the machine as seen at the end of the mechanical age (50 Ergebnisse)

Hardcover. Zustand: Very Good - Cash. No Jacket. First Edition. Metal covers, colorfully painted showing a street scene with a yellow cab, raised features from a press. Riveted binding. Clean, minimal wear. Pages are clean and unmarked. Some scratches to the polished back cover. This is a collector's item. Stock photos may not look exactly like the book.

hardcover. Zustand: Good.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: No. 1968 Ex Library Reflective metal binding with colour illustration to front . Black and white photographs by various artists. Good condition with wear to covers as shown in pictures. With the usual library stamps/stickers. NO Dust Jacket. U5A62.

[NONE] 1968. (hardcover) Near fine. 218pp. 4to. Colour illustrated embossed tin covers. Black and white illustrations throughout. Catalogue published to accompany the exhibition of the same name held at MoMA November 27, 1968 to February 9, 1969. Sculpture, drawings, paintings, photographs, amd else that explore artists' depictions of technology, their themes and intent and how their work comments on the technology of their era. The cover shows light scruffing as may be anticipated given its medium; otherwise a fine (and impressive) copy.

Hardcover. Zustand: Good. No DJ as issued, previous owner's name penned on title page, spine tarnished, back cover rubbed; Decorative metal covers. 216 pp. B&W illustrations. Notes, biblio, index. Exhibition cataloque; 4to; 216 pages.

hardcover. Zustand: Good. Cover shows minor shelf wear. Pages are clean and intact.

Zustand: Good. Good condition. (art, museum of modern art, moma) A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

hardcover. Zustand: very good(+). Illustrated with black & white photographic illustrations. 216 pages. Short square 4to, embossed and painted metal covers, slightly scuffed on spine. New York: M.O.M.A., 1968. A bright copy in very good(+) condition. The 1968-69 exhibition of "comments on technology by artists of the Western world" from Leonardo Da Vinci to the present.

4°, 216 S., zahlr. teilw. farb. Abb., Farbiger Metall-Einbd. in Orig.-Kart-Box., Tadellos. Ausstellungskatalog mit Beiträgen von / über Duchamp, Grosz, Ernst, Giacometti u. v. a. Ausgefallener Metalleinband mit farbiger Prägung. 1200 gr. Schlagworte: Kunst - 20 Jht., Kulturgeschichte.

Hardcover. Zustand: Very Good. First edition. Metal covers, stamped in color. Near Fine. A book of a 1968 MOMA exhibition.

Hardcover. Zustand: Very Good. First Edition. A fascinating catalog in an unusual binding. Metal Covers hinged and affixed at spine with rivets. Illustration is pressed in metal and color printed on top. Covers in remarkable condition, usually scratched, these are very clean. Minor stains on first free endpaper. Clean within.

Hardcover. Zustand: Very Good. First edition. Square octavo. 216 [2] pp. Illustrated. Color pictorial metal covers. Covers rubbed and soiled with small stains, very good, lacking the cardboard slipcase.

Zustand: Good. 8vo. 216 pp. Very Good with staining on pages and rusting on edges of covers. Hard cover. Embossed and printed metal board covers with hinged binding. Mostly Color plates. Featuring works by Marcel Duchamp, Francis Picabia, Fernand Leger, Robert Rauschenberg, Robert Breer et al. First Edition.

Hardcover. Zustand: very good. First edition. Catalog that accompanied a seminal exhibition at The Museum of Modern Art, New York in 1968. René d'Harnoncourt, then director of the MoMA had the idea for an exhibition of kinetic art but this idea was soon extended to new dimensions to an overview of the history of machines within an artistic context. Each of them is displayed on a single page with extensive black and white imagery. Starting of with earliest depictions of machines by Dürer, da Vinci and contemporaries, all the way through with Robert Beer's kinetic plastic sheet continiously changing its shape by different, indiscernible mechanisms. and Wen-Ying Tsai's "cybernetic" sculpture projecting onto ocillating rods. Hardcover with silkscreened tin covers, with raised and painted illustration on front. Covers are bound by three rivets and nine small hinges for front and rear covers. Spine has started to tarnish; there is mild rubbing to covers. Better than usual overall condition. 6" - 8½". book.

