Symphony new collected works (36 Ergebnisse)

Zustand: new. Pages: 240 Language: Russian, English. Symphony for full orchestra in five movements. Edited by Victor Ekimovsky. Explanatory Article by Manashir Iakubov. Form: 1. Adagio-Allegro non troppo 2. Allegretto 3. Allegro non troppo attacca 4. Largo attacca 5. Allegretto Instrumentation: 4 Flutes (III and IV = Piccolo I and II), 2 Oboes, Cor anglais, E flat Clarinet, 2 Clarinets (B flat and A), Bass Clarinet, 3 Bassoons (III = Contrabassoon) 4 Horns, 3 Trumpets, 3 Trombones, Tuba Timpani (4 drums), Triangle, Tambourine, Side drum, Cymbals (2 players-I with drumsticks and II normal mode), Bass drum, Gong Xylophone 1st Violins(16), 2nd Violins (14), Violas (12), Cellos (12), Double-basses (10). Duration: Approx. 60 min. Composed: In about 40 days, mainly at the Composer's House at Ivanovo, between 2 July and 9 September 1943. First three movements completed on 3, 18, and 25 August respectively. Dedication: Yevgeni Aleksandrovich Mravinsky (conductor). The score of the Eighth Symphony was published in the Soviet Union twice during the author's lifetime, in 1946 and in 1963, and also after his death, as part of Collected Works (Vol. 4, Muzyka Publishers, Moscow), in 1981. This publication is based on the 1981 edition. The music text has been collated anew with the author's manuscript of the score and with the lifetime editions. The author's manuscripts of the following four fragments of the symphony's score have also been taken into account: 1) fragment of the first movement from bar 140 to bar 169, inclusive; 2) fragment of the first movement from bar 166 to bar 169, inclusive; 3) fragment of the third movement from bar 122 to bar 175, inclusive, with a dedication: "To Alexei Kruchenykh from Dmitri Shostakovich from the 8th symphony 1943 17 X"; 4) fragment of the fourth movement from bar 15 to bar 84, inclusive. All four fragments are pages from the fair author's manuscript of the score, which Shostakovich rewrote because of missing bars or other inaccuracies that arose during writing. The specific differences between the text of the fragments and the final text of the score are specified in the bar-by-bar comments. 9790706364131.…

Buch. Zustand: Neu. Neuware - (DSCH). Composer's arrangements for 2 pianos 4 hands. These volumes are the first releases of an ambitious series started in 1999 by DSCH, the exclusive publisher of the works of Dmitri Shostakovich. Each volume contains new engravings; articles regarding the history of the compositions; facsimile pages of Shostakovich's manuscripts, outlines, and rough drafts; as well as interpretations of the manuscripts. In total, 150 volumes are planned for publication.…

Hardcover. Zustand: Brand New. 216 pages. 11.25x8.50x0.50 inches. In Stock.

Buch. Zustand: Neu. Symphony No. 4, Op. 43 | New Collected Works of Dmitri Shostakovich - Volume 19 | Dmitri Shostakovich | Buch | Englisch | 2002 | Dsch | EAN 9780634077326 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Zustand: new. Pages: 192 Language: Russian, English. Author's arrangement for piano (four hands). Edited by Victor Ekimovsky. Explanatory Article by Levon Hakobian. The Twelfth Symphony was first performed in the author's arrangement for piano four hands on 8 September 1961 at the RSFSR Union of Composers by composers Boris Tchaikovsky and Mieczyslaw (Moisey) Weinberg. This publication is based on the first edition of the piano score (Sovetsky kompozitor Publishers, Moscow,1962), collated with the author's manuscript that is kept in Dmitri Shostakovich's Archive (rec. gr. 1, inv. 1, f. 48) and the score (D. Shostakovich, New Collected Works, Vol. 12, DSCH, Moscow, 2013). Some differences in the music text of the score and its author's arrangement generated by the specifics of the piano texture (this applies to slurs, bowings, registers, and dynamic nuances) are retained and not given special mention. 9790706364568.…

Zustand: new. Pages: 208 Language: Russian, English. Extensive postscript with notes on composition and critical commentary in Russian and English. Symphony, in one movement marked 'Allegretto', for full orchestra and S.A.T.B. chorus (for the choral hymn finale setting of a poem by Semyon Kirsanov). Unfinished Symphony of 1934 (Fragment Adagio). Published for the first time. Edited by Victor Ekimovsky. Explanatory Article by Manashir Iakubov. Instrumentation: Piccolo, 2 Flutes, 2 Oboes, 2 B flat Clarinets, 2 Bassoons 4 Horns, 2 Trumpets, 3 Trombones, Tuba Timpani, Triangle, Side Drum, Cymbals, Bass Drum, Gong Glockenspiel, Xylophone S.A.T.B. chorus Strings Five-string double-basses required in the symphony; their use is not stipulated in the list of instruments. Duration: Approx. 30 min. Composed: Summer 1929, at Leningrad. This edition is based on the text of the symphony published in Vol. 2 of Dmitri Shostakovich's Collected Works (Muzyka Publishers, Moscow, 1982). When preparing the score, the following sources were also used: - author's manuscript of the score kept in the Russian State Archives of Literature and Art, rec. gr. 653, inv. 1, f. 2266; - manuscript copy of the score reviewed and corrected by the composer in 1972 kept in the Library of the Sheet Music Centre at the Moscow Union of Composers, No. 6222; - author's manuscript of the symphony piano score (Russian State Archives of Literature and Art, rec. gr. 2048, inv. 1, f. 3); - lifetime editions of the 1932 score (Muzsektor Gosizdata Publishers, Moscow) and the 1975 score (Sovetsky Kompozitor Publishers, Moscow). Inaccuracies and mistakes in previous publications have been corrected without special comments. Any necessary editing additions are given in square brackets. Shostakovich used five-string double-basses in the symphony (see, for example, bars 486, 487, 694, 877, 883, and 887), without stipulating this fact in the list of instruments. 9790706364025. …

