Robert breer (6 Ergebnisse)

paperback. Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Zustand: very good. Le livre peut montrer des signes d'usure dus a une utilisation constante, etre marque, porter des marques d'identification ou presenter plusieurs dommages esthetiques mineurs. vendeur professionnel; envoi soigne en 24/48h.

Exhibition catalog for an installation of work by avant-garde film director Robert Breer held at the Galeria Bonino from November 14 to December 9, 1967. The catalog deals with Breer's "floats," three-dimensional geometric shapes that the director would construct, then roll down a street as one would a float in a parade-though typically Breer chose rural roads as a means of offsetting the sheer modernity of his objects. This catalog ends with a list of Breer's exhibitions between 1926-1967. Near Fine in saddle stapled wrappers, with light rubbing.…

Zustand: Good. [Exhibition catalogue]. 4to. [10 pp.]. Soft, stapled turquoise and blue wraps with black lettering and white borders. Very good. Black and white plates. Includes artist chronology. Catalogue created to accompany the exhibition "Robert Breer: More Floats", held from November 14 through December 9, 1967 at Galeria Bonino in New York, NY. Scarce. From the Collection of the Art Historian Peter Selz.…

Zustand: Near Fine. First Edition. Publisher's stiff printed wraps bound by two black plastic screws. First edition. Near Fine with very faint creasing to front wrap, a little shelf wear to rear wrap. From the collection of "design guru" and notable collector of postmodern objects Jim Walrod with his emboss on the first page. This rare flipbook was produced for the Manchester band New Order, whose avant-garde dance music epitomized the postmodern blending of high and mass culture, for one of their biggest hits: the moody techno song "Blue Monday." Copies were sent out for friends of the Hacienda, Factory Records' head honcho Tony Wilson's Situationist-inspired nightclub. It was co-designed by William Wegman, famous for his portraits of his own dogs. Filmmaker Robert Breer created an animation of one of Wegman's Weimaraners to be flipped through (presumably along with the song) in a kind of "manual video." Music videos were all the rage at the time. Madchester, Wegman's Weimaraners, Factory Records, music videos, The Hacienda-- peak '80s style was achieved here.…

E.Brief (1 S. 4°) mit Datum, Unterschrift signiert Ohne Ort, 4.VII.1968 - an den Psychologen und Graphologen Fritz Schweighofer mit einer Handschriftenprobe.