salome von oscar wilde, aubrey beardsley, Erstausgabe (24 Ergebnisse)

Zustand: BUONO USATO. I ED. BUR - I Grandi Libri Illustrati ITALIANO Coperta illustrata a colori al piatto anteriore, leggermente imbrunita e con ordinari segni del tempo. Tagli regolari e naturalmente imbruniti, pagine ben salde alla costa e con modesta imbrunitura. Libro completamente fruibile, n. 1 della collana "BUR - I Grandi Libri Illustrati", con introduzione di Alberto Arbasino, traduzione di Domenico Porzio, presenti illustrazioni in nero nel testo di Aubrey Beardsley, prima edizione nella collana, numero pagine 86.

Broché/Paperback. Zustand: Bel état. Première édition. 'Petite Bibliothèque Ombres' - 4. En couverture: Beardsley: 'La récompence de la danseuse' (1893). Avec 21 illustrations par Aubrey Beardsley, notes, notice sur Salomé et bibliographie. 94 + (1) pag. Size: 16,5cmx12cm.

Zustand: BUONO USATO. IED. I Grandi Libri illustrati ITALIANO Prima edizione illustrata, tragedia in un atto, testo affiancato e valorizzato dai disegni in nero realizzati da Aubrey Beardsley, introduzione di Alberto Arbasino. Grande volume brossurato con pagine interne ben conservate con tonalità uniformemente ingiallite, cerniera stretta. Copertina in cartoncino texture-tela segnata da un generale appesantimento dei toni marcato al dorso, segno di becca in quarta, superfici velate da polvere, piccola lacuna in prima. Abrasione al contropiatto posteriore. Vol. n. 1 della collana. N. pag. 86.

1ª edición. 124 p. Ilustrado en color. 22*12 cm.Col,Planeta maldito. Rústica editorial con solapas.(84-7702-209-7).Traducido del Francés por Armiño, Mauro (1944-),tr. Excelente estado. IMPORTANTE. Lea Nuestras Condiciones de Venta y Gastos de Envío.