Zustand: new. Pages: 171 Language: Russian, English. Symphonic song cycle for soprano soloist, bass soloist and chamber orchestra on Verses by Federico Garcia Lorca, Guillaume Apollinaire, Wilhelm Küchelbecker, and Rainer Maria Rilke. Edited by Andrey Yakovlev. Explanatory Article by Levon Hakobian. Form: 1. De Profundis (Garcia Lorca)-Adagio (for bass soloist) 2. Malaguena (Garcia Lorca)-Allegretto (soprano) attacca 3. Lorelei (Apollinaire)-Allegro molto (soprano and bass) attacca 4. The Suicide (Apollinaire)-Adagio (soprano) 5. On Watch (Apollinaire)-Allegretto (soprano) attacca 6. Madam, look! (Apollinaire)-Adagio (soprano and bass) attacca 7. In prison-At the Sante Jail (Apollinaire)-Adagio (bass) 8. The Zaporozhian Cossack's answer to the Sultan of Constantinople (Apollinaire)-Allegro (bass) attacca 9. O Delvig, Delvig! (Küchelbecker)-Andante (bass) 10. The death of the poet (Rilke)-Largo (soprano) attacca 11. Conclusion (Rilke)-Moderato (soprano and bass) Russian translations by I. Tynyanova (No. 1), L. Geleskul (No. 2), M. Kudinov (Nos. 3-8), and T. Silman (Nos. 10 and 11). Instrumentation: Castanets, Wood block, Whip, 3 Tom-toms (soprano, alto, and tenor-1 player) Orchestral bells, Xylophone, Vibraphone, Celesta Soprano and Bass soloists 10 Violins, 4 Violas, 3 Cellos, 2 Five-string Doublebasses Duration: Approx. 42 min. Composed: Piano vocal score completed in a Moscow hospital on 16 February 1969; the full score at his Moscow apartment on 2 March 1969. Dedication: Benjamin Britten (composer). Personal score inscribed 'To dear Benjamin Britten as a token of profound respect from a cordially devoted D. Shostakovich 1 XII 1969 Moscow'. This publication is based on the first edition of the score put out by Muzyka Publishers, Moscow, 1971; it also takes into consideration the score published in Volume 8 of Dmitri Shostakovich's Collected Works by Muzyka Publishers, Moscow, 1980, as well as the author's manuscript of the score and author's corrections in the hand-written copy of the score and in the text of the 1971 edition. In some cases, the indications given in the author's manuscript of the piano score are taken into account. 9790706364414. …

Zustand: new. Pages: 188 Language: Russian, English. Author's arrangement for piano (four hands). Edited by Victor Ekimovsky. Explanatory Article by Vera Valkova. Soon after finishing the symphony, Shostakovich prepared its four-hand piano score. This was the version the author used to perform the symphony with Mieczyslaw (Moisey) Weinberg in Leningrad, first at the apartment of conductor Evgeny Mravinsky (23 and 24 November), who prepared the symphony for its premiere, and later (in the evening of 24 November) at the apartment of the composer's mother, Sofya Shostakovich, which Mravinsky made note of in his diary. Weinberg recalled these events later in an interview with Sofya Khentova. "We went to play the Tenth Symphony in Leningrad at Evgeny Mravinsky's. We performed it twice in the conductor's apartment on Borodinsky Street. We performed it four hands for the Leningrad composers, I played the right-hand part, Dmitri Dmitriyevich always sat to my left. There was a lively discussion in Leningrad at the House of Composers." On 15 February 1954, the piano version of the Tenth Symphony performed by Shostakovich and Weinberg was recorded at the Moscow Sound-Recording House. "The recording of the Tenth we performed was restored," Weinberg later witnessed, "and then it was included on a gramophone record called 'Shostakovich the Pianist' as a document, an aid for conductors: as played by Shostakovich." This publication is based on the first edition of the author's piano arrangement (Muzgiz Publishers, Moscow, 1954), collated with the author's manuscript kept at the Glinka State Central Museum of Musical Culture (rec. gr. 32, f. 69), and the edition of the score (New Collected Works, Vol. 10, DSCH, Moscow, 2009). A large number of bowings (slurs, accents, staccato dots, tenuto dashes) that exist in the instrumental parts in the score are missing in the author's manuscript and first edition of the piano score. In this edition, all the bowings have been inserted in accordance with the score and are not given specific mention. 9790706364681.…

Zustand: new. Pages: 150 Language: Russian, English. Symphony for full orchestra (with piano) in four movements. Edited by Alexandr Buzovkin. Explanatory Article by Manashir Iakubov. Symphony for full orchestra (with piano) in four movements: 1. Allegretto-Allegro non troppo 2. Allegro 3. Lento-Largo attaca 4. Lento-Allegro molto-Adagio-Largo-Presto Instrumentation: Piccolo (= flute III), 2 Flutes (II = Piccolo II), 2 Oboes, 2 Clarinets (B flat and A), 2 Bassoons 4 Horns, 3 Trumpets (I and II B flat, III F), 3 Trombones, Tuba Timpani, Triangle, Side drum, Cymbals, Bass drum, Gong Glockenspiel, Piano Strings. Duration: Approx. 33 minutes Composed: September 1924-1 or 2 July 1925, at Petrograd/Leningrad. Began with the second movement. Piano score of the third movement completed in February 1925. Final alterations to the orchestration made in June 1926 after the premiere. Dedicated to Mikhail Vladimirovich Kvadri Three author's manuscripts of the score to the First Symphony were used in preparing this edition. Two of them are kept in Dmitri Shostakovich's private depositary in the Russian State Archives of Literature and Art (RSALA), an incomplete author's manuscript (IM), from which the first page is missing (the first 20 bars)-RSALA rec. gr. 2048, inv. 1, f. 1, and a complete fair copy of the author's manuscript (CFM), which serves as the basis of the work's first publication (Muzsektor Gosizdata, Moscow-Universal Publishers, Vienna, New York, 1927) - RSALA, rec. gr. 653, inv. 1, f. 2262. The third rough draft of the author's manuscript (RM) is kept in the Glinka State Central Museum of Musical Culture (GSCMMC), rec. gr. 32, f. 97. The publications of the symphony during Shostakovich's lifetime and the 1987 edition are also used (D. Shostakovich, Collected Works in 42 volumes, Vol. 1, Muzyka Publishers, Moscow, pp. 1-122), the text of which forms the basis of this edition. The early author's manuscript of the score (IM) dated 1923 is the original orchestral version of the composition, which differs from the final one in a few instrumentation details. In particular, two, instead of three, trumpets are used in this version and, correspondingly, the chords in the group of brass instruments are arranged differently. Of course, the CFM should be considered the most reliable source, which the composer apparently rewrote especially for the publishers. It was the CFM that was used as the basis of the text in the first volume of Collected Works (1987) mentioned above. Nevertheless, during preparation of this publication certain inaccuracies in the 1987 edition were revealed and corrected. Moreover, after Collected Works in 42 volumes had already come out, several additional sources and author's documents were discovered, relating to the First Symphony and its sheet music in particular, which were also taken into account in our edition. 9790706364520. …

