select fables cuts designed (22 Ergebnisse)

Zustand: Very Good. 2nd edition. Cloth, dj, F/VG. [iv]+xl+332pp, b/w frontis, engraved title, b/w illustrations throughout, lettering to the dustjacket spine a little faded, otherwise a nice copy. A facsimile reprint of the 1820 edition of a collection of Fables which were illustrated by Thomas & John Bewick. 800 grams.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. Select fables: With cuts, designed and engraved by Thomas and John Bewick previous to the year 1784 This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.

Red hardback cloth cover. Zustand: Very Good. Facsimile edition. VG: in very good condition with dust jacket. Spine of jacket faded. Previous owner's inscription to fep. 230mm x 150mm (9" x 6"). xl, 332pp + ads. Illustrated with Bewick's wood cuts throughout.

Hardback in Dust Wrapper. Zustand: Very Good. Zustand des Schutzumschlags: Very Good. Condition Notes: Gently faded at the spine of the dust wrapper. Previous owners' name to the first blank. Text complete, clean and tight otherwise.; Hardback. Dust wrapper over red boards with gilt titles to the spine; Measures 9" x 5¾" (1 kg); pp (xl) 332; Facsimile reprint of 1820 edition. Contains: Portrait to the frontispiece; Title page vignette; Woodcuts; || The book is on the shelf, ready to be appropriately packed, and posted from the pastoral paradise of Peasedown St. John, Bath, by a real bookseller in a real book shop - with my personal guarantee and beady eye on the Consumer Contracts Regulations. REMEMBER! Buying my copy means the book shop Jack Russells get their supper! My Book #184321 ||.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.

8vo. contemporary ½-roan over marbled boards - boards rubbed. tears in three pages. some staining and marking throughout. without the called-for frontispiece portrait, but with the four portraits of Thomas Bewick and all the other woodcut illustrations. [please see our storefront page for shipping information].

Zustand: Very good. Newcastle: Printed by S. Hodgson, for Emerson Charnley, and Baldwin, Craddock, and Joy, London, 1820., 1820. Very good. - Octavo, 8-3/4 inches high by 5-1/2 inches wide. Hardcover, bound in three-quarter dark blue leather and cloth, titled in gilt between raised bands on the spine. The edges are marbled. The covers are rubbed and stained with some of the leather chipped from the spine. xl & 332 pages, illustrated with a full-page frontispiece portrait and 4 additional portraits of Thomas Bewick and profuse textual wood engravings, mostly by Thomas & John Bewick. The pages are unusually clean and bright. Very good. First edition. The Memoir and Descriptive Catalogue, found on pages v through xxxi, are by John Trotter Brockett.

S. Hodgson. No date. Circa 1920. Large 4to facsimile of the 1820 large paper original first edition. Handsomely bound in half tan calf gilt, contrasting leather label. Lacks frontis. which was a portrait of the engravers. All other illustrations present. Title page slightly soiled and foxed, edges foxed otherwise a clean and sound copy in an attractive binding.

Hardcover. Octavo, iv, xvi, 332 pages. In Good condition. Half bound with black leather to the spine and corners bearing gilt decorations and raised bands to the spine. Lettering chipped from spine. Boards marbled with slight wear exteriorly and rubbing to the edges. Text block has moderate plus age toning to the edges. Previous bookshop's small sticker to the front pastedown. Frontispiece. Slight cracking to the hinges. Slight foxing/offsetting interiorly with few, slight markings. Illustrated. NOTE: Shelved in Locked Glass Case, Aisle 10 Endcap. 1376720. FP New Rockville Stock.

First edition. First edition. Portrait frotispiece of Thomas Bewick colored by hand, and woodcuts by Thomas and john Bewick, (mostly) hand colored. xl, 332 pp. 1 vols. 8vo. Hugo 428; Gumuchian 613; Osborne I, 7 Early boards, rebacked with later cloth and recased with later endpaper; corners chipped Portrait frotispiece of Thomas Bewick colored by hand, and woodcuts by Thomas and john Bewick, (mostly) hand colored. xl, 332 pp. 1 vols. 8vo.

First edition thus, with preface dated 1820. 8vo, contemporary boards, rebacked some time ago and front hinge recently professionally refurbished. Spine with six compartments and two labels, nicely detailed, although in a somewhat later style. Bookplate of the eminent collector Boies Penrose II on the front pastedown and second bookplate of George & Laura Gifford on the front free endpaper. Rectangular rules around edges of boards, all edges marbled with matching marbled endpapers, edges of boards with fine minute marquetry-like decoration. Two early bookseller's labels on front pastedown endpaper, first one (presumably) from Matthews & Co., Bradford, and second one from Willis & Sotheran, London. The recent book "The Art of Thomas Bewick" by Diana Donald launched a reevaluation of Bewick, seeing him as an innovator within the framework of the age of invention. The book was reviewed in The New York Review of Books under the heading "England's Great Neglected Artist" in October, 2015.

First edition. A nice copy of this collection of fables with the attractive Bewick engravings. Frontis portrait of Thomas Bewick, title with engraved vignette. Half leather with marbled boards and gilt titles to spine. Slight rubbing to the edges. of the binding. Internally clean and tidy, with just a little darkening to the page edges. [4]; xl; 332 pp. 225 x 145 mm (8¾ x 5¾ inches).

