recent work von auerbach frank (14 Ergebnisse)

30 x 24,5 cm. Zustand: Gut. 40 Pages ; Permanent with Illustrations Original Paperback in very good condition, inside and outside. In English. Please note our pictures PG-0112 Sprache: Englisch Gewicht in Gramm: 260.

Soft cover. Zustand: Very Good. 1st Edition. 39 pages : illustrations (1 colour), portrait ; 30 cm. ephemera loosely inserted.

First Edition. Softcover. First Edition. Text in Dutch. Published in conjunction with an exhibition held from September 30 through December 10, 1989, at the Rijksmuseum Vincent van Gogh in Amsterdam. Near Fine in perfect-bound wrappers.

First Edition. Softcover. First Edition. Published in conjunction with an exhibition held from September through October of 1990 at the Marlborough Gallery in London. Near Fine in perfect-bound wrappers.

Paperback. Zustand: Very Good.

Zustand: Good. 4to. 38 pp. Very Good. Soft Cover. Printed, illustrated wraps. Minor stains and toning on cover. Color and B&W plates throughout. From the Collection of the Art Historian Peter Selz.

Zustand: Good. 4to. [39 pp.]. Very Good. Soft Cover. Printed paper wraps. Color and B&W plates throughout. From the Collection of the Art Historian Peter Selz.

SOFTCOVER. Zustand: FINE. 1st Edition. Tall 4to. in illustrated stiff card covers, grey end-papers plus 39pp, mainly b/w plates on thick glossy art paper . [CONDITION: A well preserved FINE very clean and tight unmarked copy (covers a little tanned) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

AK Marlborough Fine Art, London 1974. 4°. 38 S. OBr. Verz. 33 Arbeiten, alle abgeb.

SOFTCOVER. Zustand: FINE. 1st Edition. Tall 4to. in illustrated stiff card covers, grey end-papers, 39pp on thick art paper, b/w plates etc . [CONDITION: A well preserved FINE clean and tight unmarked copy (rear cover slightly tanned) ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Zustand: Good. [Exhibition catalogue]. 4to. [28 pp.]. Soft white and color illustrated wraps. As new. Color plates and black and white plates. Black and white photographic frontis. Printed vellum front endpaper. Includes an introduction by Paul LeBaron Thiebaud and a foreword by Richard Wollheim. Includes exhibition checklist, artist C.V. and selected bibliography. Catalogue created for the exhibition "Frank Auerbach: Recent Work" at Campbell-Thiebaud Gallery in San Francisco, CA from November 14 through December 16, 1995. Scarce.From the Collection of the Art Historian Peter Selz.

Brossura. Zustand: Molto buono (Very Good). Catalogo di mostra, Marlborough Gallery, Londra aprile - maggio 1974. Con 27 tavole in bianco e nero e a colori. Catalogo delle 34 opere esposte e attività espositiva . 4to. pp. 38. . Molto buono (Very Good). . . . Book.

SOFTCOVER. Zustand: Fine. 1st Edition. Tall 4to. in illustrated stiff card covers, 38pp on stiff art paper, plates in colour and b/w, etc . [CONDITION: A well preserved FINE very clean and tight unmarked copy (hint of tanning to covers). A nice copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

First printing. 39 pp., 8.25 x 11.5 inches. Perfect-bound in printed wrappers. Illustrated with thirty full-page black-&-white reproductions of paintings, plus color frontispiece. Inscribed and signed by the artist. Light rubbing to wrappers; otherwise fine. Painter Frank Auerbach - along with Francis Bacon, Lucian Freud, R. B. Kitaj, Leon Kossoff, Howard Hodgkin, and David Hockney, among others - is typically associated with what is sometimes known as the School of London, a loose grouping of artists, mostly working in London in the 1970s, who were concerned with figuration rather than the dominant trends of abstraction, and conceptual and minimalist art. The term was coined by Kitaj in the catalogue for the 1976 Hayward Gallery exhibition The Human Clay, which he had curated.Auerbach and Kitaj remained close friends until the latter's suicide in 2007. Auerbach was always less in the limelight than others such as Bacon (who first promoted Auerbach to Marlborough), Hockney, and Freud (who amassed one of the largest collections of Auerbach's paintings), but he was greatly admired by them all.An exceptional association copy, with a warm inscription from the artist to Kitaj and his wife, painter Sandra Fischer.