Zustand: new. Pages: 184 Language: Russian, English. Suite on Verses by Michelangelo Buonarroti. For Bass and Piano, Op. 145. Suite on Verses by Michelangelo Buonarroti. For Bass and Symphony Orchestra, Op. 145a. Translated by Abram Efros. Edited by Victor Ekimovsky. Explanatory article by Tamara Levaya. 9790706364759.…

Zustand: new. Pages: 268 Language: Russian, English. For orchestra. - Extensive postscript with notes on composition and critical commentary in Russian and English. Symphony for large orchestra (with additional brass, 2 harps, and a piano) in four movements. Edited by Victor Ekimovsky. Explanatory Article by Manashir Iakubov. Form: Symphony, universally known as 'The Leningrad Symphony', for large orchestra (with additional brass, 2 harps, and a piano) in four movements- here given the initial descriptive titles later dropped by the composer: 1. Allegretto-'War' 2. Moderato (poco allegretto)-'Memories' 3. Adagio-'Native Expanses' or 'My Native Fields' attacca 4. Allegro non troppo-'Victory' Instrumentation: Piccolo (= Flute III), 2 Flutes (II = Alto flute), 2 Oboes, Cor Anglais, E flat Clarinet (= Clarinet III B flat and A), 2 Clarinets (B flat and A), Bass Clarinet, 2 Bassoons, Contrabassoon 8 Horns, 6 Trumpets, 6 Trombones, Tuba Timpani (5 drums), Triangle, Tambourine, Side drum, Cymbals, Bass drum, Gong Xylophone, 2 Harps, Piano 1st Violins (16-20), 2nd Violins (16-18), Violas (12-16), Cellos (10-14), Double-basses (8-12). It is desirable to have 2 Side drums from fig. 39 and, if possible, 3 Side drums from fig. 45 to 11th bar after fig. 51 in the first movement. The additional group of Brass (3 Trumpets, 4 Horns, and 3 Trombones) is required in first, third, and fourth movements; Harps in second and third; Piano in first, second, and fourth movements. Composed: 19 July-27 December 1941. The first three movements composed in besieged Leningrad; first finished on 3 September, second written in 14 days, and third completed in 12 days on 29 September; fourth movement completed at Kuibyshev (reverted to its pre-revolutionary name of Samara in autumn 1991). Duration: Approx. 80 min. Dedication: 'To my native city, Leningrad'. When preparing this volume, we used the lifetime editions of the symphony, the facsimile edition of the author's manuscript of the score (D. Shostakovich, Symphony #7 "Leningrad", Op. 60: Facsimile Edition of the Manuscript with a Commentary by Manashir Yakubov, Zen-on Music Company Limited, Tokyo, 1992.), and the edition of the score in Vol. 4 of Dmitri Shostakovich's Collected Works (Muzyka Publishers, Moscow, 1981), in which the author's corrections in the hand-written copy of the symphony and the author's notes on the proof-read sheets were taken into account. 9790706364162.…

Zustand: new. Pages: 224 Language: Russian, English. Symphony for full orchestra in five movements. Edited by Manashir Iakubov. Explanatory Article by Manashir Iakubov. For full symphony orchestra. Edited by Victor Ekimovsky. Explanatory Article by Olga Digonskaya. Symphony No 9 Form: 1. Allegro 2. Moderato 3. Presto attacca 4. Largo attacca 5. Allegretto Instrumentation: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets (B flat and A), 2 Bassoons 4 Horns, 2 Trumpets, 3 Trombones, Tuba Timpani, Triangle, Tambourine, Side drum, Cymbals, Bass drum 1st Violins (16-20), 2nd Violins (14-18), Violas (12-16), Cellos (12-16), Double-basses (10-14). Duration: Approx. 22 min. Composed: Dmitri Shostakovich precisely recorded the total time taken to finish the score of the Ninth Symphony in his manuscript, in which he entered the date when work on the first movement began and the dates when all the movements were completed. He began the first movement on 2 August and finished it on 5 August in Moscow, then composed the next three movements at the Composers' House in Ivanovo, whereby he finished the second movement on 12 August, the third on 20 August, and the fourth on 21 August. The last page of the author's manuscript of the score bears the inscription: "D. Shostakovich 30 VIII 1945 Moscow." Thus, it took Shostakovich about one month to write the score for his shortest symphony. The following sources were used in preparing this edition: the author's manuscript of the score kept in Dmitri Shostakovich's private archive in the Russian State Archives of Literature and Art (rec. gr. 2048, inv. 1, f. 12); proof sheet of an edition of the score with the author's corrections, dated 1946, kept in Dmitri Shostakovich's private archive in the Glinka State Central Museum of Musical Culture (rec. gr. 32, f. 12), all the editions of the score printed during Shostakovich's lifetime in the Soviet Union, and the edition included in the first posthumous Collected Works of Dmitri Shostakovich (Vol. 5, Muzyka Publishers, Moscow, 1979). The Symphony Fragment of 1945 The composition for symphony orchestra, published herewith, was discovered by the author of these lines at the end of 2003, amidst unidentified manuscripts in Dmitri Shostakovich's Archive. The manuscript consists of an orchestra score made up as follows: 2 Piccolo, 2 Flauti, 3 Oboi, Corno inglese, Clarinetto piccolo (Es), 3 Clarinetti (B), Clarinetto basso, 3 Fagotti, Contrafagotto 4 Trombe, 4 Corni, 4 Tromboni, 2 Tube Timpani, Tamburo, Piatti, Silofono Violini I-II, Viole, Violoncelli, Contrabassi Externally, it amounts to six double, folded one inside the other, large format score sheets (paper "PASSANTINO BRANDS No. 30-30 Staves; printed in the U.S.A."; 46.5 h 31.8), written in Shostakovich's hand, with the author's pagination 1-24. The author's manuscript contains 322 bars (one crossed out) of note text, written in black (the first 192 bars) and blue ink; the bar-lines are done in pencil. On the first sheet, Shostakovich indicates the tempo: Allegro non troppo; the key of the work-E flat major, the time-signature-4/4. There are rehearsal numbers from 1-16 (further on they are absent). The note text breaks off at the end of page 24; thus, the rest was either lost or, which is more likely, never written down. The sheets were folded in the author's manuscript of the piano score of the opera The Gamblers, which is dated late 1942-early 1943. The external similarity of both manuscripts (black and blue ink, handwriting, paper) indicated without any doubt that they belong to the same period of time. A search for Shostakovich's unrealized symphonic ideas that were closest in terms of time to the period in question led to the Ninth Symphony, which as is well known was written in more than one stage, and made it possible to identify the manuscript as the first unfinished version of this Symphony. The Symphony Fragment of 1945 is being published in accordance with the author's manuscript kept in Dmitri Shostakovich's Archive, rec. gr. 1, sec. 1, f. 295. 9790706364674. …

