Staglieno von friedlander lee (8 Ergebnisse)

First Edition. First edition and first printing. Hardcover. Features an introduction by Peter Galassi along with an afterword by Maria Friedlander. A collection of 48 duotones of a cemetery in Italy. A very fine copy in cloth boards with black and white plate affixed to the front board. No dust jacket as issued. An as new copy and still in the publisher's shrinkwrap.…

Zustand: Very good. First edition. 4to. Unpaginated (roughly 54 pp). Illustrated with 48 full-page duotone photographic plates with an additional tipped in duotone plate on the upper board. Grey endpapers. Pages bright and clean. Binding strong and square. Boards and spine very lightly rubbed. Part of an unnumbered limited print run of 2000 copies. Hardcover burgundy velvet over boards.…

Hardcover. Zustand: New. Zustand des Schutzumschlags: No dust jacket as issued. 1st Edition. First edition, first and only printing. Signed in black ink on the half-title page by Friedlander. Hardcover. Burgundy-color velvet-covered boards, with plate tipped in debossed front cover, no dust jacket as issued. Photographs by Lee Friedlander. Introduction by Peter Galassi. Afterword by Maria Friedlander. 56 pp., with 48 duotone four-color plates, beautifully printed on fine matte art paper by Oceanic Graphic Productions. 12 x 11-1/4 inches. This first edition was limited to 2000 copies. Out of print. Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. New in publisher's shrink-wrap (slit open for signature). From the Introduction by Peter Galassi: "Photography likes sculpture. It likes to see how things look from different angles, especially things that don't move. It likes light falling on surfaces and the way the two become one in the picture. . . Above all, it likes the way photography, which makes living figures still, awakens figures frozen in stone." From the publisher: "The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the splendidly ornate display of sculptures erected in their memory. Carved from inanimate lumps of stone, these memorials have become more than the monumental tributes they were originally commissioned to be. Now feathered with a gentle coat of dust, each appears to have taken on a life of its own and out of the melancholy of death comes the comforting notion of a presence that will remain. This series of photographs by the inestimable Lee Friedlander will certainly delight with its beauty; it may also surprise with its warmth, and its sense of immortality. Superbly printed in duotone on matte art paper, and bound in rich velvet, Staglieno is published in an edition of 2,000 copies. Introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York." Signed by Author. Signed.…

Hardcover. First edition. Quart. 48 S. Samteinband mit mont. Deckelabbildung. Sprache: Englisch, Mit zahlr. schw.-w. Abb. Einband geringf. berieben, gutes Exemplar. LMEX - auf dem Vortitel von Lee Friedlander signiert. Signatur des Verfassers.

Zustand: gut. 2002. Staglieno. Introduction by Peter Galassi. Afterword by Maria Friedlander. In englischer Sprache. pages.

Hardcover. Zustand: Fine. First Edition. First edition. Large square quarto. Suede cloth with applied photographic onlay. Fine, issued without dustwrapper. Inscribed by the photographer to his close friend, the artist R.B. Kitaj: "For Ron from your pal, Lee." A significant association between two American artists. Friedlander published a volume devoted exclusively to portraits of Kitaj: *Kitaj* (San Francisco: Fraenkel Gallery 2002). Signed.…

Zustand: Sehr gut. Nazraeli Press, Tucson. 2003. First edition, first printing. Signed by Lee Friedlander! Hardcover in velvet with tipped-in cover plate (as issued). 285 x 295 mm (12 x 12.5 inch) 56 pages, 48 duotone plates. Text in english. Condition: Corners lightly bumped (nearly invisible to see). Otherwise like new. Overall very fine condition! Signed by the artist! Friedlander is famous for fantastic photobooks like "The American Monument" (Andrew Roth, The Book of 101 Books, page 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, page 28. The Open Book, Hasselblad Center, page 310. 802 photo books of the M. + M. Auer collection, page 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, page 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, page 258. The Open Book, Hasselblad Center, page 262/263. 802 photo books of the M. + M. Auer collection, page 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, page 199). "Photography likes sculpture. It likes to see how things look from different angles, especially things that don`t move. It likes light falling on surfaces and the way the two become one in the picture. . . . Above all, it likes the way photography, which makes living figures still, awakens figures frozen in stone." (from the introduction by Peter Galassi) "The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the splendidly ornate display of sculptures erected in their memory. Carved from inanimate lumps of stone, these memorials have become more than the monumental tributes they were originally commissioned to be. Now feathered with a gentle coat of dust, each appears to have taken on a life of its own and out of the melancholy of death comes the comforting notion of a presence that will remain. This series of photographs by the inestimable Lee Friedlander will certainly delight with its beauty; it may also surprise with its warmth, and its sense of immortality. Superbly printed in duotone on matte art paper, and bound in rich velvet, Staglieno is published in an edition of 2,000 copies. Introduction by Peter Galassi, Chief Curator, Department of Photography, The Museum of Modern Art, New York." (from the publisher)***************Fraenkel Gallery, San Francisco. 2004. Erstausgabe. Originalausgabe. Signiert von Lee Friedlander! Hardback ohne Umschlag (wie erschienen). 285 x 295 mm. 56 Seiten, 48 Duotone Fotos. Text in englischer Sprache. Zustand: Die Ecken minimalst bestossen (kaum sichtbar). Ansonsten wie neu. Insgesamt sehr guter Zustand! Signiert vom Künstler! Friedlander ist berühmt für wunderschön gemachte Fotobücher wie "The American Monument" (Andrew Roth, The Book of 101 Books, Seite 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 28. The Open Book, Hasselblad Center, Seite 310. 802 photo books of the M. + M. Auer collection, Seite 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, Seite 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, Seite 258. The Open Book, Hasselblad Center, Seite 262/263. 802 photo books of the M. + M. Auer collection, Seite 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 199). Sprache: Englisch Gewicht in Gramm: 1600.…

Boxed Set. Zustand: As New. Zustand des Schutzumschlags: No dust jacket as issued. Please inquire. Pricing and availability are subject to change (price is net to all; promotional discounts do not apply). PAYMENT: by check or wire transfer (please inquire about payment by credit card). SHIPPING NOTE: due to size and weight, additional shipping fees apply (calculated at actual cost). Portfolio special limited edition of 25 copies, plus 8 artist's proofs, with fifteen loose photogravures, housed in a red velvet-covered portfolio case. 15 photogravures, printed by Lothar Osterburg with the assistance of students at the School of the Arts at Columbia University. Each titled "Staglieno Cemetery, Genoa, Italy." Each 1993. Images: 19-1/8 x 19 inches; sheets: 23-5/8 x 22-1/4 inches. Each signed and numbered in pencil on recto beneath image. Image sizes range from 9-7/16 to 10-7/8 inches in the short dimension and from 11-1/16 to 15 inches in the long dimension, whether horizontal or vertical. Each signed and titled in pencil on verso. Case measures 25-13/16 x 23-11/16 x 1-5/8 inches. [See: Peter Galassi, Friedlander. (New York: MoMA, 2005), "Books, Special Editions, and Portfolios" (pp. 444-459), #42.] Lee Friedlander's work is widely known for transforming our visual understanding of contemporary American culture. Known for passionately embracing all subject matter, Friedlander photographed nearly every facet of American life from the 1950s to the present. From factories in Pennsylvania, to the jazz scene in New Orleans, to the deserts of the Southwest, Friedlander's complex formal visual strategies continue to influence the way we understand, analyze, and experience modern American experience. Friedlander's work continues to influence photographic practice internationally, in part due to the heightened sense of self-awareness that is a trademark of so many of his photographs and in part because of his ability to embrace wide-ranging subject matter, always interpreting it in an elegance that hadn't existed prior to his work. As New (from Friedlander's personal archive). From Nazraeli Press: "The Staglieno cemetery near Genoa was created in the 19th century. It is home not only to those whose bones lie buried beneath, but also to the splendidly ornate display of sculptures erected in their memory. Carved from inanimate lumps of stone, these memorials have become more than the monumental tributes they were originally commissioned to be. Now feathered with a gentle coat of dust, each appears to have taken on a life of its own and out of the melancholy of death comes the comforting notion of a presence that will remain. This series of photographs by the inestimable Lee Friedlander will certainly delight with its beauty; it may also surprise with its warmth, and its sense of immortality." Signed by Author.…