production sets (14 Ergebnisse)

Zustand: Good. Naam, plaats en datum op schutblad.

Softcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 2014. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2014. Ammareal gives back up to 15% of this item's net price to charity organizations.

Hardcover. 1639/1650, First Edition. Thin Quarto, 41 pages. In Very Good minus condition with a Good dust jacket. Dust jacket protected with a mylar covering. Spine pictorial beige and brown with black lettering. Exterior shows moderate wear including age toning and light soiling. "Autographed, Limited Edition Numbered and Signed" sticker to the front. Boards have very slight wear including sparse, minor white scuffs and cocking to the spine. Text block has very light wear including faint age toning to the edges. Pictorial end papers. Errata slip laid in. Frontispiece. Profusely Illustrated. First edition, first printing. Number 1639 of 1650 numbered and signed limited copies. Signed by the artist. NOTE: Shelved in Locked Annex, Quarto and Folio Case. Oversized book(s). Additional postage necessary for expedited/international orders. Economy International shipping unavailable due to size/weight restrictions. For international/expedited customers, please inquire about rates. 1399996. FP New Rockville Stock.

Paperback. Zustand: Brand New. 174 pages. 9.25x6.00x0.40 inches. In Stock.

Soft cover. Zustand: Very Good. A single sheet, folded to produce four-sides, Just a hint of spotting to the front sheet, else very good. [A light item, UK postage will be reduced].

Zustand: New. In.

Soft cover. Zustand: Very Good. Edward Gorey (illustrator). First Edition. 20pp. Black pictorial spiral bound wraps. Drawings of the sets and costumes of his Tony Award winning designs for the Broadway production of Dracula. The spiral binding is firm, only mnor wear on the last hole of the binding, and a minor crease on the back cover.The text and illustrations are bright. A very nice copy. Size: 10" X 15" Folio. Book.

Zustand: New.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it.

Oln. m. OU. 8°, XIII, 216 S., mit zahlr. Abb., (= Communication Arts Books) - Umschlag stärker lädiert, Stempel auf Vorsatz, sonst guter Zustand.

softcover. Zustand: Fine copy. Illus. by Edward Gorey (illustrator). 1st. Folio, Signed by the artist on the title page with the printed name crossed-out as usual.

First Edition. First edition. SIGNED BY GOREY on title page beneath his lined-through printed name. Includes instructions for stage assembly; characters, cast and scene lists, and brief synopsis of the action which include helpful explanations such as, "Lucy is the victim of a vampire (a ghost or reanimated body that sucks the blood of the living)." In 1978, Gorey won a Tony Award for Best Costume Design and received a nomination for Best Scenic Design for his work on the 1977 Broadway revival of Dracula, on which this book is based. Folio spiral bound stiff card covers; 20 pages printed on rectos only. Light edge rubbing and rear corners nicked, otherwise near fine. Signed.

Unbound. Zustand: Very Good. Archive. Includes Long Galleys, a printed typescript, correspondence, and related material. Modest wear from use, very good or better overall. A significant collection relating to the translation of Brazilian author Graciliano Ramos's first autobiography, *Infancia*, into English, including a heavily edited printed typescript, three long galleys, over 20 pieces of correspondence, and other material. The project seems to have begun in June, 1976, when University of South Carolina professor Ashley Brown wrote to London publisher Peter Owenwho had recently published Ramos's *São Bernardo*about the possibility of publishing the first of Ramos's autobiographies in English. (This letter is present in the collection.) Brown had begun the translation with her adopted son, Celso de Oliveira, but ultimately ceded it to him; she appears here as co-proofreader and also author of the book's introduction. She notes in this first letter that she had left the manuscript with her friend, the author Hilary Spurling; it eventually made it to Dan Franklin, editor for Peter Owen, and the book was published as *Childhood* in 1979. Present here are: - Heavily edited "Revised Typescript," which appears to have been made from a photocopy of the typescript. - Three sets of Long Galleys with manuscript edits. - Inaugural 1976 Typed Letter Signed from Brown to Peter Owen, laying out her case for the publication of *Childhood* in English. - 10 Signed Carbon Copies of Letters and one Autograph Letter Signed from Ashley Brown to editor Dan Franklin, concerning the process, funding, purchasing copies, etc. - Nine Carbon Copies of Letters from Franklin to Brown on similar subjects (N. B. Several are stapled to carbons from Brown to Franklin.) In one disheartening letter, Franklin informs Brown that he will be unable to print the book with Portuguese "tildes" because the printer cannot get ahold of the type in time: "believe me both I and the printer and I are infuriated and disgusted ." - A nine-page printed document titled "Queries for the Translator" and nine pages of printed corresponding corrections. In a May 20, 1978 letter, Brown writes to Franklin, presumably regarding these documents: "Celso de Oleveira and I have now finished with the list of queries that you sent we argued out every one of them, and in some cases we did some research." - One-page fax or Carbon Copy of a TLS from Jorge Amado offering a blurb for the book: "Graciliano Ramos is is [sic] the greatest among all modern South American novelists. 'Infancia' is one of his masterpieces." Amado writes: "I hope that this hard and beautiful book will please your readers." [with] A 1978 memo from Peter Owen to Dan Franklin that begins "We have a super quote from Jorge Amado for Ramos' CHILDHOOD." - Several other pieces of related correspondence, including carbons of two letters for Peter Owen to the Brazilian Embassy regarding possible assistance in funding. - Several pages of layout sketches, and three pages of "Trimmed Specimen Pages" from the galley printers. An expansive and engaging archive, documenting the translation of Ramos's autobiography of his childhood into English.