Zustand: new. Pages: 431 Language: Russian, English. Author's arrangement for voice and piano. Author's arrangement for voice and piano (four hands). Published for the first time. Edited by Victor Ekimovsky. Explanatory Article by Manashir Iakubov. Shostakovich left on the same evening of the day the last movement was completed (20 July 1962) for Kiev12 to meet Boris Gmyrya, then on 23 July13 he went to Ust-Narva to see Evgeny Mravinsky, who were to participate in the premiere of the symphony. Some time later, however, both musicians declined to perform. So, it can be confirmed that by the time Gmyrya and Mravinsky acquainted themselves with the symphony during the third week of July, the piano score had already been completed. Yevtushenko made special mention of this: ".toward the end of July he [Shostakovich] invited me to visit him and placed on the piano a piano score on which was written 'Thirteenth Symphony'. Shostakovich then began the four-hand arrangement of the symphony for piano, which he wrote to Glikman about on 3 August 1962: "I am now doing the arrangement in four hands of the 13th symphony."19 Ten days later in a letter to Levon Atovmian, the composer said, "I have finished the 13th symphony," possibly meaning that he had finished the arrangement. It is likely that Shostakovich initially did the four-hand arrangement in order to present the symphony at the Union of Composers, the same as he did with his other orchestral opuses-the Ninth, Eleventh, Twelfth and Fifteenth symphonies. However, it has still not been established whether the Thirteenth Symphony was ever performed using this four-hand arrangement. Author's Arrangement for Voice and Piano This publication is based on the 1984 edition of the piano score from Dmitri Shostakovich's Collected Works (Vol. 9, Muzyka Publishers, Moscow) collated with the author's manuscript of the piano score, the author's manuscript of the score-AS, the 1971 and 1984 editions of the score, and also with the latest, 2011, edition of the score-New Collected Works, Vol. 13, DSCH, Moscow. Author's Arrangement for Voice and Piano in Four Hands This publication is based on the author's manuscript of the piano score collated with the 1984 edition of the piano score in two hands and the 2011 edition of the score (New Collected Works, Vol. 13, DSCH, Moscow). 9790706364490.…

Zustand: new. Pages: 187 Language: Russian, English. Arranged for piano (four hands). Edited by Victor Ekimovsky. Explanatory Article by Maria Karachevskaya. The first edition of the full score of the Eighth Symphony appeared in 1946 (Muzgiz, Moscow and Leningrad 1946). In 1948, Muzfond printed a mimeographed version of a four-hand piano arrangement done by Levon Atovmian. The edition does not indicate the author of the arrangement. Leo Mazel points to Levon Atovmian in the Guide to Shostakovich's Symphonies (see: L. Mazel, op. cit., p. 84). An unfinished manuscript of the eight-hand arrangement of the symphony for two pianos performed by Paul Lamm has also survived (the Glinka All-Russia Museum Association of Musical Culture [VMOMK], rec. gr. 32, f. 14). 9790706364742.…

Zustand: new. Pages: 166 Language: Russian, English. For chorus and orchestra. - Russian words. Extensive postscript with notes on the composition in Russian and English. Includes handwritten sketches and sketches as score. Author's arrangement for voice and piano. Published for the first time. Edited by Victor Ekimovsky. Explanatory Article by Manashir Iakubov. The author's arrangement (piano score) of the Third Symphony for singing with a piano two hands is being published for the first time according to the author's manuscript kept in Dmitri Shostakovich's private depository in the Russian State Archives of Literature and Art (rec. gr. 2048, inv. 1, f. 3). The score of the symphony's choral part is written out in full in the arrangement, which means it can be used when preparing the symphony to be performed by a choir. There are differences between the music text of the piano score and the text of the symphony score. In this edition, the piano score text is presented in as close compliance as possible with the symphony score (in so doing the text of the published score is given preference even in those few instances when the piano score version seems contextually more natural and logical). In addition to eliminating the differences, the extremely laconic author's piano score is supplemented in several, but very few, instances with some important details of text borrowed from the symphony score. The bars missing in the author's manuscript of the piano score are reinstated. At the same time, in some cases, for example in the reproduction of "athematic" orchestral crescendos, and on, the textual differences between the piano score and the symphony score, which frankly speaking are inevitable, are retained in the published text. There are a vast number of differences between the author's manuscript of the piano score and the symphony score in the tempo designations. Bearing in mind that, in all likelihood, the composer played the symphony on many occasions precisely from the piano score, when performing it for colleagues, we can say that the piano score text, in particular its tempo designations, is a kind of short-hand record of the author's performance and the author's ideas about the agogics of the work. In our publication, all th tempo designations are given in compliance with the symphony score. There are no metronome designations in the author's manuscript of the piano score. They have all been added to the text according to the symphony score and are not noted in the bar-by-bar comments. 9785900531120. …

