Verlag: Stanford University Press, 2007
ISBN 10: 0804753210 ISBN 13: 9780804753210
Sprache: Englisch
Anbieter: Aeon Bookstore, New York, NY, USA
EUR 44,33
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Decent overall copy Braiterman's study of the aesthetics of early German modernism in conversation with the writings of Jewish philosophers Martin Buber and Franz Rosenzweig. The works of Wassily Kandinsky, Paul Klee, Franz Marc, and others illustrate this study of the spiritual in art of the early 20th century. Hardcover, 9.5" x 6", 352 pgs including 20 colour plates. Binding solid and square. Interior clean and unmarked. Boards clean and firm, though moderately bumped at bottom corners of both front and back board, as well as at the bottom edge of the rear board towards the base of spine. These bumps apparent on DJ as well in corresponding areas. Other than that dust jacket just minorly shelf-worn with some light rubbing and creasing at bottom edges and corners of front panel, now in brodart. Overall a clean and decent of this great resource.
Verlag: Stanford University Press, 2007
ISBN 10: 0804753210 ISBN 13: 9780804753210
Sprache: Englisch
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 75,93
Währung umrechnenAnzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Verlag: Stanford University Press Mär 2007, 2007
ISBN 10: 0804753210 ISBN 13: 9780804753210
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
EUR 82,16
Währung umrechnenAnzahl: 1 verfügbar
In den WarenkorbBuch. Zustand: Neu. Neuware - 'Braiterman has created a fascinating, brilliant, and valuable new reading of Buber and Rosenzweig by reinserting the two Jewish thinkers into their context in German culture. He shows their work has profound confluences and parallels with that culture, especially with modernist painters such as Klee and Kandinksy. With The Shape of Revelation, Jewish thought regains the specific aesthetics of German modernism, and modernist aesthetics regains its theological/spiritual dimension.' --Robert Gibbs, University of Toronto.