77 S. OPp. DEA. - Leichte Lichtschatten, ansonsten tadellos.

Hardcover. Zustand: Gut. Beardsley, Aubrey (illustrator). 1. Auflage. Vorzugsausgabe - limtierte u. numerierte Aufl., Ganzleder, goldgepr. Rücken- u. Deckeltitel, gold. Filetten, gold. Kopfschnitt, Gr. 8°, nicht paginiert, Buchblock und Blattseiten sehr gut - nur an wenigen Stellen leicht braunfleckig, Leder mit Berieb, Kopf- u. Stehkante des Buchrückens mit kl. Einrissen in d. Falzen. Befriedigende bis gute Erhaltung des Einbands.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 1st American edtion, 1st printing ; 487 pages : illustrations ; 29 cm ; ISBN: 0517547457; 9780517547458; National Library: 014878580 LCCN: 82-12196 ; LC: PR5812; Dewey: 828/.809 ; OCLC: 8587824 ; purple cloth in pictorial dustjacket ; Contents: Poems -- Requiescat - Ravenna -- Wasted days -- Madonna mia -- Sonnet to liberty -- The arlot's ome -- On the sale by auction of Keat's love letters -- The new remorse -- To my wife, with a copy of my poems -- The Sphinx -- The ballad of Reading Gaol -- Poems in prose -- The disciple -- The artist -- Prose fiction -- Lord Arthur Savile's crime -- The happy prince -- The nightmare and the rose -- The remarkable rocket -- The selfish giant -- The birthday of the Infanta -- The picture of Dorian gray -- Plays -- Lady Windermere's fan -- Salome -- The importance of being Earnest -- The Gribsby episode -- Lectures and essays -- The Irish poets of '48 -- Impressions of America -- Pen, pencil and poison -- The soul of man under socialism -- Phrases and philosophies for the use of the young -- Letters - De Profundis -- To Robert Ross from Reading Prison -- To the Daily Chronicle -- The case of Warder Martin : some cruelties of prison life -- To Robert Ross from Berneval, France -- To the Daily Chronicle -- Prison reform -- To Robert Ross from Rome ; "Critical introduction and background information accompany selections of Wilde's writings that includes The Selfish Giant, Lady Windermere's Fan, The Importance of Being Earnest, and The Picture of Dorian Gray" ; large, heavy volume ; nick on corner of dustjacket, else FINE/FINE. Book.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. AUBREY BEARDSLEY (illustrator). FIRST EDITION & FIRST PRINTING. The Original Dustjacket houses this incredibly beautiful book. It is remarkably complete with a few faults; there are a few closed edge tears, the largest of which is on the back panel top edge, between the [t] and [r] on Illustrated. It has been mended with cellotape. It is soiled in general with a few small areas of chipping to the extremities. Still remarkable in any condition as it is 95 years old and has stood the test of time. It is now housed in a removable plastic archival sleeve to protect in the future. There is no price on the dustjacket. These books were sold [see above] at Macy's [New York] for 65 cents. The boards are hardback quarter bound red cloth covered boards with black cloth spine and seven gold vertical lines near the spine edge front and back and faded gold lettering on the spine, with beveled edges. Its a sturdy book. The dustjacket has done a fabulous job and kept the boards incredibly clean and firmly bound to the page block. Brown slightly ribbed end-pages front and rear, and on the first end-page is a small pasted in image of Oscar Wilde on his deathbed. Its an incredibly evocative image. This is the great man himself resting in eternal peace. Flowers adorn him. Little rubbing to the end-page around the image. The pages are rough-cut to the front edge and the paper itself is of a good quality. It is quite luxurious. After the copyright details it states: SALOME - A tragedy in one act: translated from the French of Oscar Wilde, with sixteen drawings by Aubrey Beardsley. The next page depicts an image of: The Original Cover Design, of a peacocks feathers. This is in black and white and I think the original was in green with a gold gilt design. The following page is: THE PERSONS OF THE PLAY. [page 9] - Page 11 gives you: CAST OF THE PERFORMANCE OF [SALOME], REPRESENTED IN ENGLAND FOR THE FIRST TIME. - NEW STAGE CLUB - SALOME BY OSCAR WILDE, MAY 10th and 13th, 1905. Page 12 and 13: Depicts the advertising for Richard Straus premier in The Königliches Operahouse in Dresden in 1905. The opera is famous (at the time of its premiere, infamous) for its "Dance of the Seven Veils". The final scene is frequently heard as a concert-piece for dramatic sopranos. There are several pages of notes on Salome. A letter to The Times from Oscar Wilde and several very interesting historical references of Salome being banned in the UK until 1907. Then, on page 25, the tragedy begins. Contains 120 printed pages with sixteen drawings by Aubrey Beardsley, to accompany the play. Apart from faint occasional foxing, the pages are beautifully clean throughout. - END - RAPID DISPATCH.

Sarkowski 1914 A.; Lasner 59 J.; Braesel, Englische Buchkunst um 1900, S. 119 ff. - Zweite Ausgabe dieser Übersetzung (erstmals ebenda 1903 mit Illustrationen von Marcus Behmer erschienen). Vorliegend Exemplar 131 von 725 auf Insel-Bütten (Gesamtauflage 825), die Tafeln auf Strathmore-Japan. Der Satz ist identisch mit der Vorzugsausgabe, jedoch wurde die Paginierung entfernt. - Beardsleys Illustrationen - Höhepunkt und Inbegriff der Jugendstilgraphik - gelten als die bekanntesten künstlerischen Darstellungen zu Oscar Wildes Einakter. Inspiriert von der 1893 auf Französisch erschienenen Erstausgabe der Salome entwarf Beardsley eine Zeichnung zu diesem Motiv, die in der Kunstzeitschrift `The Studio` zusammen mit einem Artikel über den Künstler veröffentlicht wurde. Das große Echo, machte Wilde wiederum auf Beardsley aufmerksam. So regte Wilde selbst an, dass dieser die englische Ausgabe seines Dramas illustrieren solle, die 1894 - zunächst jedoch nicht mit allen entworfenen und teilweise zensierten Darstellungen - erschien. Wie in einer späteren englischen Publikation (1906) wurden in der deutschen Ausgabe die abgelehnten Zeichnungen und zensierten Details übernommen. Kl.-4°. [48] Seiten. Mit illustriertem Doppeltitel, zwölf Tafeln und einer Schlussvignette. Originalhalblederband, mit Leinen neu unterlegt, goldgepr. Rückentitel und Kopfgoldschnitt, Exlibris, Schnitt sowie erstes u. letztes Blatt gebräunt.

