robert ryman (171 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. 59 pages. A collection of essays by Jean Fremon translated by Brian Evenson. A clean near fine copy in wrappers.

First Edition. First edition. Hardcover. 53 pages. Exhibition catalog for a show that ran September 12 through October 26, 2013. Includes numerous illustrations, list of previous exhibitions, selected public collections, and a checklist. A near fine copy with some minor wear and from the library of Lucas Samaras with estate stamp to the front free endpaper. No dust jacket as issued. A very nice copy with an interesting provenance.

Wrappers. Zustand: Fine Condition. 61 pages. Paperback. Texts in French and English. Minimal shelfwear to the edges. Else, the binding is tight, the spine uncreased, and interior clean and free of markings. Bound in stiff illustrated paper covers and published as the second publication in the Cahiers de la Collecction Lambert. Beautifully illustrated. Book.

Zustand: Very Good. 22 pp., paperback, inked note to the top margin of the front cover, else very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Used-Very Good. First Edition. Cloth, no dj. Slight shelf wear.

First Edition. First edition. Oblong softcover. 21 pages. Exhibition catalog for a show that ran March 23 through Mary 13, 1979. Features an introduction by John Hallmark Neff and an essay by Judith Russi Kirshner. Includes numerous black and white illustrations and biographical information about each artist. A clean near fine copy in stapled wrappers.

Paperback. Zustand: Brand New. 01 edition. 61 pages. French language. 9.25x6.75x0.50 inches. In Stock.

First Edition. First edition. Softcover. 53 pages. Exhibition catalog for a show that ran November 19, 2004 through January 8, 2005. Text by Robert Ryman. Includes numerous color illustrations and a checklist. A fine copy in French style wrappers.

First Edition. First edition. Softcover. 57 pages. Exhibition catalog for a show that ran December 18, 2005 through April 2, 2006. Features a foreword and acknowledgements by John R. Lane, an essay by Charles Wylie and a biography by Claire de Dobay Rifelj. Includes numerous color illustrations and a checklist. A clean near fine copy in French style wrappers.

Paperback. Zustand: Brand New. 01 edition. 61 pages. French language. 9.25x6.75x0.50 inches. In Stock.

Kartoniert. Zustand: Gut. ca. 27 x 21 cm 236 S. Orig.-Karton. Mit zahlreichen Abbildungen im Text. Gutes Exemplar ( Etwas angestaubt ).

Zustand: New. pp. 64.

First Edition. First edition. Softcover. 62 pages. Exhibition catalog for a show that ran March 4 through April 30, 2017. Text in English and Spanish. Features essays by Courtney J. Martin and Robert Storr. Includes numerous illustrations. An ex-library copy from a gallery with there stickers and pocket. Otherwise a very good copy in wrappers with some other minor wear. Uncommon.

21 cm, OKarton. 122 S. mit Abb. sehr gut erh. Sprache: Deutsch Gewicht in Gramm: 500.

Zustand: New. 2020. 01st Edition. Paperback. . . . . . Books ship from the US and Ireland.

Zustand: Neuf.

57 pp.; 30.4 x 23 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held December 18, 2005 - April 2, 2006. Essay by Charles Wylie with a contribution by Claire de Dobay Rifelj. Includes an exhibition checklist and a biography. Very Good. Faint soiling and yellowing of covers with light edge-wear. Signed and inscribed in blue pen on title page by Charlie [Charles Wylie] to previous owner. Contents clean and unmarked.

Hardcover. Large Booklet [9.25 Width x 12.5 Height, Inches], unpaginated. In Very Good minus condition. Paperback binding. Beige covers bearing green lettering to the spine. Exterior shows slight wear including mild age toning and some soiling marks. French flaps. Text block has slight age toning to the edges. Frontispiece. Illustrated. NOTE: Shelved in Locked Annex Area, Netdesk Column QA (ND-QA). 1380584. FP New Rockville Stock.

