Road spring collected poems (4 Ergebnisse)
- Hardcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
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Zustand: New. This is the first collection of the poems of Mary Austin (1868-1934), a prominent environmental, feminist, and western writer of the American Southwest. Editor(s): Warren, James Perrin. Num Pages: 464 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 229 x 152 x 35. Weight in Grams: 753.… . 2014. Hardcover. . . . . Books ship from the US and Ireland.
- Hardcover
Anbieter: Revaluation Books, Exeter, , Vereinigtes KönigreichRevaluation Books
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Hardcover. Zustand: Brand New. 464 pages. 9.25x6.25x1.50 inches. In Stock.
- Hardcover
Anbieter: moluna, Greven, , Deutschlandmoluna
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Gebunden. Zustand: New. KlappentextOffers the first book publication of Mary Austin s (1868-1934) poems. Best known for her prose book The Land of Little Rain (1903), Austin was in fact a poet throughout her writing career, even though she never publis.
- Hardcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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EUR 24,85
EUR 63,77 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Buch. Zustand: Neu. Neuware - The Road to the Spring is the first book publication of Mary Austin's (1868-1934) poems. Best known for her prose book The Land of Little Rain (1903), Austin was in fact a poet from the beginning of her career to the end, even though she never published a volume dedicated to her own original poetry.… Instead, Austin's work came to light in collections of poetry and in prestigious journals such as Poetry, the Nation, the Forum, Harper's, and Saturday Review of Literature, among many others. The Road to the Spring contains more than 200 poems, most of which can only be found in out-of-print books, magazines, and periodicals, and her unpublished manuscripts archived at the Huntington Library. This singular publication includes her original work, poems she claimed to have written with her grammar school pupils at the end of the nineteenth century, and her translations and ''re-expressions'' of Native American songs, which often diverge greatly from any other known sources. Warren includes an introduction, laying out Austin's place in American literature and situating her writings in feminist, environmentalist, regionalist, and Native American contexts. He also includes notes for those new to Austin's work, glossing Native terms, geographical names, and the ethnological sources of the Native songs she re-creates.
