Ruined stone (18 Ergebnisse)

Paperback. Zustand: Good.

Paperback. Zustand: Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 100 pages. 9.00x6.00x2.13 inches. In Stock.

6pp, 2figs (1 folding), 1b-w pls, Printed card cover, VGC.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

29pp, 4figs, 5b-w pls, Printed card cover, VGC.

22pp, 6figs, 8b-w pls & 4 folding plans, Printed card cover, VGC.

Soft cover. Zustand: Very Good. The unique feature of the ruined Church of Stone, near Faversham, Kent is that it is the only known example in the UK of a Roman building having been subsequently incorporated in a Christian Church. Reprinted from The Antiquaries Journal 1969 Volume XLIX Part II.

Zustand: New. In English.

Paperback. Zustand: Brand New. 01 edition. 112 pages. French language. 11.89x9.25x0.67 inches. In Stock.

Softcover. Zustand: Sehr gut. 1. Auflage. Z : 23 × 30 cm, 112 Seiten, 64 Duplex-Abbildungen - »No Ruined Stone« des schottischen Fotografen Paul Duke ist eine intensive, schonungslose und zugleich poetische Fotodokumentation über ein typisches Beispiel des sozialen Wohnungsbaus im Großbritannien der Nachkriegszeit. Für diese Arbeit kehrte Duke an den Ort seiner Kindheit, nach Edinburgh/Muirhouse zurück, dem Stadtteil, der durch Irvine Welshs legendären Roman »Trainspotting« berühmt- berüchtigt wurde. Dukes einprägsam stille Bilder von Stadtlandschaften, Straßenbildern und Porträtaufnahmen thematisieren die Würde, Hoffnungen und den Durchhaltewillen der Bewohner von Muirhouse angesichts der seit langem fortschreitenden Verwahrlosung ihrer Umgebung.…

Taschenbuch. Zustand: Neu. Neuware - On McCallum's first visit to Scotland, she learned a little-known story about the poet Robert Burns: late in the summer of 1786, Burns had actively planned to emigrate from Scotland to Jamaica, to work as a bookkeeper on a slave plantation on the island. âEURoeBookkeeperâEUR in its application to the work Burns would have gone to Jamaica to do is a misnomer. Had he gone, he would have been responsible for daily overseeing and managing the work performed by enslaved Africans. This collection explores that parallel timeline and world in which his life would have changed had he taken that job, and touches upon many subjects such as: Romantic poetry, the Enlightenment, the struggle for the rights of women, the history of slavery and abolitionist movements, miscegenation and passing, absent fathers and mothers and countries, mental illness, migration, memory, and exile. …

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorrnrnFrom Jamaica, Shara McCallum is the author of six books published in the US & UK, her most recent being NoRuined Stone, a speculative account of Scottish poet Robert Burns planned migration to Jamaica to work on a.

Taschenbuch. Zustand: Neu. Neuware - (Please scroll down for english version)No ruined Stone des schottischen Fotografen Paul Duke ist eine intensive, schonungslose und zugleich poetische Fotodokumentation über ein typisches Beispiel des sozialen Wohnungsbaus im Großbritannien der Nachkriegszeit. Für diese Arbeit kehrte Duke an den Ort seiner Kindheit, nach Edinburgh/Muirhouse zurück, dem Stadtteil, der durch Irvine Welshs legendaren Roman Trainspotting berühmt- berüchtigt wurde. Dukes einpragsam stille Bilder von Stadtlandschaften, Straßenbildern und Portrataufnahmen thematisieren die Würde, Hoffnungen und den Durchhaltewillen der Bewohner von Muirhouse angesichts der seit langem fortschreitenden Verwahrlosung ihrer Umgebung.Paul Duke wurde in Edinburgh geboren und wuchs in Muirhouse auf. Er studierte am Royal College of Art in Edinburgh. Zur Zeit lebt und arbeitet er in London und lehrt Fotografie an der Middlesex University. 2016 erhielt er den angesehenen Royal Scottish Academy Morton Award. Seine Arbeiten wurden in die Royal Scottish Academy und andere wichtige offentliche Sammlungen aufgenommen. Nach 'At Sea' (2013) ist 'No Ruined Stone' sein zweites Buch. Den Text schreibt Martin Barnes (Kurator für Fotografie am Victoria & Albert Museum, London).No Ruined Stone by Scottish photographer Paul Duke offers a timely and far-reaching insight into a fractured and deprived housing estate in Edinburgh. Returning to Muirhouse - the backdrop to Irvine Welsh's novel Trainspotting - Duke's documentary and poetical photographs lead us through the estate he grew up in. Although circumspect questions of social inequity are raised in the book the underlying narrative is about fighting spirit, dignity and hope of the residents living there today.Paul Duke was born and educated in Edinburgh. He gained a Master of Arts degree with distinction from the Royal College of Art in 1989. As well as exhibiting in the Scottish National Portrait Gallery he has shown in the Scottish Parliament and was included in the National Galleries of Scotland landmark exhibition 'Light from the Dark Room' in 1995. No Ruined Stone is his second publication after 'At Sea', published in 2013. The text is written by Martin Barnes, senior curator of photography, Victoria & Albert Museum. …

'NONE VISIBLE.'River landscape with a ruined tower and manor-like buildings on the bank. A stone arch bridge spans the water while a sailboat appears in the distance.Made by after an anonymous artist.Medium: Etching and engraving on hand laid (verge) paper.Sheet size: 20.4 x 16.4 cm (8.03 x 6.46 inch). Image size: 8.7 x 5.7 cm. (3.43 x 2.24 inch).ANONYMOUS ETCHING, SPIEGEL DER NATUUR, VAN ESVELDT HOLTROP, RIVER LANDSCAPE, RUINED TOWER, BRIDGE, SAILBOAT, PICTURESQUE ARCHITECTURE, DUTCH PRINT, NINETEENTH CENTURY REPRODUCTION | EXPO-DUTCHBACKGROUND INFORMATIONFrom: 'Spiegel der natuur en school ter teekenkunde, bevattende LXXVI afbeeldingen van landschappen, landsdouwen, watergezichten, enz. enz. Allen zoo veele studiën van Silvestre, Perelle, Quinault, Du Moulin, Della Bella, Zaftleven, Almeloveen, Van Schyndel, Nolpe, Vermeulen, Visscher en Schenk (.)'. Published by Jan Steven van Esveldt Holtrop, Amsterdam, 1810. The publication assembles studies after celebrated seventeenth-century masters intended for artistic training. .State: Extremely rare ed./restrike from original seventeenth-century copperplate.Reference: Cat. Kunsthist. Bibl. Rijksmus. Amst. I, p. 225; WorldCat 921087103, 921087104, 740254525; Rijksmuseum RP-P-1996-84. Condition: good, given age. Light foxing, creasing, and soiling. Minor age-related wear and slight staining in the margins. General age-related toning and/or occasional minor defects from handling. Please study scan carefully.…