Sprache: Englisch
Verlag: University of North Carolina Press, 1981
ISBN 10: 0807880981 ISBN 13: 9780807880982
Anbieter: Southampton Books, Sag Harbor, NY, USA
Erstausgabe
Hardcover. Zustand: Very Good. First Edition. First Edition, First Printing. Published by University of North Carolina Press, 1981. Octavo. Hardcover. Book is very good with light bumps to the bottom corners. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.
Verlag: North Carolina Press Chapell Hill 1981, 1981
Anbieter: Antiquariat Thomas & Reinhard, Recklinghausen, NRW, Deutschland
LEINEN, 306 Seiten, das Buch ist gut erhalten. Shipping to abroad insured with tracking number.
Sprache: Englisch
Verlag: Univ of North Carolina Pr, 2020
ISBN 10: 1469657139 ISBN 13: 9781469657134
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 41,91
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 306 pages. 9.00x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: UNIV OF NORTH CAROLINA PR, 2020
ISBN 10: 1469657139 ISBN 13: 9781469657134
Anbieter: moluna, Greven, Deutschland
EUR 37,32
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. Featuring contributions from eminent Swedish and American Strindberg scholars, this collection of essays addresses the question of how Strindberg s art collides and colludes, ideologically and aesthetically, with the literary doyens of the nineteenth and tw.
Anbieter: Vangsgaards Antikvariat Aps, Copenhagen, Dänemark
The University of North Carolina Press, 1981. XIV+306 pages. Orig. blue cloth. Spine ends lightly bumped. Near fine.
Sprache: Englisch
Verlag: University Of North Carolina Press Mai 2020, 2020
ISBN 10: 1469657139 ISBN 13: 9781469657134
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - This collection of essays featuring contributions from eminent Swedish and American Strindberg scholars addresses the question of how Strindberg's art collides and colludes, ideologically and aesthetically, with the literary doyens of the nineteenth and twentieth centuries in both the Scandinavian and the larger Western cultural context.