numerous sightseers in rowed boats in the foreground) 2. Limehouse (Sailing ship being unloaded by crane at pier. A sailing barge is on the river. In the foreground a rowing boat and anchor are visible on the shore). 3. Blackwall Reach with the Columbus in the Distance (A cutter in Blackwall Reach with another beyond on the right. The four-masted barque Columbus, a vast, 300-foot Canadian-built experimental timber carrier, is seen as a long grey hull in the distance stretching from the centre or the image to the right edge). 4. Limehouse (Sailing ship moored at Limehouse with rowing boats and barges unloading barrels). 5. A West Indiaman in Cox & Curlin's Yard Limehouse (the substantial docks later known as Limehouse Yard, where very large vessels could be built) 6. London Docks (Men sitting on timber slabs, ship with sails hanging loose behind in dock) 7. London Docks (Barge in front of stern of ship at dock, sails up and catching the wind two ships to left, one making way) 8. London Docks (Numerous ships at anchor, sails drying, tender at centre with barrels being rowed by two men) 9. London Docks (Large three-master in dock. tender with barrels in front, dockside showing a sluicegate) 10. London Docks (Two ladies in a boat rowed by a man, three ships behind wiht sails loose) 11. Trafalgar 120 Guns (Different in style to the other plates, close-up view of the hull of recently launched Trafalgar at dock.) Henry Moses (c.1782-1870) was prolific and "worked throughout the first half of the present century, enjoying a great reputation for his outline plates, which are distinguished for the purity and correctness of the drawing. His art was peculiarly suited to the representation of sculpture and antiquities, and he published many sets of plates of that class; he was one of the engravers employed upon the official publication Ancient Marbles in the British Museum, 1812-1845" (DNB). This delightful series was one that he produced on his own account. It is very scarce on the market. The British Museum's set, for example, comprises just the first four parts bound together. Only a reissued version by Ackermann of 1837 is recorded in Australian libraries (and that only held by the National Library and the Vaughan Evans Library at the Australian National Maritime Museum). Appendix 1: Quarterly Review ad in 1826: Sketches of Shipping on the Thames, the Medway, and in the Dockyards, drawn and engraved by Henry Moses. Nos. 1. to 6. containing the following plates: [Parts 1-2] [1] A Sailing Match near Vauxhall Bridge. [2] An India-man in Barnard's Yard, Deptford. [3] The City Canal. [4] Wellington Indiaman in Blackwall Basin. [5] Another View of the same. [6] Stern View of ditto. [7] The Basin at Blackwall [8] Surat Castle Indiaman in the Basin. [9] A Dance on Board an Indiaman in the Basin. [10] Part of Blackwall Yard, with View of the River. [Parts 3-4] [11] Waterman in his Boat in the Medwuy. [12] View on the Medway. [13].…

Zustand: Very Good. No. 460 of 500 copies on handmade Riccardi paper (12 on vellum), tall 4to. (205x272mm), pp: xv,[i]+88,[2], woodcut Riccardi Press device on final leaf, title page vignette and 10 coloured plates, incl. frontispiece, with captioned tissue guards, after F. Cayley Robinson. In original quarter linen, pale blue paper boards with white title label to spine and front board lettered in black, in blue-grey dustjacket printed to spine & front board, top edge gilt others untrimmed, with silk marker, boards lightly spotted, offset from d/w to endpapers, otherwise sound, tight and very good indeed. A Handsome Copy with Dustjacket in excellent condition. Bible in English, King James Version.Robinson, Frederick Cayley. (1862-1927), In addition to painting, Robinson designed murals, posters and theatre sets, and illustrated a number of books. His stage designs for Maurice Maeterlinck's The Blue Bird, produced at the Haymarket Theatre in London in 1909 were much admired. He studied art in London, Paris and Florence and was much influenced by Edward Burne-Jones.…

London, John Bellamie, 1627 - 1626. Folio (340 x 235 mm). In contemporary full calf with six raised bands and ruled fillets to boards. With considerable wear to extremities, scratches to boards, hinges split in lower and upper compoartment, corners bumped with loss of leather. Leather on lower part of front boards partly detached. Inner hinges split. General title-page detached and with loss of paper (and one letter) in inner margin. Ex-libris (S. Philip Sydenham) pasted on to verso of front board. Blank with considerable wear and partly detached. Previous owner's name and annotations in contemporary hand to front free end-paper (Thomas Burton, 1637 (thomas Burton, MP for Westmorland). Seven parts with seperate title-pages. Internally nice and clean. (10), 172, 156, 184, 206, (2), 168, (24), (2), 189, (7), 59 pp. Rare first collected edition of Ainsworth's bible commentaries. Henry Ainsworth (1571?1622) was an English Nonconformist clergyman and scholar. He led the Ancient Church, a Brownist or English Separatist congregation in Amsterdam alongside Francis Johnson from 1597, and after their split led his own congregation. His translations of and commentaries on the Hebrew scriptures were influential for centuries.…

3 Volumes. 8vo. ff. [18], 819. engraved frontis. contempoary calf (bindings worn but solid, some scattered foxing). The most important and influential work on ethics in fifteenth century Jewish literature. The author was one of the leading Talmudic scholars of his day. Zedner p. 381. Friedberg p. 620, no. 2216. …

No binding. Zustand: Good. 'Pseaume LXXVI.'etching / engraving on hand laid (vergé) paper. Sheet size: 9,5 x 15 cm. (3,7 x 5,9 inch). Image size: 9,5 x 15 cm. (3,7 x 5,9 inch).From: 'Essay des Psaumes .', by Elisabeth-Sophie Chéron, Paris, 1694. RB-358Made by 'Louis Chéron' after an anonymous artist. Louis Chéron (French engraver; 1660-1723), brother of the publisher. Condition: Good, given age. Remains of glue on rear from attachment. Light foxing. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.Keywords: TITLE ENGRAVING-MOSES-RED SEARBOS-A4-28.…