42 pp.; 22.8 x 22.8 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held October 11 - November 9, 2002. Essay by Yve-Alain Bois. Includes biography and selected exhibition history. Very Good. Light overall dust soiling of covers. Light yellowing of page edges, contents otherwise clean and unmarked.

38pp. 31 color plates. Tall 4to. Wraps.

Hardcover. Zustand: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good+. Zustand des Schutzumschlags: Very Good+. First Printing. Very good+ in very good+ dust jacket (in protector) ; Gray buckram cloth hardcover, color and B&W illustrations, notes, index. Life and work of American painter ; October Books; 8vo (7 X 1 X 9.5 inches); xviii + 315 pages.

softcover. Zustand: Sehr gut. [25] lvs. Sprache: Englisch Gewicht in Gramm: 920.

1. Aufl. Sprache: Englisch - / - Publikation zu einer atmosphärisch dichten Ryman-Ausstellung in Inverleith House, die Rymans Gemälde buchstäblich in einem neuen Licht präsentierte. Innen- und Aussenraum mit dem Botanischen Garten verbinden sich zu einem umfassenden Erlebnis, das neue Erkenntnisse eröffnet und sich in lebendigen Gesprächen mit Ryman, Raussmüller und Paul Nesbitt überträgt. Mit ausführlichen Werkbeschreibungen und vielen anregenden Abbildungen. - Aus Wikipedia: Ryman studierte 1948 am Polytechnic Institute" in Cookeville, Tennessee und 1949 Musik am George Peabody College" in Nashville. Von 1950 bis 1952 diente er bei der US Army als Saxophonist. Hiernach siedelte er nach New York und absolvierte eine Ausbildung zum Jazz-Musiker. Während seiner Tätigkeit als Aufseher im Museum of Modern Art in New York in den Jahren von 1953 bis 1960 lernte er zahlreiche Künstler kennen. Die Werke von Paul Cézanne, Pablo Picasso und Henri Matisse beeindruckten ihn besonders. Daraufhin gab er 1954 die Musik zugunsten der Malerei auf. Nach einigen malerischen Versuchen im Kontext des Abstrakten Expressionismus, bei denen er Zahlen, Buchstaben oder andere Schriftzeichen mit lyrisch abstrakten Farbzonen verband, reduzierte er Anfang der 60er Jahre die Farbskala auf Weiß und konzentrierte sich auf Variationen verschiedener Farbaufträge und Maltechniken auf der Bildfläche. Ryman begann nun ebenfalls, seine Leinwände ohne Keilrahmen direkt auf der Wand zu befestigen. Seit Mitte der 60er Jahre entwickelte er eine Vielfalt an weißen Leinwänden, die sich alleine durch den verschiedenen Farbauftrag, Duktus, Flächendifferenzierungen unterscheiden. Seine Malerei verweist auf sich selbst und wird damit zum Gegenstand der Kunst an sich. Ryman gilt als Vertreter der Analytischen Malerei. Sein Lebenswerk besteht in vielfältiger Auseinandersetzung mit der Farbe Weiß und ist von internationalem Rang. (Sehr gut erhalten - vermutlich ungelesen / in very good condition) Sprache: Englisch Gewicht in Gramm: 1300 KlappBroschur-Umschlag / Softcover.

Well-illustrated (illustrator). First Edition. First edition. Softcover. Exhibition catalog for a show that ran December 3, 1993 through January 22, 1994. Includes 23 color plates and a checklist. A near fine copy in string tied wrappers that are very faintly soiled. A very attractive and austere production.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. Published in conjunction an exhibition that ran December 9, 2015 through July 30, 2016. Edited by Stephen Hoban and Courtney J. Martin. Features contributions by Sandra Amann, Jo Applin, Charles Gaines, Gary Garrels, Suzanne Hudson, Philippe Kaiser, Lucy R. Lippard, Courtney J. Martin, Robet Storr, Kirsten Swenson, and John Szwed. Includes numerous color illustrations and an index. A fine copy in cloth boards and in a fine dust jacket. A fresh copy.

Zustand: Neuf.

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders.