sonnets von berrigan ted (20 Ergebnisse)

Soft cover. Zustand: Very Good. Very good copy with clean, crisp pages, tight binding, and unbent spine. Unmarked front cover with very small bend in upper and lower corners, back cover shows light markings and wear to edges. BP/Poetry.

Paperback. Zustand: Brand New. annotated edition edition. 112 pages. 8.75x6.00x0.25 inches. In Stock.

Zustand: New.

Paperback. Zustand: Very Good. First Edition. First Edition, First Printing. Published by Grove Press, 1964. Octavo. Paperback. Book is very good with previous owner's stamp on half-title page and inside on back cover and shelf/edgewear. 100% positive feedback. 30 day money back guarantee. NEXT DAY SHIPPING! Excellent customer service. Please email with any questions. All books packed carefully and ship with free delivery confirmation/tracking. All books come with free bookmarks. Ships from Sag Harbor, New York.

Zustand: Neuf.

Soft cover. Zustand: Near Fine. 5-3/8" x 8", 72pp incl. prelims. Saddle stitched booklet in varnished printed card stock cover. Cover design is by Roy Kuhlman. There is a small price sticker divot in the top right of the front cover, and a small chip is worn off the top fore corner on the back. Otherwise, light shelf wear, edge wear to cover. Binding is sound. Minor toning to edges, otherwise pages are clean and bright and unmarked.

Soft cover. Zustand: Very Good. 1st Edition. Very good copy in saddle-stapled softcover. Light rubbing and edge-wear. Stated first printing. Black spine. 8vo.

EA, 72 S., OKart., gut erhalten Sprache: Englisch. Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.

Paperback. Zustand: VG-. Weathered & worn, this copy of The Sonnets survived a cross-continent journey as well as decades of the dry heat of Bisbee, Arizona. Number 203 of 300 numbered copies (there was also a run of unnumbered ones), the present book shows chipping & softening at extremities with the back cover quite chipped & worn & separated from one of its three staples. In addition there's indication of former dampness to final dozen pages & foxing to somewhat fewer. Aside from the usual age-toning within there are no further mentionable defects. From the collection of the great American painter, Peter Young.

Softcover. Zustand: Very Good. First edition. Quarto. Mimeographed on rectos only. Side-stapled illustrated wrappers. Faint damp tidemark at top of last leaf, and in the upper margin of the first and last few leaves, verso of one leaf soiled, about very good. Berrigan's first book. One of 300 copies, this copy unnumbered.

Zustand: Very good. First edition. Signed first edition of the definitive statement of the Second Generation of the New York School as well as Berrigan's most influential, popular, and lasting work, edited by Ron Padgett (who also typed the stencils). The only major American collection of the last fifty years to go through four separate editions, each at different publishers. From an edition of "300 plus an unspecified number of unnumbered copies" (Fischer p. 24), this is from the unnumbered series, estimated (by Berrigan himself; again see Fischer) to be about 100. Decidedly uncommon signed; this is the first we've handled. 11'' x 8.5''. Original side-stapled wrappers. Cover by Joe Brainard, offset duplicated; remainder mimeographed. With the usual toning, mild edgewear. Faint penned notation to top edge of front cover. Final leaf (colophon) loose. Lacking rear cover and terminal blank (as in many copies; we suspect many were issued this way). [66] leaves mimeographed rectos only; last leaf detached from staples. Signed by Berrigan to title page. Signed.

Paperback. Zustand: Very Good. First Edition. First edition. Side-stapled 8.5" x11" sheets, printed on rectos only, with terminal blank leaf present, which is missing in most copies; no stiff leaf at rear, which may have not been included on most copies. Unnumbered copy from a stated run of 300. Very Good with bumped corners and lightly worn edges, slightly soiled back wraps, a little bit of foxing. The poet's scarce first book, praised by Frank O'Hara and generally considered his best work.

Cover by Joe Brainard, 11 x 8.5, stapled wraps, mimeographed, unpag (lacks last blank and back cover), ink name, covers moderately soiled. FIRST ED, ONE OF 300 NUMBERED COPIES (This one unnumbered).

