Verlag: Princeton University Press, 2023
ISBN 10: 0691252238 ISBN 13: 9780691252230
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: Princeton University Press, 1983
ISBN 10: 0691099472 ISBN 13: 9780691099477
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Used book that is in clean, average condition without any missing pages.
Verlag: Princeton University Press, 1983
ISBN 10: 0691099472 ISBN 13: 9780691099477
Anbieter: Powell's Bookstores Chicago, ABAA, Chicago, IL, USA
Zustand: Used - Very Good. Cloth, dj. Minor shelf wear. Else a bright, clean copy. Very Good.
Verlag: Princeton (Princeton University Press), 1983
Anbieter: Ars Libri, Ltd. (ABAA), Charlestown, MA, USA
xvii, (1), 321, (3)pp. 131 illus. 4to. Cloth. D.j. From the library of Franklin D. Murphy.
Verlag: Princeton University Press, 1983
Anbieter: Books From California, Simi Valley, CA, USA
hardcover. Zustand: Very Good. Cover shows light shelf wear. Pages are clean and intact.
Verlag: Princeton University Press,, 1983
ISBN 10: 0691099472 ISBN 13: 9780691099477
Anbieter: Thomas Heneage Art Books, London, Vereinigtes Königreich
The A. W. Mellon Lectures in the Fine Arts, 1977. Bollingen Series XXXV. 26. 321 pages. Hardback 26 x 20cms. ISBN: 0691099472.
Verlag: Princeton University Press Aug 2023, 2023
ISBN 10: 0691252238 ISBN 13: 9780691252230
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - From a leading art historian of Renaissance Italy, a compelling account of the artistic and cultural impact of the sack of sixteenth-century RomeIn this illustrated account of the sack of Rome as a cultural and artistic phenomenon, Andrà Chastel reveals the historical ambiguities of preceding events and the traumatic contrast between the flourishing world of art under Pope Clement VII and the city after it was looted by the troops of Emperor Charles V in 1527. Chastel illuminates the cultural repercussions of the humiliation of Rome, emphasizing the spread or âEuropeanizationâ of the Mannerist style by artists who fled the cityâ¿including Parmigianino, Rosso, Polidoro, Peruzzi, and Perino del Vaga. At the same time, Clementâ¿s critics used the new media of printing and engraving to win over the people with caricatures and satirical writings, while Rome responded with monumental works affirming the legitimacy of the popeâ¿s temporal power. Chastel explores both the world that was lost by the sack and the great works of art created during Romeâ¿s recovery.