Zustand: new. Pages: 110 Language: Russian, English. Symphony in one movement for full orchestra and S.A.T.B. chorus. Edited by Victor Ekimovsky. Explanatory Article by Manashir Iakubov Symphony in one movement, of five continuous sections, for full orchestra (plus factory siren in F sharp) and S.A.T.B. chorus. Largo, 1/4 = 152, Allegro molto, Meno mosso, and choral finale setting of Aleksandr Bezymensky's poem 'To October'. Instrumentation: Piccolo, 2 Flutes, 2 Oboes, 2 B flat Clarinets, 2 Bassoons 4 Horns, 3 Trumpets, 3 Trombones, Tuba Timpani, Triangle, Side drum, Cymbals, Bass drum F sharp siren, Glockenspiel S.A.T.B. chorus Strings Duration: Approx. 20 minutes Composed: December 1925-June 1927, at Leningrad. A state commission received in late March 1927 to celebrate the tenth anniversary of the October Revolution. This publication is based on the text in Collected Works (Vol. 1, Muzyka Publishers, Moscow, 1987), which, in turn, goes back to the first edition of the symphony (Muzsektor Gosizdata Publishers, Moscow, 1927) and to the author's manuscript of the symphony kept in the Muzgiz Foundation in the Russian State Archives of Literature and Art (rec. gr. 653, inv. 1, f. 2270). The last life-time edition of the symphony is also taken into account (1975). 9785900531021.…

Zustand: new. Pages: 130 Language: Russian, English. Arranged for Two Pianos by Tatiana Sergeyeva. Published for the first time. Edited by Olga Kuzina. Explanatory Article by Manashir Iakubov. Since the complete author's arrangement of the Second Symphony has not been found (and in all likelihood never existed), the arrangement of the symphony for piano in four hands by composer Tatyana Sergeyeva as ordered by DSCH Publishers specially for this publication is being published in this volume. The arrangement corresponds to the symphony score published in Volume 2 of New Collected Works (Moscow, 2001). Certain differences in details of the music text caused by specific features of the piano facture or which are unavoidable due to piano instead of orchestral sounding (for example, additional accents, dynamic signs necessary to identify a particular timbre or group of instruments, etc.) are not specified. 9785900531113.…

Zustand: new. Pages: 336 Language: Russian, English. Symphony, subtitled 'The Year 1905', for full orchestra in four linked movements. Edited by Victor Ekimovsky. Explanatory Article by Levon Hakobian. Form: 1. Palace Square Adagio attacca 2. Ninth of January Allegro-Adagio-Allegro-Adagio attacca 3. Eternal Memory Adagio attacca 4. The Toscin Allegro non troppo-Allegro-Moderato-Adagio-Allegro The Eleventh Symphony is dedicated to the events of the first russian revolution of 1905. The symphony's four movements convey the atmosphere of the storm brewing in St.Petersburg on the eve of the fatal day of 9 January 1905: I. Palace Square-Adagio, the march of the deceived people on the Winter Palace and how they are fired upon by the Tsar's troops. II. Ninth of January-Allegro-Adagio-Allegro, mourning over those killed. III. Eternal Memory-Adagio; and the revolutionary breakthrough, oath-taking over the graves of the victims, and confidence in imminent victory. IV. The Tocsin-Allegro non troppo-Adagio-Allegro. The symphony's thematic material is based on popular songs of that time, most of them to music by anonymous authors, and two melodies from Shostakovich's choral poem "Ninth of January" (No. 6 of the choral cycle a cappella on texts of Russian revolutionary poets, op. 88, 1951). The finale of the symphony also features a melody from Georgy Sviridov's operetta Ogon'ki ("Lights", 1951). Instrumentation: Piccolo (= Flute III), 2 Flutes, 2 Oboes, Cor anglais (= Oboe III), 2 Clarinets (B flat and A), Bass Clarinet (= B flat Clarinet III), 2 Bassoons, Contrabassoon (= Bassoon III) 4 Horns, 3 Trumpets, 3 Trombones, Tuba Timpani, Triangle, Side drum, Cymbals, Bass drum, Gong Xylophone, Celesta, Orchestral bells 2-4 Harps 1st Violins (16-20), 2nd Violins (14-18), Violas (12-16), Cellos (10-14), Double-basses (10-12). Duration: Approx. 57 min. Composed: In the summer of 1957, at Komarovo village, Gulf of Finland, and completed on 4 August 1957. Written to mark the fortieth anniversary of the October Revolution. 9790706364506. …

Zustand: new. Pages: 120 Language: Russian, English. Arranged for piano (four hands). Published for the first time. Edited by Sergei Chebotaryov. Explanatory Article by Manashir Iakubov. The arrangement of the first movement of the Sixth Symphony for piano in four hands published in this volume of Dmitri Shostakovich's New Collected Works was done by the composer himself. The author's manuscript of this work is kept in Shostakovich's personal depository at the Glinka State Central Museum of Musical Culture (GSCMMC, rec. gr. 32, f. 67). The author's arrangements of the second and third movements of the symphony have not been found. In all likelihood, they were never made. The second and third movements of the symphony are published in this edition in the arrangement by composer Boris Tishchenko. The arrangement of the entire symphony for piano in four hands was done by Boris Tishchenko at Shostakovich's request and printed by Muzyka Publishers during the author's lifetime, in 1975, and so should be recognized as authorized. Our publication is based on this edition (the second and third movements). The author's manuscript of the arrangement of the first movement is a fair manuscript without a large number of corrections, crossings out, and so on. 9785900531151.…