Raabe, Autoren 210,72 (unter C. Moreck). Exemplar der Normalausgabe. Erste Ausgabe dieser Übersetzung mit den schönen Jugendstil-Illustrationen von Beardsley. Ein Jahr zuvor erschien im selben Verlag bereits eine Übersetzung durch Paul Steegemann und 1907 eine Übertragung von Hedwig Lachmann im Insel Verlag, beide mit diesen Illustrationen. Beardsleys Illustrationen - Höhepunkt und Inbegriff der Jugendstilgraphik - gelten als die bekanntesten künstlerischen Darstellungen zu Oscar Wildes Einakter. Inspiriert von der 1893 auf Französisch erschienenen Erstausgabe der Salome entwarf Beardsley eine Zeichnung zu diesem Motiv, die in der Kunstzeitschrift `The Studio` zusammen mit einem Artikel über den Künstler veröffentlicht wurde. Das große Echo, machte Wilde wiederum auf Beardsley aufmerksam. So regte Wilde selbst an, dass dieser die englische Ausgabe seines Dramas illustrieren solle, die 1894 - zunächst jedoch nicht mit allen entworfenen und teilweise zensierten Darstellungen - erschien. Wie in einer späteren englischen Publikation (1906) wurden in der deutschen Ausgabe die abgelehnten Zeichnungen und zensierten Details übernommen. 4°. 77 S. Mit 16 Bildern von A. Beardsley (dav. 2 illustr. Einfassungen für Titel u. Verz., 13 Tafelseiten u. e. Schlussvignette). Brauner OPappband m. mont., illustr. Deckelschild (Beardsley) u. schwarzgepr. Rü.titel. Einband m. starken Lichtspuren, Rücken an den Kanten angeplatzt u. m. Fehlstelle am unt. Kapital, Hinterdeckel etw. fleckig, Exlibris auf vord. Spiegel.

Hard Cover. Zustand: Near Fine. Zustand des Schutzumschlags: No Dust Jacket. Illustrated by Aubrey Beardsley (illustrator). First Edition Thus. First Printing. Publisher's full blue cloth, gilt lettering and decoration on spine and cover, salmon endpapers, top edge blue, fore-edge deckle, printed on fine, thick stock. Illustrated with 16 full-page drawings by Aubrey Beardsley. . Covers very mildly soiled, else fine, unmarked, tight, square and clean. NEAR FINE. . New Classics Library Series. B&W Drawings. 8vo 8" - 9" tall. 67, (16-Plates) pp.

Softcover. Zustand: Very Good. First New York edition? Small octavo. 60, [4]pp. Glazed grayish green wrappers illustrated by Aubrey Beardsley. Two very small chips on the front wrap, and a small dampstain.

1st edn trade. 12mo (6¾ x 5¼ ins). Original pictorial paper-laid boards (illus by Aubrey Beardsley - bright VG). Pp. [vi] + 66 + [2] publisher's catalogue (neat red number on front free endpaper; no other inscriptions).

First edition of this translation into German by Paul Steegemann. Royal octavo. 78 pages. Sixteen plates by Aubrey Beardsley. Original binding of quarter parchment with marbled boards, leather spine label. Out of a total edition of 1000 numbered copies this is one of 150 on Antique-Bütten, but unnumbered.Endpapers very slightly spotted. Spine a bit darkened. Very good.

Hardcover. Zustand: Fine. First edition thus. 1/600 numbered sets. Quarto (11" x 8"). 2 volumes. V. I in black leather with text in French illustrated by Andre Derain, V. II in red leather with text in English illustrated by Aubrey Beardsley. Both volumes are housed in publisher's red cloth slipcase decorated in gilt. Illustrated with all the drawings by Derain and Beardsley. A fine, as new set with the slipcase still in the publisher's shrinkwrap and shipping carton. This Easton Press set, now out-of-print, originally sold for $380. "To avoid British laws, Wilde published his first version of Salome in French with Illustrations by Andre Derain. The eventual English edition featured Aubrey Beardsley art that was so racy, three were suppressed from future editions [but not this one]." (Publisher).

