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Zustand: New. Continuing the explorations begun in the first Produsing Theory volume, this book provides a site at which varied theories - some still emerging - can intersect and shine a light into the spaces between what previously had been neatly separated and discrete components of media systems. Editor(s): Lind, Rebecca Ann. Series: Digital Formations. Num Pages: 299 pages. BIC Classification: CBP; GTC; JH. Category: (P) Professional & Vocational. Dimension: 152 x 225 x 19. Weight in Grams: 438. . 2015. New. paperback. . . . . Books ship from the US and Ireland.
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Continuing the explorations begun in the first Produsing Theory volume, this book provides a site at which varied theories - some still emerging - can intersect and shine a light into the spaces between what previously had been neatly separated and discrete components of media systems. In some settings, division by audience, content, and production settings remains useful, but this volume, like the first, is all about the interstices. Contributors reflect varied perspectives in their approaches to the spaces formed as a result of rapidly developing and swiftly deploying new communications technologies and social software. They shine multiple spotlights into the intersection of audiences and production, providing a guide toward a nuanced understanding of the interstitial spaces.
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Continuing the explorations begun in the first two Produsing Theory volumes, this book investigates some of the tensions generated in the spaces enabled by the confluence of the formerly disparate activities of producing and consuming media. Multiple and varied theories-some still emerging-are invoked in attempts to illuminate the spaces between what previously had been neatly-separated components of media systems. This book is useful in a number of courses such as media culture and theory, introduction to new media, the Internet and the audience, new media theory and research, mass communication theory, emerging media, critical analysis and new media, concepts of new media, new media participants, new media in a democratic society, critical studies in new media, new media and social media, digital media studies, participatory media, media audiences in a digital world, digital cultures and social media, Web culture and new media studies, introduction to new media, new media and society, and more.
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Taschenbuch. Zustand: Neu. Produsing Theory in a Digital World 2.0 | The Intersection of Audiences and Production in Contemporary Theory - Volume 2 | Rebecca Ann Lind | Taschenbuch | Kartoniert / Broschiert | Englisch | 2015 | Peter Lang | EAN 9781433127281 | Verantwortliche Person für die EU: Zeitfracht Medien GmbH, Ferdinand-Jühlke-Str. 7, 99095 Erfurt, produktsicherheit[at]zeitfracht[dot]de | Anbieter: preigu.
Taschenbuch. Zustand: Neu. Produsing Theory in a Digital World 3.0 | The Intersection of Audiences and Production in Contemporary Theory - Volume 3 | Rebecca Ann Lind | Taschenbuch | 286 S. | Englisch | 2020 | Peter Lang | EAN 9781433153402 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.
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Verlag: Peter Lang Inc., International Academic Publishers, 2015
ISBN 10: 1433127296 ISBN 13: 9781433127298
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In den WarenkorbZustand: New. 2020. New. hardcover. . . . . . Books ship from the US and Ireland.
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Continuing the explorations begun in the first two Produsing Theory volumes, this book investigates some of the tensions generated in the spaces enabled by the confluence of the formerly disparate activities of producing and consuming media. Multiple and varied theories-some still emerging-are invoked in attempts to illuminate the spaces between what previously had been neatly-separated components of media systems. This book is useful in a number of courses such as media culture and theory, introduction to new media, the Internet and the audience, new media theory and research, mass communication theory, emerging media, critical analysis and new media, concepts of new media, new media participants, new media in a democratic society, critical studies in new media, new media and social media, digital media studies, participatory media, media audiences in a digital world, digital cultures and social media, Web culture and new media studies, introduction to new media, new media and society, and more.
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Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 308 | Sprache: Englisch | Produktart: Bücher | Continuing the explorations begun in the first Produsing Theory volume, this book provides a site at which varied theories ¿ some still emerging ¿ can intersect and shine a light into the spaces between what previously had been neatly separated and discrete components of media systems. In some settings, division by audience, content, and production settings remains useful, but this volume, like the first, is all about the interstices. Contributors reflect varied perspectives in their approaches to the spaces formed as a result of rapidly developing and swiftly deploying new communications technologies and social software. They shine multiple spotlights into the intersection of audiences and production, providing a guide toward a nuanced understanding of the interstitial spaces.
Sprache: Englisch
Verlag: Peter Lang Publishing Inc, 2015
ISBN 10: 1433127296 ISBN 13: 9781433127298
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In den WarenkorbZustand: New. pp. vii + 214.
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Continuing the explorations begun in the first Produsing Theory volume, this book provides a site at which varied theories - some still emerging - can intersect and shine a light into the spaces between what previously had been neatly separated and discrete components of media systems. In some settings, division by audience, content, and production settings remains useful, but this volume, like the first, is all about the interstices. Contributors reflect varied perspectives in their approaches to the spaces formed as a result of rapidly developing and swiftly deploying new communications technologies and social software. They shine multiple spotlights into the intersection of audiences and production, providing a guide toward a nuanced understanding of the interstitial spaces.