Zustand: Good. Used book that is in clean, average condition without any missing pages.

Hardcover. Zustand: Very Good. First edition. Square octavo. 216 [2] pp. Illustrated. Color pictorial metal covers. Faint owner stamp on first leaf. A bit of foxing on the textblock edges, spine scuffed and a bit of rust on the foredge of the lower cover, very good in a near fine plain cardboard slipcase.

218pp. 4to. Original stamped metal pictorial covers, a little scratched on rear. Black and white photographs and illustrations throughout. A very good copy. First edition.

216 S., zahlr. Abb. sehr gut erhaltenes Expl., fine copy Sprache: Deutsch Gewicht in Gramm: 1000 Einband aus Zinkblech mit Scharnieren an beiden Gelenken, Vorderdeckel mit farbigem geprägtem Motiv (New Yorker Straßenszene), 4°.

Zustand: Very good. - Small quarto [9-1/2 inches high by 8-1/2 inches wide], color printed embossed aluminum boards designed by Anders Osterlin.The rear cover is rubbed & the front cover is lightly rubbed. The spine is rusted. 216 & [2] pages. Profuse illustrations in black, white & blue. There is an owner's inscription on the front endpaper. The page edges are darkened & there is some minor soiling to the fore-edge & top edge. Very good. Published in conjunction with an exhibition which was shown at the Museum of Modern Art, New York City from November 25, 1968 to February 9, 1969, and subsequently toured to Houston and San Francisco."Historically machines have often been regarded as toys, or agents of magic, marvel, and fantasy.The story of how artists in this century have looked upon and interpreted machines is highly dramatic. Their attitudes have ranged from deepest despair to devotion and even idolatry. It should be noted that such extreme positions have been taken by artists who are among the most significant of our time." [From the introduction by K. G. Pontus Hulten].

Reliure de l'éditeur. Zustand: Très bon. Ed. originale. Broché, sous reliure métallique articulé par une charnière, le premier plat orné d'une composition en couleurs en relief (reliure de l'éditeur). Edition originale du catalogue de cette importante exposition organisée par Pontus Hulten. De Léonard de Vinci à Nam June Paik, étonnant panorama retraçant l'intrusion de la machine dans l'art. Nombreuses illustrations et notices sur Méliès, Boccioni, Malevitch, Duchamp, Picabia, Calder, Bellmer, Tinguely, Oldenburg, Takis.

22x25, OBlech Einband. 1. Auflage,. 216 Seiten, Wohl der wichtigste Ausstellungskatalog zur Maschinen- und konstruktivistischen Kunst mit hunderten Abbildungen von Werken, u.a.v. Tinguely, Rauschenberg, Popova, Calder, Tatlin,Duchamp. Der aufwändig gestaltete Blecheinband mit einer farbigen Stanzung von Anders Österlin nach einer Fotografie von Alicia Legg zeigt den Eingang des Museum of Modern Art, New York. Sprache: Deutsch.

4°, 216 S. mit vielen Abbildungen, farbig bedruckter Orig.-Metalleinband Entwurf von Anders Österlin nach einer Photographie v. Alicia Legg. Erste Ausgabe.- Spektakulärer Katalog zum Thema Maschine in der Kunst.- Linke untere Ecke etwas bestossen, sonst gutes Exemplar.