Hardcover. Zustand: Very good. No jacket. Ichimura, Tetsuya (photographer) ; Beardsley, Aubrey (illustrator) (illustrator). 1st edition. Abstract black and white photographs inspired by the famous novel `Salome` by Oscar Wilde. Copy 124 of 500 limited copies. With slipcase. Cover and text in good condition. Slipcase corner ripped about 8 cm. Original plastic cover on slipcase. Small stains on the slipcase plastic. No shipping box. Text in Japanese and Greek. Extremely rare. Used book.

Hardcover. Zustand: Very Good. 1st Edition. Sm.4° - 77pp - 16 B/w illustrations (gravures) by Aubrey Beardsley (1872-1898) English illustrator and author. His black ink drawings were influenced by Japanese woodcuts, and depicted the grotesque, the decadent, and the erotic. "Salome" by Oscar Wilde (1854-1900) Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. First German edition, translated by Curt Moreck. Published in 350 numbered copies (our's N° 26). Halfleather Binding. In Very good condition.

Hardback. Zustand: Very Good Indeed. Zustand des Schutzumschlags: Very Good. Aubrey Beardsley (illustrator). First edition. The first U.K. trade edition of Oscar Wilde's tragic play about Salome and John the Baptist, in the original dust wrapper. The first U.K. trade edition.In the original unclipped dust wrapper, designed by Aubrey Beardsley.'Salome' is a one-act tragedy by Oscar Wilde, depicting Salome's attempted seduction of John the Baptist.Beardsley was a leading illustrator of the late twentieth century, beginning a promising career was a Modern Style artist before his early death at the age of 25. He was largely influenced by Japanese woodcuts, and depicted scenes of the erotic, grotesque, and decadent.Two pages of adverts to the rear. In the original publisher's paper covered boards, in the original unclipped dust wrapper. Externally, smart. Light age-toning and marks to the boards and spine. Light bumping to the extremities. Bookplate to the front paste down. Dust wrapper is a little edge worn, with small chips to the head and tail of the spine, and a few small closed tears. Spine is sunned. Handling marks to the wraps. Tidemark to the head of the rear wrap and spine, and tail of the front wrap. One tape repair to the reverse of the dust wrapper. Internally, firmly bound. Pages are bright and clean, with only a few scattered spots and handling marks. Very Good Indeed. book.

Hardcover. Andre Derain and Aubrey Beardsley (illustrator). Two quarto volumes (8" x 11"), copy #1485 of 1500 numbered copies. The first volume in black wrappers is the French original illustrated by Andre Derain with gouache drawings on black paper reproduced through the pochoir process and SIGNED by the artist on the colophon page. The other volume, in gilt-decorated red cloth, is the English translation by Lord Alfred Douglas with illustrations from the first edition by Aubrey Beardsley including four omitted from the original. Darkening to the text pages opposite the plates by Derain, as usual. Slight sunning to the spine of the hardcover volume. Near Fine with glassine on the wrappers volume only in a Very Good slipcase with minor splitting and edgewear.

First edition thus: with the suppressed title-page design showing hermaphrodite genitalia. Royal octavo. pp xx, [4], 66, [2] adverts. Decorated buckram gilt. Four page introduction, A Note on 'Salomé' , by Robert Ross. Cover design and sixteen plates, on Japanese vellum, by Aubrey Beardsley. Translated into English by Lord Alfred Douglas. Includes the casts for the first performance of the play in England in 1905 and for the première of Richard Strauss's opera. Top edge gilt.On the rear free endpaper is a much-faded gift inscription from a member of the San Francisco Haas family. The inscription includes the address 2007 Van Ness Avenue, which is now the Haas-Lilienthal House, one of only two house museums in the city.Endpapers faintly tanned. Rear cover partially darkened. Small bump to bottom edge of rear cover. Very good indeed.