Hardcover. Zustand: Very Good+. 1st edition thus. Riviere & Son binding in half crushed chestnut morocco, marbled paper to boards. Raised bands, gilt decor, and gilt lettering to spine. Slight wear to board corners and edges; very mild sunning to spine. Top edges gilt, other edges untrimmed. 8vo (14.8 x 22.7cm). Hinges sound. Front endpaper starting at gutter. Endpapers in Double Marble pattern of red and gilt. 'Bound by Riviere & Son' binder's stamp to verso of front free endpaper. Very slight occasional scattered foxing. Frontis. port. and four further portraits of Thomas Bewick. Profusely illustrated with wood engravings, largely by Thomas and John Bewick. First edition thus. As the bookseller and publisher Emerson Charnley explains in his opening Advertisement, Bewick himself had 'no interest whatever, in the work now submitted to the public', which is a version of the Select Fables first published in 1784: Charnley purchased the blocks from this work, 'as well as many others engraved by the Messrs. Bewick' (Advertisement p. ii) in 1818 or 1819, and 'issued the hybrid Select Fables of 1820' without Bewick's involvement (Tattersfield p. 621). As Gordon N. Ray reports, 'Bewick deplored this well-produced volume, which to his mind could only serve "to feed the whimsies of bibliomanists," but he tolerated its publication. Though some of the engravings hardly rise above chapbook level (a number of them are copies), the book is useful as a record of his work before he achieved his mature style'. The cuts for Select Fables are notable amongst Bewick's early work: 'the engraving here began to show real accomplishment in design and the handling of texture, light, and shade' (ODNB). A handsome Riviere & Sons binding. Tattersfield TB 2.574; Ray 52. Robust packaging. Tracking can be added to overseas orders on request. Used books are exempt from USA tariffs. Size: xl, 332pp.

leather_bound. Bewick, Thomas (illustrator). First edition. 332 pages. 21.5 x 14 cm. Illustrated wood engraved frontispiece Thomas Bewick,336 wood engraved vignettes by the Bewicks. GORDON N. RAY 52: notes "Bewick deplored this well-produced volume, which to his mind could only serve `to feed the whimsies of bibliomanists,' but he tolerated its publication. Though some of the engravings hardly rise above chapbook level (a number of them are copies), the book is useful as a record of his work before he achieved his mature style." Basically clean throughout save for some toning to first few and last leaves. Raised bands, spines panels decorated in gilt floral motifs, gilt cover border panels. Armorial bookplate of Samuel Harford Samuels and modern one of William Tarum Fehsenfeld. Contemporary tree calf, red leather spine label lettered in gilt, marbled endpapers. All edges marbled. Fine.

Hard Cover. FIRST EDITION. Quarto. Royal thick paper copy. [2], xl, 332 pp. Engraved portrait frontispiece of Thomas Bewick, vignette to title page and quartet of portraits of Bewick to pp. xxvi-xxxi; illustrated throughout with engraved head and tail-pieces. Superb full bottle-green levant morocco bound by Riviere, with five raised bands, gilt titles to spine, heavy gilt foliate decoration to compartments, and triple gilt-ruled border to boards with embellished corners and central gilt floral cartouche. All edges gilt; marbled endpapers and gilt dentelles. Boards very slightly scuffed. Armorial bookplates of Lord Battersea and the Duke of Gloucester, to front paste-down and ffep respectively. Scattered light foxing, mainly to endpapers, otherwise contents are crisp. A handsome copy in excellent condition. Companion volume to Fables of Aesop, produced by Emerson Charnley from blocks he purchased from Thomas Wilson of York, with no input from the engraver. "Mr Bewick has no concern or interest whatever in the work submitted by the public" and though he accepted a copy for his own library following some acrimonious correspondence, the work was far from satisfactory to Bewick himself. This is an outstanding copy in a superb binding, with the added provenance of being from the library of Prince Henry of Gloucester. Prince Henry (1900-1974) was the third son of King George V and Queen Mary, and the younger brother of Kings Edward VIII and George VI. Tattersfield, Nigel: Thomas Bewick The Complete Illustrative Work, pp., 622-5.

London: S. Hodgson, for Emerson Charnley, and Baldwin, Cradock and Joy. 1820. Imperial 8vo (26.5 by 16.5 cm). Contemporary tan calf over marbled boards, spine with morocco lettering-piece; pp. [2], xl, 332, portrait-frontispiece engraved by Charlton Nesbit (on thinner paper), title-page with wood-engraved vignette, wood-engraved vignettes and illustrations throughout; extremities a little worn, internally only here and there the lightest of spotting, very few contemporary ms. annotations; a very clean and crisp copy.First edition of this compilation of vignettes and fable illustrations by Bewick, together with a memoir and a catalogue of his oeuvre. The Newcastle publisher and printers collected original wooblocks from various sources and produced a bibliophile book. The prospectus for the work of 1819 announced '. the impression will consist of a very limited number' (Tattersfield II, p. 624). The work appeared in three formats, demi 8vo, Royal 8vo, and this - the rarest - Imperial 8vo. The present copy is printed on remarkably thick paper, with the watermark dated 1818. Some of the earliest wood-engravings by the technique's inventor and pioneer are featured in this beautiful book.