principes clavecin (35 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Couverture rigide. Zustand: Comme neuf. Petit in-12. (15 x 22 cm). 5f, 92 pages. Plus 20 planches (pages) de musique. Réimpression de l'édition de Berlin, 1756. Reliure de l'éditeur plein skivertex.

Couverture rigide. Zustand: Bon. Oblong 4°. (30 x 22 cm). VIII, 68 pages - 3f, 64 pages. Reliure de l'éditeur plein skivertex. Petite réparation sur le dos.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In.

Zustand: New. In.

In-8 - br. Reprint de l'éd. de Berlin, 1756. 92 pp., (3) ff., (20) pl. de musique notée.

Zustand: New. In.

Zustand: New. KlappentextrnrnWORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, prov.

Taschenbuch. Zustand: Neu. Neuware.

Taschenbuch. Zustand: Neu. Neuware - WORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, providing the opportunity to access old and often rare books from the BnF's heritage funds.

Buch. Zustand: Neu. Neuware.

Zustand: New.

Zustand: Sehr gut. Zustand: Sehr gut | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Zustand: Gut. 22 x 14 cm. XXVIII Seiten, 2 Bll., 192 Seiten, mit zahlreichen Notenbeispielen und einer gefalteten Notentafel. **Eitner VIII, 339. Wolffheim I, 984. - Neben Rameau war Roussier /1716/17-1792) einer der bedeutendsten Musiktheoretiker seiner Zeit, obgleich sein Werk deutlich unter Rameaus Einfluss geschrieben wurde. - Buchblock unbeschnitten. Seiten im hinteren Bereich leicht fleckig. Ansonsten innen sauber und gut erhalten. Sprache: Französisch Gewicht in Gramm: 400 Broschur der Zeit mit handschr. Rückenschild, in Pergamin-Schutzumschlag.

Quarto. Modern quarter mid-tan tree calf with marbled boards, spine in gilt-ruled compartments with titling gilt, ribbon marker, patterned endpapers. 1f. (recto half-title, verso blank), 1f. (recto title with publisher's decorative device, verso blank), v-viii ("L'Editeur"), 362 pp. + 1f. (recto "Approbation" and "Privilege," verso blank). With exceptionally attractive decorative woodcut tailpieces, some signed "Huault" or "H", and numerous typeset musical examples throughout. Uniform light browning. Le Duc overpaste to Bluet imprint to title, as in other copies: "Chez Le Duc, au Magasin de Musique et d'Instruments . Rue neuve des petits Champs No. 1286, vis à vis la Trésorerie Près la Rue Vivienne." A very good, wide-margined copy overall, with a preface by Diderot. First Edition. Cortot p. 18. Gregory-Bartlett p. 28. Hirsch I, 56. Wolffheim I, 497. RISM Écrits p. 132. Bemetzrieder was a noted French theorist and teacher. "His first work, Leçons de clavecin, et principes d'harmonie, was a tremendously successful dialogue-form treatise, which was edited and endorsed by Diderot. He continued publishing pedagogical works in French until he left Paris in 1781, moving to London, where he taught music and expanded, re-edited and translated his earlier works. He also wrote on music education, mathematics, philosophy and ethics." Cynthia M. Gessele, and Jean Gribenski in Grove Music Online. Signed.