Decorative Cloth. Zustand: Fine-. A superb set of the First Foolscap Octavo Edition (Second Collected Edition) of Wilde's works, in 14 matching publisher's bindings, issued as separate volumes beginning in 1909 (twelve by Methuen, one by Charles Carrington of Paris, and one by John Lane). Publisher's bright green cloth, spines titled in gilt, upper covers with gilt lettering and Charles Rickett's star above the "Great Waters" vignette, top edges gilt, sides uncut, printed on thick wove paper. Contemporary ownership inscription of W. W. S. Escott of Magdalen College [Wilde's college], Oxford, to some volumes. Lord Arthur Savile's Crime (3rd edn., Mason 481`): [6],196pp. Duchess of Padua (2nd edn., Mason 485): vi,[6],183,[1]pp. Poems (10th edn., Mason 491): viii,320pp. Lady Windermere's Fan (3rd edn., Mason 494): [12],157,[1]pp. Woman of No Importance (3rd edn., Mason 497): [12],182,[2]pp. Ideal Husband (5th edn., Mason 503): [12],246pp. Importance of Being Earnest (Alexander Souvenir Edition, Mason 506): x,[6],181,[1]pp. House of Pomegranates (3rd edn., Mason 510): [8],179,[1]pp. Intentions (4th edn., Mason 513): [8],263,[1]pp. De Profundis (14th edn., 516): xv,[1],156pp. Essays and Lectures (2nd edn., Mason 519): xii,244pp. Salomé, La Sainte Courtisane, A Florentine Tragedy (New Edition, Mason 522): xix,[1],180pp. Picture of Dorian Gray (First Carrington Edition, Mason 525): xi,[1],352,[2]pp. Salome . . . with sixteen drawings by Aubrey Beardsley (First John Lane Edition, Mason 527): xxiii,[3],82,[6]pp. Occasional light foxing, very slight spine lean to several volumes, but an exceptionally handsome collection, tightly bound, with bright gilt, crisp and fresh throughout. Offered with a fifteenth volume, bound to match: Anna, Comtesse de Bremont, Oscar Wilde and His Mother : A Memoir (London: Everett & Co, 1911). Text based on limited edition published by Methuen in 1908, with bibliographical notes to reverse of each title page. A fifteenth volume, the Memoir of Oscar Wilde and his Mother by Anna, Comtesse de Bremont, was published in 1911 by Everett & Co. and bound to match. N. B. With few exceptions (always identified), we only stock books in exceptional condition, carefully preserved in archival, removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. (Fine Editions Ltd is a member of the Independent Online Booksellers Association, and we subscribe to its codes of ethics.).

Hardcover. Zustand: Near fine. No jacket. Ichimura, Tetsuya (photographer) ; Beardsley, Aubrey (illustrator) (illustrator). 1st edition. Abstract black and white photographs inspired by the famous novel `Salome` by Oscar Wilde. Copy 166 of 500 limited copies. With slipcase and shipping box. Cover and text in good condition. Small stains on the plastic cover of the slipcase. Tears on the base and stains on the shipping box. Some mold stains on the slipcase. Still has original plastic wrapping on the box and book. Extremely rare with plastic cover. Text in Japanese and Greek. Used book.

Hardcover. Zustand: Wie neu. Zustand des Schutzumschlags: Wie neu. 1. Auflage. A. Works by the Author: 1. Lady Windermere s Fan - A Play About A Good Woman. Leipzig: Bernhard Tauchnitz, 1909. First Edition thus, First Printing. Vol. 4112. Name, date and bookseller's label on front free endpaper, else a near fine copy in original boards. 2. A Woman Of No Importance - A Play. Leipzig: Bernhard Tauchnitz, 1909. First Edition thus, First Printing. Vol. 4157. Name on title page, else a near fine copy in original boards. 3. De Profundis - The Complete Text. Edited, with an Introduction, by Vyvyan Holland. London: Methuen & Co. Ltd., 1949. First Edition, Fourth Printing (1953). A near fine copy in a very good dustwrapper. 4. The Original Four-Act Version of The Importance Of Being Earnest - A Trivial Comedy for Serious People. With an Explanatory Foreword by Vyvyan Holland. London: Methuen and Co. Ltd., 1957. First Edition, First Printing. Proof Copy. Book is near fine in the original printed wrappers. On the front someone has written price and month of publication and on the spine author and title, the lower wrapper is unevenly darkened, but not creased in any way. 5. Salome. Newly translated by R. A. Walker and with the original illustrations by Aubrey Beardsley. London: Heinemann, 1957. First Edition thus, First Printing. A very good copy in a similar dustwrapper. 6. The Letters of Oscar Wilde. Edited by Rupert Hart-Davis. London: Rupert Hart-Davis, 1962. First Edition, First Printing. A near fine copy in a similar dustwrapper, which is foxed on the spine. 7. More Letters of Oscar Wilde. Edited by Rupert Hart-Davis. London: John Murray, 1985. First Edition, First Printing. A fine copy in a fine dustwrapper. 8. The Fairy Stories of Oscar Wilde. Illustrated by Harold Jones. London: Victor Gollancz Ltd., 1985. First Edition thus, First Printing in Paperback. A near fine copy. B. Works on the Author: 1. Hesketh Pearson. The Life of Oscar Wilde. London: Methuen & Co. Ltd., 1946. First Edition, First Printing. A near fine copy in a very good dustwrapper. 2. Vyvyan Holland. Son of Oscar Wilde. London: Rupert Hart-Davis, 1954. First Edition, First Printing. A very good copy in a very good dustwrapper. 3. H. Montgomery Hyde. Oscar Wilde - A Biography. London: Eyre Methuen, 1976. First Edition, First Printing. A fine copy in a fine dustwrapper. 4. Richard Ellmann. Oscar Wilde. New York: Alfred A. Knopf, 1988. First Edition, First Printing. A fine copy in a near fine dustwrapper. Price for the collection: 1'350. Please note that due to size and weight we will have to charge additional postage.

