Sherrie levine (120 Ergebnisse)

- Softcover
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Paperback. Zustand: Good. Texts-including essays, reviews, and statements by the artist-on the work of Sherrie Levine. The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists-most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and "after" artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts-most notably as it emerged in the pages of October magazine. It challenged authorial sovereignty and aesthetic autonomy and invited readings that opened onto gender, history, and the economic and discursive processes of the art world. This collection gathers writings on Levine from art magazines, exhibition catalogs, and academic journals, spanning much of her career. The volume begins with texts by Douglas Crimp, Rosalind Krauss, and Craig Owens that situate Levine in postmodernist discourse and link her early work to October. The essays that follow draw on these first critical forays and complicate them, at once deepening and resisting them, as Levine's own work has done. All the essays attempt to understand the relationship between Levine and the artists she cites and the objects that she recasts. In these pages, Levine's oddly doubled works appear as chimeras, taxidermy, fandom, pratfalls, even Poussin's Blind Orion. ContributorsMichel Assenmaker, Douglas Crimp, Erich Franz, Catherine Ingraham, David Joselit, Susan Kandel, Rosalind Krauss, Sylvia Lavin, Sherrie Levine, Maria Loh, Stephen Melville, Craig Owens, Howard Singerman.…

- Softcover
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Paperback. Zustand: Very Good. Texts-including essays, reviews, and statements by the artist-on the work of Sherrie Levine. The artist Sherrie Levine (b. 1947) is best known for her appropriations of work by other artists-most famously for her rephotographs of canonical images by Edward Weston, Eliot Porter, and other masters of modern photography. Since those works of the early 1980s, she has continued to work on and "after" artists whose names have come to define modernism, making sculpture after Brancusi and Duchamp, paintings after Malevich and Blinky Palermo, watercolors after Matisse and Miro, photographs after Monet and Cezanne as well as Alfred Stieglitz. Throughout, Levine's practice effectively uncompleted, decentered, and extended works of art that were once singular and finished, posing critical rebuttals to some of the basic assumptions of modernist aesthetics. Her work was central to the theorization of postmodernism in the visual arts-most notably as it emerged in the pages of October magazine. It challenged authorial sovereignty and aesthetic autonomy and invited readings that opened onto gender, history, and the economic and discursive processes of the art world. This collection gathers writings on Levine from art magazines, exhibition catalogs, and academic journals, spanning much of her career. The volume begins with texts by Douglas Crimp, Rosalind Krauss, and Craig Owens that situate Levine in postmodernist discourse and link her early work to October. The essays that follow draw on these first critical forays and complicate them, at once deepening and resisting them, as Levine's own work has done. All the essays attempt to understand the relationship between Levine and the artists she cites and the objects that she recasts. In these pages, Levine's oddly doubled works appear as chimeras, taxidermy, fandom, pratfalls, even Poussin's Blind Orion. ContributorsMichel Assenmaker, Douglas Crimp, Erich Franz, Catherine Ingraham, David Joselit, Susan Kandel, Rosalind Krauss, Sylvia Lavin, Sherrie Levine, Maria Loh, Stephen Melville, Craig Owens, Howard Singerman. …

- Softcover
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Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

- Softcover
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1999. art exhibition booklet. Paula Cooper Gallery, NY. Good+ paperback, bright yellow-orange but with minor handling to covers.

- Softcover
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

- Softcover
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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

- Softcover
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Verlag: New York, 2011
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In den Warenkorb12, (2)pp. 12 illus. 4to. Wraps. Gallery brochure.
Verlag: New York, 2011
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In den Warenkorb12, (2)pp. 12 illus. 4to. Wraps. Gallery brochure.

- Softcover
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Hardcover
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

- Hardcover
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Zustand: New.