Zustand: new. Pages: 100 Language: Russian, English. Author's arrangement for piano (four hands). Published for the first time. Edited by Manashir Iakubov. Explanatory Article by Manashir Iakubov. The author's arrangement of the Ninth Symphony for piano four hands is being published for the first time based on the author's manuscript kept in the Shostakovich Foundation at the Mikhail Glinka State Central Museum of Musical Culture (rec. gr. 32, f. 99). When preparing the publication, the numerous additional author's marks made in pencil on the manuscript were taken into account as much as possible. Unfortunately, it is rather difficult to establish the authorship of these marks with any certainty, and at times, for example in the cases of crescendo or diminuendo symbols, impossible. However, it is certain that most of these marks were not made by Shostakovich, but most likely by musicians with whom he performed the symphony using this copy. The sheet music of the author's manuscript of the arrangement has been collated with the author's manuscript of the orchestral score kept at the Russian State Archive of Literature and Art (rec. gr. 2048, inv. 1, f. 12), with the proof-sheet copy of the score kept at the State Central Museum of Musical Culture (rec. gr. 32, f. 15), and also with the symphony score printed in Volume Five of Shostakovich's Collected Works, and has been extensively supplemented with dynamic, bowing and other indications. The metronomic marks, which are entirely absent in the author's manuscript of the arrangement, have been added in keeping with the score, and the bar numbers have also been inserted. The entire author's texture of the arrangement has been left untouched. Obvious inaccuracies in the text of the author's manuscript have been corrected without any additional comment. 9785900531168.…

Zustand: new. Pages: 152 Language: Russian, English. Op. 62a. For bass soloist and symphony orchestra. First edition. Op. 62/140. For bass soloist and chamber orchestra. Scores. Edited by Victor Ekimovsky. Explanatory article by Maria Karachevskaya. The two orchestrations of the cycle "Six Romances on Verses by W. Raleigh, R. Burns and W. Shakespeare" done by Shostakovich himself are separated by almost 30 years. The first version for bass soloist and full symphony orchestra appeared immediately after the original version for soloist and piano was completed and published. The version of the cycle for full symphony orchestra was not performed during Shostakovich's lifetime. The chamber version of the cycle under Op. 140 was more popular than the version with full symphony orchestra. It was performed for the first time on 30 November 1973 in the Grand Hall of the Moscow Conservatory by Yevgeny Nesterenko and the Moscow Chamber Orchestra under Rudolf Barshai. Shostakovich was present at the premiere, as well as at its previous rehearsals on 28 and 29 November. Sir Walter Raleigh to His Sonne. Words by W. Raleigh. Translated by B. Pasternak. Oh Wert Thou in the Cauld Blast. Words by R. Burns. Translated by S. Marshak. MacPherson's Farewell. Words by R. Burns. Translated by S. Marshak. Jenny. Words by R. Burns. Translated by S. Marshak. Sonnet LXVI. Words by W. Shakespeare. Translated by B. Pasternak. The King's Campaign (The Grand Old Duke of York). Translated by S. Marshak. Orchestra: Op. 62a: Piccolo, 2 Flauti, 2 Oboi, Corno inglese, Clarinetto piccolo (Es) = Clarinetto III (B), 2 Clarinetti (A, B), Clarinetto basso, 2 Fagotti, Contrafagotto 3 Trombe (B), 4 Corni (F), 3 Tromboni, Tuba Timpani, Triangolo, Tamburino, Tamburo, Piatti, Cassa, Tam-tam Silofono, Celesta 2 Arpe Violini I, Violini II, Viole, Violoncelli, Contrabassi Op. 62/140: Flauto, Fagotto 2 Corni (F) Timpani, Triangolo Celesta Violini (10), Viole (4), Violoncelli (3), Contrabassi (2) The version of the cycle for bass soloist and full symphony orchestra was not published-in this volume, the score of Op. 62a is being published for the first time. The later version for bass soloist and chamber orchestra Op. 140 was printed for the first time by Muzfond Publishers in 1971. The next edition came out in Volume 32 of Dmitri Shostakovich's Collected Works (Muzyka Publishers, Moscow, 1982. This edition is based on the author's manuscript of the previously unpublished score kept at the Glinka All-Russia Museum Association of Musical Culture (VMOMK) (rec. gr. 32, f. 87). The original version of the romances for bass soloist and piano, Op. 62 (New Collected Works, Vol. 95, DSCH, Moscow, 2012) and the version for bass soloist and chamber orchestra, Op. 62/140 (Collected Works, Vol. 31, Muzyka Publishers, Moscow, 1982) were also used. CONTENTS SIX ROMANCES ON VERSES BY W. RALEIGH, R. BURNS AND W. SHAKESPEARE. For Bass Soloist and Symphony Orchestra. Op. 62a 1. Sir Walter Raleigh to His Sonne. Words by W. Raleigh. Translated by B. Pasternak 1. Oh Wert Thou in the Cauld Blast. Words by R. Burns. Translated by S. Marshak 2. MacPherson's Farewell. Words by R. Burns. Translated by S. Marshak 3. Jenny. Words by R. Burns. Translated by S. Marshak 4. Sonnet LXVI. Words by W. Shakespeare. Translated by B. Pasternak 5. The King's Campaign (The Grand Old Duke of York). Translated by S. Marshak SIX ROMANCES ON VERSES BY W. RALEIGH, R. BURNS AND W. SHAKESPEARE. For Bass Soloist and Chamber Orchestra. Op. 62/140 1. Sir Walter Raleigh to His Sonne. Words by W. Raleigh. Translated by B. Pasternak 2. Oh Wert Thou in the Cauld Blast. Words by R. Burns. Translated by S. Marshak 3. MacPherson's Farewell. Words by R. Burns. Translated by S. Marshak 4. Jenny. Words by R. Burns. Translated by S. Marshak 5. Sonnet LXVI. Words by W. Shakespeare. Translated by B. Pasternak 6. The King's Campaign (The Grand Old Duke of York). Translated by S. Marshak Maria Karachevskaya. Six Romances on Verses by W. Raleigh, R. Burns and W. Shakespeare. Versions For Bass Soloist and Symphony Orchestra, Op. 62a and For Bass Soloist and Chamber Orchestra, Op. 62/140 Victor Ekimovsky. Comments. Bar-by-Bar Comments Appendix. Hand-Written Sources. Facsimile Explanatory Notes by Maria Karachevskaya 9790706364667.…