11 x 8.5, stapled wraps, mimeographed, unpag (includes last blank but not back cover), coves a little scratched and slightly spotted. FIRST ED, ONE OF 300 NUMBERED COPIES (This one unnumbered). PRESENTATION COPY, INSCRIBED AND SIGNED BY BERRIGAN TO JOHN SINCLAIR.

8 x 5.25, stapled wraps, 72 pp, covers show some wear else vg. FIRST TRADE ED, INSCRIBED AND SIGNED "Ted.".

72 pp. 1 vols. 12mo. Zustand: Wrappers. Fine. First trade edition. First trade edition. 72 pp. 1 vols. 12mo.

Zustand: Near Fine. New York: Grove Press Inc., 1964. Stated First Printing of first trade edition. Slim octavo (20cm); 72pp. Stiff staple-bound printed wraps retaining $1.50 price. Wraps lightly bumped and scuffed; verso toned at edges. Binding sound. Textblock and endsheets show some foxing and toning; interior pages remain clean. Former owner and inscription dedicatee's personal ex-libris stamp at full title page. Very Good or better. Signed and inscribed by the author on full title page: "for Joe / with love / + admiration / Ted Berrigan." Joe LeSueur, to whom this copy belonged and was inscribed, was a poet, editor, and screenwriter closely associated with the New York School of the 60s. A close friend and longtime roommate of Frank O'Hara, LeSueur circulated through the city's artistic and literary social scene. His immediate circle is depicted in Wynn Chamberlain's 1964 portrait Poets Dressed and Undressed, in which LeSueur and O'Hara appear alongside Joe Brainard, to whom The Sonnets is dedicated.

Zustand: Very Good. New York: Grove Press, Inc., 1964. Second Printing of the Grove Press Edition. Signed by Berrigan at half title with inscription, "by Ted Berrigan, this copy for Harris Schiff Sept. 29th, 1964 NYC Happy Birthday, Ted." Octavo; 72pp. Printed wraps. Light wear to edges; diagonal crease to rear; binding sound and pages unmarked; a Very Good copy and a remarkable association to Berrigan's fellow poet, friend, and collaborator.

Zustand: Very Good-. New York: Lorenz & Ellen Gude, 1964. First Edition, from an edition of 300 numbered copies; this copy one of an unspecified numberof unnumbered copies, (Fischer puts the whole print run around 400). Quarto; side-stapled wrappers;[69]ll., printed rectos only. Lacks final blank and rear stiff cover, as is common with this title. Rubbing and toning to wraps; curling to corners; loss to top front corner of final leaf; interior unmarked; a Good to Very Good copy of this important New York School debut. Fischer p. 24.

First edition of Berrigan's first book of poetry, the copy of Izzy Young, with his ownership inscription on the verso of the final leaf, "Israel G. Young, December 1964, from Ed Sanders". Young was the owner of the Folklore Center in Greenwich Village, "the beating heart of the mid-century folk music revival" (New York Times obituary), where he nurtured the fledgling careers of many folk greats, including Joni Mitchell and Bob Dylan. "The small store was up a flight of stairs and the place had an antique grace. It was like an ancient chapel, like a shoebox sized institute", recalled Dylan in his autobiography. "His voice was like a bulldozer and always seemed too loud for the little room. Izzy was always a little rattled over something or other. He was sloppily good-natured. In reality a romantic. To him, folk music glittered like a mound of gold. It did for me, too." Berrigan was a frequent fixture at the Folklore Center and gave poetry readings at Young's invitation. His close friend and collaborator, Ed Sanders, presented this copy to Young. Ron Padgett, Berrigan's long-time collaborator, typed the stencils for The Sonnets, and Joe Brainard, to whom the book is dedicated, created the illustration for the front cover. While this copy lacks the terminal blank and rear cover present on some copies, Israel's inscription on the final page suggests that copies were issued in this way. Around 400 copies were issued, of which 300 were numbered; this copy is unnumbered. Examples in collectible condition, such as this, are uncommon. Fischer, p. 24. Bob Dylan, Chronicles: Volume One, 2004. Quarto, pp. 66. Original wrappers, monochrome front cover design by Joe Brainard, wire-stitched as issued. Slightly toned, edges of front cover lightly rubbed, extremities a little nicked with a few chips, rear leaf lightly creased and just loose from staples. A very good copy.