renaissance types (25 Ergebnisse)

Hardcover. Zustand: Very Good. 1st Edition. pp.xxiv, 400 pages, a very good hardback, publisher's green cloth with gilt lettering to spine and front cover. Also top page edges are gold gilt, ex-library.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In fair condition, suitable as a study copy. Re-bound by library. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,950grams, ISBN:

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Zustand: Very Good. pp.xxiv, 400 pages, top edges gilt, a very good bright hardback, publisher's green cloth with gilt lettering to spine and front cover. Also top page edges are gold gilt, an abbey's bookplate on pastedown - but no other hint of former institutional ownership.

3 ring binder. Zustand: Very Good - Cash. Minor rubbing and edge wear to cover, with light reader wear to pages. Still great condition. The top corner of the spine has a scuff. Stock photos may not look exactly like the book.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Gebunden. Zustand: New. KlappentextThis work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original w.

Buch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Zustand: New. KlappentextrnrnUnlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketc.

Zustand: Acceptable. Used - Acceptable. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library with wear and barcode page may have been removed. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardcover. Zustand: New. 4to (29.5 cm), 471 pp. Publisher's cloth, gilt-lettered spine. Comprehensive and authoritative study of sixteenth-century typefounding and typography. The conspectus opens with substantial introductory chapters discussing the surviving sources, the historical development of type-casting and letter-engraving in the sixteenth century, and the methodological framework of the study. These are followed by detailed biographical notices of seventeen punchcutters, ranging from major figures such as Colines, Garamont, and Granjon to lesser-known but significant craftsmen including Vatel, Gryphius, and Du Boys. The core of the volume comprises facsimiles and analyses of 409 typefaces--216 Roman, 88 Italic, 61 Greek, 41 Hebrew, 2 Arabic, and one phonetic type. Each typeface is accompanied by a concise yet informative entry identifying its letter family, size, punchcutter (or eponym), first appearance in printed books or type specimens, and the survival of original materials such as punches or matrices. For approximately two-thirds of the typefaces, references to the relevant modern scholarly literature are also provided. All typefaces are illustrated, many with multiple examples demonstrating their use in contemporary printing. This richly documented work constitutes a fundamental reference for the history of Renaissance typography, type design, and printing.

Couverture souple. Zustand: bon. RO20109643: 16-11-1895. In-4. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 651 à 663. Nombreuses illustations et gravures en noir et blanc, dans le texte et hors texte. Texte sur deux colonnes. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

Hardcover. 4to. Pp: 471. First edition thus. Publisher's blue boards with gilt lettering to spine. Figures of black and white printing types throughout.ISBN: 9780948170182, 9780900003141, 9781584562719 Very good. Some toning at front and rear end papers and at front and rear pastedowns. Some toning at text block edges. Bumped and creased at top fore corner of rear board.

Fig. 119c, on p. 193, which should show a Gros-romain of Garamond, erroneously repeats Fig. 125a on p. 201, a Gros-romain of Robert Granjon . This illustration, along with other corrections, are available from the Bibliographical Society's website - The Library, 12.2, June 2011, p. 178. Includes bibliographical references (p. 427-442) and index.Blue cloth, spine gilt. A fine copy. A survey of all Roman, Italic, Greek, Hebrew, and Arabic typefaces made in France during the sixteenth century, describing the evolution of type-casting and letter-engraving and the methodology used. Illustrated with facsimiles of 409 typefaces with detailed descriptions including their first appearance in books or type specimens.

Taschenbuch. Zustand: Neu. Neuware.

First Edition. Fine copy in the original gilt-blocked cloth. Remains particularly well-preserved overall; tight, bright, clean and strong. Series: Bibliographical Society publication ; 2010. Physical description: 471 p. : ill., facsims. ; 30 cm. Bibliography: p. 427-442. Subjects: Type and type-founding - France - History - 16th century. Type designers - France ; Biography. Printing - History - France. 4 Kg.

Zustand: Sehr gut. 688; 481; 204, 243 S., 4°, Pappband, mit der in den Schriftmustern verwendete Text stammt von Jan Tschichold. Sprache(n)/language(s): deEinband der Bde. 1-3 leicht bestossen und berieben, sonst sehr gut.

3 Bände. 4°. (12) 688 S.; (10) 481 S.; (8) 204 S. Orig.-Pappbände. Der in den Schriftmustern verwendete Text stammt von Jan Tschichold. - Das Filmmaterial stammt aus dem Hause 3M (Schweiz) AG. Ohne den Indexband. - Einbände etwas berieben und bestossen. + Wichtig: Für unsere Kunden in der EU erfolgt der Versand alle 14 Tage verzollt ab Deutschland / Postbank-Konto in Deutschland vorhanden +.

First Edition. Facsimiles 4to Fine copy (issued without dust-wrapper).

688 und 481 Seiten. 2 von 3 Bänden. Nur geringfügigste Gebrauchsspuren, ansonsten in einem wirklich guten Zustand.Der in den Schriftmustern verwendete Text stammt von Jan Tschichold. - Das Filmmaterial stammt aus dem Hause 3M (Schweiz) AG. Versandkosten können wegen der Größe oder des Gewichts insbesondere ins Ausland, höher ausfallen! M1/31/2 Sprache: Deutsch Gewicht in Gramm: 3940.