Zustand: new. Pages: 190 Language: Russian, English. Author's arrangement for piano (four hands). Edited by Victor Ekimovsky. Explanatory Article by Levon Hakobian. The score of the Eleventh Symphony was finished on 4 August 1957.17 Soon thereafter, the composer did the symphony's arrangement for piano in four hands, which he informed yevgeny Mravinsky about in a letter of 24 August, adding: "During this time Weinberg and I had learned it and were able to play it." However, Shostakovich's partner in the first performances of the piano reduction of the symphony (17 September, leningrad House of Composers; 25 September, Board of the USSR union of Composers, Moscow) was not Mieczyslaw (Moisey) Weinberg, but Mikhail Meyerovich. The whereabouts of the manuscript of the four-hand arrangement of the symphony is not known. The arrangement was published in 1958 by Muzgiz Publishers (editor, levon Atovmian). This publication is based on the first edition of the arrangement (Muzgiz Publishers, Moscow, 1958). The author's arrangement has not been found in the archives although on the title page of the first edition it says "Author's Arrangement for Piano in four Hands. Editor l. Atovmian". The present edition has been collated with the score (New Collected Works, Vol. 11, DSCH, Moscow, 2012). 9790706364513.…

Zustand: new. Pages: 190 Language: Russian, English. Composer collected edition. - Postscript with notes on the composition in Russian and English. - Includes handwritten facsimiles and facsimiles transcribed as scores. Arranged for piano (four hands). Edited by Victor Ekimovsky and Olga Kuzina. Explanatory Article by Manashir Iakubov. In this volume, we are giving the piano arrangement of the Fifth Symphony in four hands by Levon Atovmyan. This arrangement was published twice in the composer's lifetime, was undoubtedly known to and approved by Shostakovich, and so can be considered authorized. When preparing the musical text for publication, it was again reviewed and correlated to the greatest extent possible with the symphony score published in Volume 5 of New Collected Works. 9785900531144. …

Zustand: new. Pages: 170 Language: Russian, English. Author's Arrangement for Voice and Piano on Verses by Federico Garcia Lorca, Guillaume Apollinaire, Wilhelm Küchelbecker, and Rainer Maria Rilke. Edited by Andrey Yakovlev. Explanatory Article by Levon Hakobian. CONTENTS SYMPHONY No. 14. For soprano soloist, bass soloist and chamber orchestra. On Verses by Federico Garcia Lorca, Guillaume Apollinaire, Wilhelm Ktichelbecker, and Rainer Maria Rilke. Op. 135. Author's Arrangment for Voice and Piano I. De profundis. On Verses by Federico Garcia Lorca. Translated by I. Tynyanova II. Malaguena. On Verses by Federico Garcia Lorca. Translated by A. Geleskul III. Die Lorelei (Loreley). On Verses by Guillaume Apollinaire. Translated by M. Kudinov IV. The Suicide. On Verses by Guillaume Apollinaire. Translated by M. Kudinov V. On Watch. On Verses by Guillaume Apollinaire. Translated by M. Kudinov VI. Madam, Look! On Verses by Guillaume Apollinaire. Translated by M. Kudinov VII. In the Sante Jail. On Verses by Guillaume Apollinaire. Translated by M. Kudinov VIII. Reply of the Zaporozhian Cossacks to the Sultan of Constantinople. On Verses by Guillaume Apollinaire. Translated by M. Kudinov IX. O Delvig, Delvig! On Verses by Wilhelm Ktichelbecker X. Death of the Poet. On Verses by Rainer Maria Rilke. Translated by T. Silman XI. Conclusion. On Verses by Rainer Maria Rilke. Translated by T. Silman L.Hakobian. Fourteenth Symphony A Yakovlev. Comments. Bar-by-Bar Comments Appendix. Rough Drafts of Symphony No 14 (Fragments). Facsimile This edition is based on the publication of the piano score in Volume 9 of Dmitri Shostakovich's Collected Works, Muzyka Publishers, Moscow, 1984; the author's manuscript of the piano score and the edition of the score in Volume 14 of New Collected Works, DSCH, Moscow, 2012 are also taken into account. In some cases, reference is also made to the author's manuscript of the score and the first edition of the score (Muzyka Publishers, Moscow, 1971), as well as to the author's corrections in the 1971 edition of the score. The author's manuscript of the piano score has a whole series of episodes where various signs (primarily dynamic) either differ from the author's designations in the score, or are missing altogether. In these cases, in 1984 edition, all the signs that differ from the author's manuscript are enclosed in square brackets. When these signs are used in this edition, the square brackets have been removed and their absence is not specified in the comments. Several significant episodes where phrasing slurs and legato slurs are missing, but at the beginning of each such episode, a legato sempre (or legato) sign is given. In most such cases in this edition, the slurs are printed in accordance with the score text, while the legato sempre and legato signs are removed as redundant and their absence is not specified in the comments either. 9790706364421.…

Zustand: new. Pages: 220 Language: Russian, English. Author's arrangement for two pianos. Published for the first time. Edited by Manashir Iakubov. The author's arrangement of the Fourth Symphony for two pianos (four hands) is being published for the first time. In 1946, a few copies were made on a collotype press by the USSR Music Foundation, without indicating the author of the arrangement, so that the members of the Union of Composers could acquaint themselves with the symphony. In 1948, after the Resolution of the All-Union Communist Party (Bolsheviks) Central Committee "On the Opera The Great Friendship by Muradeli" was issued, circulation of copies of this collotyped piano score was banned, and they were confiscated from use. The present publication was prepared on the basis of the author's manuscript kept in the Shostakovich Foundation at the Mikhail Glinka State Central Museum of Musical Culture (rec. gr. 32, f. 98). While preparing the manuscript for publication, the sheet music was collated with the collotyped copy of the piano score in Shostakovich's family archive, as well as with the symphony score published in 1962 while Shostakovich was still alive (Sovetsky Kompositor Publishers, Moscow). In so doing, several significant differences were found in the orchestral and the piano versions of the composition, primarily, in the metronomic and tempo marks. In this publication, the metronomic marks of the author's piano score in the first two movements have been preserved, and in the third movement the tempo and metronome have been inserted in keeping with the score. The entire author's texture of the piano arrangement has been left untouched, however, the musical text has been extensively supplemented with dynamic, bowing, etc. indications borrowed from the score. Number references have also been inserted in accordance with the orchestral score. In the author's manuscript of the arrangement, Shostakovich only indicated orchestra instruments once or twice, in this publication, however, the editor considered it expedient to provide such indications throughout the entire symphony. In addition, repeat of bar 4 in number 104, and the double bars omitted from the author's manuscript of the arrangement in numbers 256 and 257 have been reinstated in accordance with the orchestral score. Obvious inaccuracies in the text of the author's manuscript have been corrected without any additional comment. 9785900531137.…