Translated from the French of Oscar Wilde, with a pictorial title-page border, ten full page plates and a tail-piece by Aubrey Beardsley. First edition in English, first illustrated edition. ?One of 500" ordinary copies (actually 750, see Nelson), of a total edition of 875. Small 4to., original blue canvas boards with a small design by Beardsley on both covers. Uncut and partly unopened. London, Elkin Mathews & John Lane. An unusually good copy, spine just faded and extremely light wear to the extremities of the spine, with the contemporary ownership inscription of Violet Tweedale, mystic, psychic, member of the Order of the Golden Dawn, author of ghost stories.  Contemporary critics thought it 'the very essence of the decadent' (The Studio, Feb 15 1894), and more recent scholarship continues to view 'the Salome which Wilde created, Beardsley decorated, and the Bodley Head published' as 'the ultimate expression in English of the literary and aesthetic movement which ended with the arrest of Wilde the following year' ("The Early Nineties: A View from the Bodley Head" James G. Nelson, 1971). Wilde, however, 'was disconcerted by the reversal of the usual role of illustrator as submissive interpreter of the author?s intentions' (Aubrey Beardsley Ian Fletcher, 1987), admitting that while he admired Beardsley's illustrations, he did not like them; they were 'cruel and evil and so like dear Aubrey, who has a face like a silver hatchet, with grass-green hair.' Neither did Beardsley much care for Wilde's writing, declaring upon finishing the illustrations that 'now I have given distinction to that tedious book' (See Fiona Barnard's excellent article Oscar Wilde, Salome: a tragedy in one act, 1894 for more).  Wilde first asked Bosie, Lord Alfred Douglas, to translate his text into English, hoping 'that their names might be able to appear together on the title page of his most infamously decadent work. He had asked Douglas to do the translation because his love blinded him to the young man's faults. it was fantasy on Wilde's part to think that he could render into English something that only Wilde could do to his own satisfaction.' (Bosie, Douglas Murray, 2000). Wilde was ultimately forced to reject the translation as insufficient, sparking heated arguments on the croquet lawn and vitriolic letters, only exacerbated by Beardsley's offer to perform the task himself. Douglas' name does not appear on the title page, but in an effort to smooth things over Wilde dedicated the book, not entirely truthfully, 'To My Friend Lord Alfred Douglas, the translator of my play'.  Eternally controversial, several of Beardsley's designs were deemed too transgressive to print in this first edition and were either modified or removed entirely; male genitals were excised from the hermaphrodite on the title page, John & Salome was substituted for The Black Cape, Salome on Settle was removed, and The Toilette of Salome was substituted for an alternative version in contemporary dress, which eliminated a potentially offensive page seated in the corner, whose visible pubic hair was one step too far for late Victorian morals. The original title page was not published until John Lane's edition of 1907, with the suppressed and altered plates appearing in Smithers' "Melmoth" edition of 1904.