Hardcover. Small 4to. Pictorial stamped tin. 216pp. Frontispiece, numerous illustrations. Very good. Covers bright and handsome, with spine rusted to appearance of brown velvet. Attractive first edition of this famed exhibition catalogue.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good+. Illustrated by Illustrated (illustrator). First Printing. Aluminum rear cover and spine oxidized with scratching, light edge foxing, otherwise light wear; Mailer tone with soiling. Crisp hardcover three post metal binder. ; "Swedish art collector and curator K. G. Pontius Hultén curated and wrote the catalogue for The Machine as Seen at the End of the Mechanical AgeOffsite Link, an exhibition at The Museum of Modern ArtOffsite Link, New York, from November 27, 1968 to February 9, 1969. This was a landmark exhibition on the history of the machine in its relationship to art from the Renaissance to 1968; or as the editor stated, it was "a collection of comments on technology by artists of the Western world" (p. 3). The art reproduced and described in the catalogue including much that was radical for its timewas mainly in traditional media such as prints or paintings, sculptural or mechanical, with a few electro-mechanical items, and one example of laser art. Only the last two items in the exhibition were examples of computer graphics . The design and production of the catalogue was unusually excellent, including a very striking binding of aluminum sheeting with a stamped enamel-painted design of the MOMA building on the upper cover." - Jeremy Norman's History of Information. Crisp copy with cover wear, uncommon in its original cardboard mailer. ; Ex-Library; 218 pages.

First edition. First edition. Illustrated throughout with half-tone plates, a number of pages printed in blue. [1], 216, [1] pp. 1 vols. 4to. MoMA Exhibition #877, from November 27, 1968-February 9, 1969. Bound in embossed color printed aluminum designed by Anders Osterlin after a photograph of the front of MoMA by Alicia Legg, metal hinged, manufactured by PLMAB Platmanufaktur. Fine Illustrated throughout with half-tone plates, a number of pages printed in blue. [1], 216, [1] pp. 1 vols. 4to.

Hardcover. Zustand: g+. First edition. Quarto. 216 (2)pp. Original color illustrated embossed and bolted aluminum covers. Exhibition catalog of major exhibition at the dawn of the digital age featuring artist's concerns towards technology including Alexander Calder, Marcel Duchamp, Naum Gabo, Alberto Giacometti, Hannah Höch, Leonardo da Vinci, Nam June Paik, Robert Rauschenberg, Oskar Schlemmer, Kurt Schwitters, Lillian Schwartz, and many others. Illustrated with impressive b/w and some two color reproductions of artwork, Binding moderately scratched at spine and back cover. Book block age-toned in margins not affecting images. Binding and interior in overall good+ condition.

23x 20cm, 216,[2]pp., extensively illustrated, in silver metal bindings, skillfully painted colour pictorial upper cover, hinged with silver backed metal, (box style), flamboyant inscription on title page, fine. ~ A catalogue of a machine dedicated art exhibition held the Museum of Modern Art, New York; University of St. Thomas, Houston; and the San Francisco Museum of Art in 1969. With over 100 exhibits from Leonardo da Vinci (Drawing for flying apparatus) to Kennth C. Knowlton (Computor processed photographic print). Unusual metal bindings but appropriate for the Exhibition.

Hardcover. Zustand: Good. No Jacket. Shelf and handling wear to cover and binding, with general signs of previous use. Boards have heavy shelf rubbing with scuffing and smudging as well as bumping. Binding is tight. Endpages have moderate scuffing and smudging. Page edges have light scuffing and smudging. Interior pages are lightly age-toned. Secure packaging for safe delivery. 2.8.

First edition. Hardcover. 216 pages. An exhibition catalog for a landmark show that ran November 25, 1968 through February 9, 1969 at The Museum of Modern Art and then traveld for additional dates. Includes brief essays about each work in the catalog along with numerous color and black and white illustrations of works by the likes of Alexander Calder, Marcel Duchamp, Max Ernst, Alberto Giacometti, Rene Magritte, Man Ray, Claes Oldenburg, Robert Rauschenberg, Kurt Schwitters, and numerous others. A clean very near fine copy with an illustrated metal binding. A much nicer than usual copy of a book that is easily prone to wear.

4°, 216 S., zahlr. teilw. farb. Abb., Farbiger Metall-Einbd., Min. berieben. Ausstellungskatalog mit Beiträgen von / über Duchamp, Grosz, Ernst, Giacometti u. v. a. Ausgefallener Metalleinband mit farbiger Prägung. 1200 gr. Schlagworte: Kunst - 20 Jht., Kulturgeschichte.