Zustand: new. Pages: 166 Language: Russian, English. Symphony for full orchestra in four movements. Edited by Sergei Chebotaryov. Explanatory Article by Levon Hakobian. Form: 1. Allegretto 2. Adagio-Largo-Adagio-Largo attacca 3. Allegretto 4. Adagio-Allegretto-Adagio-Allegretto Instrumentation: Piccolo, 2 Flutes, 2 Oboes, 2 Clarinets in A, 2 Bassoons 4 Horns, 3 Trumpets, 3 Trombones, Tuba Timpani, Triangle, Castanets, Wood block, Whip, Soprano tom-tom, Side drum, Cymbals, Bass drum, Gong Glockenspiel, Xylophone, Vibraphone, Celesta 1st Violins (16), 2nd Violins (14), Violas (12), Cellos (12), Double-basses (10) String strength specified by the composer is not mandatory, however the numbers suggested would give the best results. Duration: Approx. 48 min. Composed: A number of sketches made on 2 April 1971. Begun in late June 1971 at the town of Kurgan (east of the Urals) and completed on 29 July 1971 at the Composer's House, Repino. The author's manuscript of the score is kept in Dmitri Shostakovich's Archive, rec. gr. 1, section 1, f. 59. This publication is based on the lifetime edition-Sovetsky kompozitor Publishers, Moscow, 1972-collated with the author's manuscript of the score and with the edition in Collected Works, Vol. 8-Muzyka Publishers, Moscow, 1980. 9790706364438. …

Zustand: new. Pages: 364 Language: Russian, English. Arrangement for piano and for piano four hands by Levon Atovmian. Edited by Victor Ekimovsky. Explanatory Article by Larisa Miller. 9790706364544.

Zustand: new. Pages: 135 Language: Russian, English. Author's arrangement for two pianos. Edited by Sergey Chebotaryov. Explanatory Article by Levon Hakobian. The manuscript of the author's arrangement of the Fifteenth Symphony "for two pianos in four hands" is kept in Dmitri Shostakovich's Archive. It fills 97 pages of score paper and does not contain any performance directions. There are a few crossings out, while some performance marks and slurs have clearly been introduced later in lighter ink. According to the chronological catalogue of Shostakovich's works, the author's arrangement of the Fifteenth Symphony for two pianos was completed on 4 January 1972, but there is no date in the author's manuscript. Whatever the case, this date contradicts what Sophia Khentova and Krzysztof Meyer mention in their biographical works about Moisey Weinberg and Boris Tchaikovsky playing the symphony on two pianos at the beginning of August 1971. This publication is based on the lifetime edition of the author's arrangement for two pianos (Sovetsky kompozitor, Moscow, 1977) collated with the author's manuscript of the piano score (the Arrangement for Two Pianos [Dmitri Shostakovich's Archive, rec. gr. 1, inv. 1, f. 70]) and the score (New Collected Works, Vol. 15, DSCH, Moscow, 2012). The enharmonic differences between the score and the piano score in both author's manuscripts and in the lifetime edition have been left unchanged. 9790706364445. …

Zustand: new. Pages: 200 Language: Russian, English. Reduction for piano four hands by Yevgeni Slavinsky. Edited by Manashir Iakubov. In this Volume, we are publishing the arrangement for the First Symphony for piano in four hands by Yevgeny Slavinsky. Only the fourth movement, published in Appendix I, as well as Piano I part of the first movement, published in Appendix II (Manuscript), of the author's arrangement of the symphony for two pianos in four hands have survived in full. Yevgeni Slavinsky's arrangement was published in 1928 by the Muzsektor Gosizdata in Moscow (No. 7999) jointly with Universal Edition A.G., Wien, Leipzig (No. 9058) in 300 copies. Any other versions of the piano arrangement of the symphony have not been published. 9785900531106.…

Zustand: new. Pages: 157 Language: Russian, English. For orchestra. - Extensive postscript with notes on composition and critical commentary in Russian and English. Symphony for full orchestra (with harp) in three movements. Edited by Victor Ekimovsky. Explanatory Article by Manashir Iakubov. Form: 1. Largo 2. Allegro 3. Presto Instrumentation: Piccolo, 2 Flutes, 2 Oboes, Cor Anglais, E flat Clarinet, (= B flat Clarinet III), 2 B flat Clarinets, Bass Clarinet, 2 Bassoons, Contrabassoon (= bassoon III) 4 Horns, 3 Trumpets, 3 Trombones, Tuba Timpani, Triangle, Tambourine, Side drum, Cymbals, Bass drum, Gong Xylophone, Celesta, Harp Strings Duration: Approx. 30 min. Composed: Late January to mid-October 1939. The original text of all the editions of the score of the Sixth Symphony is not the author's manuscript, but a hand-written copy of the score with the author's notes which is kept in Dmitri Shostakovich's private depository in the Russian State Archives of Literature and Art (rec. gr. 2048, inv. 1, f. 7). The score of the Sixth Symphony was published three times during the composer's lifetime: in 1941 (Muzgiz Publishers, Moscow), 1962 (Muzyka Publishers, Moscow) and 1968 (Muzyka Publishers, Moscow). In 1980, the first posthumous edition of the score was published in Volume 3 of Dmitri Shostakovich's Collected Works (Muzyka Publishers, Moscow) using the authorised hand-written copy and the 1941 and 1962 editions, but without reference to the 1968 edition. This edition is based on the score published in the Collected Works, but also takes into account the 1968 edition. We have removed any editing corrections we feel are superfluous. Obvious errors in the text are corrected without comment. Clarifications by the editor are given in square brackets. The editor of the first posthumous edition of the score in Volume 3 of the Collected Works (1980), who did not take into account the 1968 edition, apparently considered the 1962 edition the last edition published during Shostakovich's lifetime and thus an expression of the author's final will. In this edition, we are restoring the metronome marks of hand-written copy, which also appear in the first and last editions of the score published during the composer's lifetime. 9790706427430. …