Robert penn warren collection (18 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. Remainder mark on lower fore edges. Pages unmarked. Discoloration along edges of covers. Small stain on lower fore edges and small light smudge on outer fore edges.Small sticker on front cover. Binding firm. Remainder.

First edition. 92 pp. Near fine in full cloth. No dust jacket, as issued. One of 200 copies. Work by Rosanna Warren, Hilton Kramer, Frank Graziano, Dave Smith, Peter Stitt, and David Brooks.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Clean from markings. In good all round condition. No dust jacket. Library sticker on front cover. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN.…

Gewicht in Gramm: 550 leichte äußere gebrauchsspuren,innen sauber.

Softcover. Zustand: Very Good. First edition thus. Trade paperback. 206pp. Page edges foxed, very good. A Spectrum Book, S-TC-149.

Softcover. Zustand: Very Good. First paperback edition. Illustrated wrappers. Edited by Richard Gray. 206pp. Foxing on the page edges and slight edgewear thus very good. A Spectrum Book, S-TC-149.

Hardcover. Zustand: Fine. Near Fine. First edition. xix, 259pp. Small abrasion on the front fly, else fine in a price-clipped, near fine dust jacket with small soil mark on the rear panel.

Zustand: Good. Paperback, light tan, dirty on cover, owner's name on endpaper, in good condition, 259pp.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,550grams, ISBN.…

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. No dust jacket. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN.…

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Hardcover. Zustand: Very Good. Zustand des Schutzumschlags: Good. 1st Edition. A collection of 13 volumes, most first editions, all with signed presentation inscriptions to Tom Rosenthal,one with a T.L.s. from the the author loosely inserted, original boards, dust-jackets, where issued, some creasing or short tears but very good generally, 8vo c.1946-85. ? An excellent group of association copies, all inscribed to Warren's English publisher who was instrumental in publishing the unexpurgated edition of All the Kings Men in the UK and reviving the author's reputation in this country. The inscriptions are mostly signed as either Robert or the author's nickname of "Red" and are indicative of the close friendship the two men enjoyed. Rosenthal (1935-2014) became head of Secker & Warburg in 1971 and identified Warren as a writer long-neglected in the UK. During a weekend at the author's house in Connecticut, Rosenthal raised his criticism of the author's most famous work All the King's Men. The author noted that it was likely that Rosenthal had read the English rather than US edition which had cut a key chapter. Warren found a copy of the book on his shelves, inscribed it to Rosenthal and left him to read it (this copy included in the lot). Rosenthal realised the error made in publishing shortened version and promptly undertook to published the full version in the UK. Inscribed by Author.…

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Unbound. Zustand: Near Fine. Four brief Typed Letters Signed from Robert Penn Warren to translator Dora M. Pettinella. Also included are copies of three letters from Pettinella to the poet and one letter from her to the son of Luigi Berti, translator and editor of the Italian magazine *Inventario*. Old folds, most with staple holes in the corner, a tiny bit of oxidation from an old paper clip and waviness, near fine. An interesting collection of correspondence between Robert Penn Warren and Dora M. Petinella, who in the first letter introduces herself as a translator of Conrad Aiken, Charles Angoff, Joseph Auslander, Randall Jarrell, and "many others too numerous to mention." Warren kindly agrees to let her translate his work and sends her two volumes of his poetry. During the course of the correspondence, they discuss Italian editor Luigi Berti, who had began translating some of Warren's poems but died suddenly; Warren writes "It is a very sad thing about Luigi. He drove himself hard, over the years. With a lot of gallantry." (The one facsimile letter in Italian is from Petinella to Berti's son, asking for information about his late father's project.) Two letters of Warren's regard receiving translated poems, and later an Italian magazine featuring his work. He is complimentary of the translations, describing them as "faithful and, within the limits of my Italian, effective." Interestingly, he does "tentatively" offer a suggested replacement for "Canto de Gallo": "something like 'grido' in 'Ninna Nanna.' Some sense of cry, shout, blast, alarum [sic], etc." A modest but interesting collection of correspondence on the process of translating Warren's work into Italian. …