source book theatrical history von nagler alois (12 Ergebnisse)

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Zustand: New. Num Pages: 611 pages, illustrations. BIC Classification: AN. Category: (G) General (US: Trade). Dimension: 201 x 141 x 31. Weight in Grams: 620. . 1959. Annotated edition. Paperback. . . . . Books ship from the US and Ireland.

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Paperback. Zustand: Sehr gut. xxiii, 611 p., Ill. Der Einband ist leicht berieben, ansonsten ein sehr gutes und sauberes Exemplar ohne Anstreichungen. The binding is slightly rubbed, otherwise a very good and clean copy without markings. - TABLE OF CONTENTS - Preface Introduction - I. ANTIQUITY - 1. Thespis Meets a Critic - 2. Aeschylus Man of the Theater - 3. Aeschylean Choreography - 4. Sophocles - Musician and Dancer - 5. Euripides Rehearsing - 6. Pollux on Scenes, Machines, and Masks View of Tragic Conventions - 7. Skeptical 8. Early Roman Theatricals - 9. Profiles of Two Roman Comedians - 10. A Representative Roman Audience - 11. A Theater for Eighty Thousand - 12. A Novel Architectural Idea - 13. How to Construct a Roman Playhouse - 14. Showman Pompey 15. In Praise of Pantomime - 16. A Pantomime Production - II. THE MIDDLE AGES - 1. The Staging of Liturgic Drama - 2. The Machinery for the Paradise - 3. The Paradise Improved - 4. Medieval Stage Directions - 5. The Stage Magic of Valenciennes - 6. English Pageant Cars - 7. The Medieval Stage Director - III. THE GOLDEN AGE OF SPAIN - 1. Strolling Players - 2. The "Stew-Pan" - 3. The Afternoon of a Spanish Idler - 4. A Theater Riot - 5. Shoemaker and Critic - 6. The Corpus Christi Procession - 7. Command Performance for Philip IV - IV. ITALIAN RENAISSANCE - 1. The Wonders of Perspective Scenery - 2. Peruzzi Designs for the Pope - 3. Scenery for the Medicean Court - 4. Serlio's Three Scenes (The Comic Scene The Tragic Scene The Satyric Scene Of Artificial Lights Animation of the Inanimate Heavenly Bodies Thunder and Lightning) - 5. King Oedipus in the Olympic Theater - 6. Sabbattini on Theatrical Machinery (How to Arrange the Lights on the Stage How to Light the Lamps How to Change Scenery Change Scenery by Another Method How to The Third Method of Changing Scenery How to Make Dolphins and other Sea Monsters Appear to Spout Water While Swimming - How to Produce a Constantly Flowing River How to Divide the Sky into Sections - How Gradually to Cover Part of the Sky, Beginning with a Small Cloud That Becomes Larger and Larger and Continually Changes Its Color Descend Perpendicularly with Persons in It How to Make a Cloud How to Make a Cloud Descend So That It Will Gradually Move from the Extreme End of the Stage to the Middle of the Stage, a Cloud, Moreover, with Persons in It) 7. Di Somi on Stagecraft (On Actors and Acting - On Stage Costume) General On Costuming Pastoral Plays On Lighting) P - V. TUDOR AND STUART PERIODS - 1. Municipal Prejudice against Plays and Players - 2. Indicting the Theater on Four Counts - 3. The Interior of the Swan Theatre - 4. The Price of Admission - 5. The Fortune Contract 6. A Première at the Fortune - 7. The Burning of the First Globe Theatre - 8. Elizabethan Acting - a) Hamlet's Advice to the Players - b) Cambridge Theatricals - c) Qualifications of an Actor - d) An Excellent Actor - e) Subjective Approach - f) Epitaph on Richard Burbage - g) Proteus Burbage - 9. Elizabethan Audiences - a) "The Fruits of Playes" b) "Market of Bawdrie" - c) "The Fashion of Youthes" - d) Rioting - e) More Riots - 10. "A Very Winning Dame" - 11. The Playhouse Manners of a Gallant - 12. The Patrons of Blackfriars - 13. "These Transitory Devices" - 14. An Early Stuart Masque - 15. Costumes and Scenery by Inigo Jones 16. "Ben Jonson Turned the Globe" - 17. A Courtly Audience - 18. Capering Cavaliers - 19. "The Omnipotent Design" - 20. The Actors Go Underground - 21. Razing the "Chapels of Satan" - 22. Nostalgia for the Pre-Restoration Stage - VI. THE AGE OF LOUIS XIV - 1. Torelli in Paris - 2. Advice to Poets and Machinists - 3. Prescriptions for the Ailing French Stage - 4. Reading and Casting a New Play - 5. Rehearsals - 6. The Functions of the Orator - 7. Prompter and Decorator - 8. Types of Operatic Settings - 9. Baroque Ballet Costumes - 10. An Aristocratic Playgoer - 11. Bad Theater Manners - 12. Middle-Class Connoisseurs - 13. Molière as Stage Director - VII. THE RESTORATION THEATER - 1. Dorset Garden - 2. The First Drury Lane - 3. Alterations in Progress - 4. Interior of the First Drury Lane - 5. Second Theatre Royal - 6. "Drones in the Theatrical Hive" - 7. Loss of Intimacy - 8. Social Stratification 9. The Play Is Not the Thing - 10. My Lady Castlemayne Again - 11. Sir Charles Steals the Show - 12. The Ladies in Masks - 13. Impromptu Comedy in the Galleries - 14. Vizard-Masks - 15. Playhouse Impressions - 16. Manners of the Restoration Gallant - 17. Betterton's Acting Style - 18. Bettertonian Roles - 19. Betterton's Othello and Hamlet - 20. A Manual for Actors - 21. Mrs. Barry - 22. Mrs. Bracegirdle - 23. Rival Companies - 24. Another "Third Day" - 25. Foreign Importations - 26. Comedians versus Tragedians - 27. New Costumes - 28. Dispute over a Veil - 29. A Visit to a Restoration Dressing Room - 30. Traditional Heroic Costume - 31. The Haymarket Theatre - 32. The "Inchanted Island" - 33. The Age of Business - VIII. VENETIAN COMEDY - 1. Impromptu Actors in Rehearsal - 2. Inside the Oldest Venetian Playhouse - 3. Mountebanks - 4. The Venetian Carnival 5. The Spirit of Transformation - 6. Venetian Auditoria - 7. Scenes and Machines - 8. The Splendors of a Venetian Opera House 9. Skeptical View of the Commedia Masks - 10. Pantalone Rejuvenated - 11. Sacchi's Harlequin - 12. The Waiting Maid's Turn - 13. Capricious Audience in Rome - IX. EIGHTEENTH-CENTURY FRANCE - 1. The Auditorium of the Comédie-Française - 2. Michel Baron - 3. Mlle. Lecouvreur - 4. Mlle. Dumesnil - 5. Specialist in Fury and Passion - 6. Mlle. Clairon - 7. Changes of Style - 8. Voltaire on Miles. Dumesnil and Clairon - 9. Diderot on Technique versus Inspiration - 10. Rival Actresses - 11. The Discarded Panier - 12. Costume Reform - 13. Changes in Make-up - 14. Innovations by Mme. Favart - 15. Spectators on the Stage - 16. Lekain - 17. Talma's Tribute to Lekain - 18. Appeal for Greater Scenic Illusion - 19. Servandoni's Illusionism - 20. Grandeur of a Temple Scene - 21. Chiaroscuro L.