Verlag: San Francisco Museum of Modern Art, San Francisco, CA, 1991
- Softcover
- Erstausgabe
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In den WarenkorbFirst Edition. First edition. Softcover. 6 pages. Exhibition catalog for a show that ran January 17 through March 10, 1991. Text by John Caldwell. Includes two color illustrations, one by Man Ray which served as an inspiration for the one by Levine. Also features a list of previous exhibitions, selected bibliography, and checklist. A fine copy in stapled wrappers. Uncommon. …
Verlag: Galerie Jablonka, Cologne, 1996
- Softcover
Anbieter: Henry Hollander, Bookseller, Los Angeles, CA, USAHenry Hollander, Bookseller
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In den WarenkorbSoftbound. Zustand: Very Good. Octavo, card covers, 48 pp., color plates.

- Hardcover
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hardcover. Zustand: Very Good. Very Good Condition - May show some limited signs of wear and may have a remainder mark. Pages and dust cover are intact and not marred by notes or highlighting.

- Hardcover
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hardcover. Zustand: Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages.

- Softcover
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Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

- Hardcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
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Hardcover. Zustand: Brand New. 108 pages. 9.50x6.75x0.29 inches. In Stock.

- Hardcover
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Zustand: New.

- Hardcover
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Zustand: New. In English.

Sprache: Englisch
Verlag: Simon Lee Gallery and Nyehaus, London and New York, 2007
- Hardcover
- Erstausgabe
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First Edition. First edition. Hardcover. 39 pages. Exhibition catalog for a show that ran June 20 through August 17, 2007 at the Simon Lee Gallery and then September 12 through October 27, 2007 at Nyehaus. Features David Thorp's essay "The Artist's Object." Includes numerous color and black and white illustrations along with a list of previous exhibitions, a selected bibliography, and a list of public collections. A fine copy in black cloth boards. No dust jacket as issued.…

- Softcover
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[16] pp.; 22.8 x 17.8 cm.; staple bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show of collaborative sculptures by Sherrie Levine and Joost van Oss held held October 23 - December 4, 1999. Essay by Catherine Ingraham. Includes biographies of the artists. Good. 1.3 cm. and 17.5 areas of soiling to recto with moderate dust soiling to right side of recto and additional light dust soiling of covers. Contents clean and unmarked.…

- Softcover
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Paperback. Zustand: Brand New. 74 pages. 10.50x8.25x0.50 inches. In Stock.
Weitere BilderSprache: Englisch
Verlag: Philadelphia Museum of Art, Philadelphia PA, 1993
- Softcover
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Wrappers. Zustand: Fair. Near Fine. Slim volume, 48 pages with 27 black and white illustrations. A small paper tear to the head of the spine. Previous library information black stamped on the title page. Some price sticker residue to the front of the cover, top left-hand corner, and some staining and general soiling to the covers. Foreword by Anne d'Harnoncourt and Kasper König. Text is in German and English. Published on the occasion of the exhibition from the Philadelphia Museum of Art, Philadelphia PA October 23-November 28, 1993 and the Portikus Frankfurt am Main January 15-February 20, 1994. Selected Biography and Bibliography. Book.…

- Softcover
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- Softcover
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Sherrie Levine: Abstraction
LEVINE, Sherrie, Kathy Cottong, Barbara Buhler Lynes, and Mei-mei Berssenbrugge
- Softcover
- Erstausgabe
Anbieter: Jeff Hirsch Books, ABAA, Wadsworth, IL, USAJeff Hirsch Books, ABAA
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First Edition. First edition. Small softcover. 31 pages. Exhibition catalog for a show that ran September 19 through December 15, 2004 in Chicago and then January 26 through May 13, 2007 at the Georgia O'Keeffee Museum in Santa Fe, NM. Features brief text by Kathy Cottong, Barbara Buhler Lynes, and a poem by Mei-mei Berssenbrugge. Includes 7 color and 1 black and white illustrations, list of previous exhibitions, list of selected books and catalogs, selected articles and reviews, and public collections. A very near fine copy in French style wrappers. Uncommon.…

- Hardcover
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Zustand: As New. Unread book in perfect condition.

- Hardcover
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- Softcover
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Zustand: New. 2019. Reprint. Paperback. . . . . . Books ship from the US and Ireland.