Oblong folio. Nineteenth-century quarter maroon cloth with marbled boards, titling gilt to spine. 1f. (recto title within highly decorative border incorporating figures playing musical instruments, verso blank), 1f. (recto dedication to the Duke of Noailles, verso blank), 1-4 (preface), 5 ("Explication de quelques termes ou signes employez dans cet Ouvrage"), 6 (Echèle que rèprèsente les douxe Demi-tons & l'Octave .") + 23 tables printed on 69ff. + 18 pp. music commencing on the verso of the final table, [i] (blank), [i] ("Liste des Accords renfermez dans les vint et une Tables," [i] (blank) pp. Each of the 23 tables consist of 3 leaves printed on rectos only, foliated I-XXIII on the first leaf of each set of three. The 18 pp. of music consists of two songs per page with systems of two staves, texted melody in G clef, and figured bass, notated on eight staves per page. With an inscription to blank lower inner corner of title: "Pour Monsieur L . de R . day." Early manuscript corrections and annotations throughout, mostly in ink, occasionally in pencil, including changes (i.e., modernizations) to some terms: "finale" (1st degree) has been corrected to "tonique;" "sufinale" (major 2nd degree) to "sutonique;" "sous-finale" (major 7th degree) to "note sensible." Provenance With a highly distinguished provenance including the collections of Jean-Baptiste Weckerlin, Werner Wolffheim, and André Meyer: small label ("Wekerlin[!]") and "N. 578" in pencil to front pastedown; small (38 x 110 mm) card in German crediting "Aussteller: Dr. Wolffheim" laid in; and handstamp "Provenant de la collection musicale d'André Meyer Décéde en Mai 1974 F. Meyer Octobre 84" to verso of final leaf, with note in pencil in French to verso of rear flyleaf stating that the present volume came from Meyer's collection. Binding slightly worn, rubbed, and bumped; endpapers browned. Slightly worn, browned, and soiled; some lower outer corners slightly creased; occasional dampstaining, including to title; occasional small holes (first leaf of tables I and VIII, etc., from erasures to manuscript annotations; inscription to title crossed out and mostly illegible; dedication leaf trimmed at lower margin affecting lower portion of composer's name. First Edition. Not in Gregory Bartlett or Hirsch. Lescat, 196a. Weckerlin, 422 (the present copy). Wolffheim I, 578 (the present copy). Cortot, p. 57. RISM BVI 1, p. 250 (two copies only in the U.S., at the Library of Congress and the Newberry). "After Couperin and Rameau, [Jean-François Dandrieu] was the most celebrated harpsichord composer of the 18th century. . The multiple printings and editions of his works, which continued long after his death, are proof of the celebrity this music enjoyed in the 18th century. . His Principes de l'accompagnement was no less successful, and its approach was apparently considered useful enough to merit a thorough updating according to Rameau's advances by an unknown hand as late as 1777." David Fuller in Grove Music Online This volume was successively part of three of the largest and most famous private music libraries of all time. Prior to 1910, it was in the collection of Jean-Baptiste Weckerlin (1821-1910), director of the library of the Paris Conservatoire. When Weckerlin's library was auctioned in March of 1910, only two months before his death, Werner Wolffheim (1877-1930) purchased a large share of it, including the present item. Wolffheim's collection was then auctioned in 1927, at which time André Meyer (1884-1974) purchased it and brought it back to Paris. The Meyer collection was dispersed after its owner's death.

Gebunden. Zustand: New.

Pas de couverture. Zustand: bon. R110032376: 24 AVR 1886. In-4. En feuillets. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Paginé de 513 à 544. Lecture en colonnes. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

8vo. hardback rebound in 18th century style tan calf with raised bands, red title label, gilt to spine and marbled boards. New endpapers. LACKING TITLE PAGE BUT WITH OLD HAND-WRITTEN TITLE PAGE BOUND-IN. TEXT IN FRENCH. xxxii, 192pp. with large folding Table and engraved musical examples bound-in as called for. Old ink inscriptions to blanks at end and small modern bookplate to front pastedown. All edges ragged and untrimmed. Occasional light foxing. A Good+ Copy. (Shelf 4) PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.

Encuadernación de tapa dura. Zustand: Muy bien. In-8º. (3), xxxii, 192, pp, unsophisticated copy in original cartonné, 2 engraved plates of musical examples, 1 engraved folding table. ("Music Chord Card") and 1 impr. ("Accompanying method". Cortot, p. 173. Gregory, p. 238.

Zustand: Gut. 20,5 x 13 cm. XXVIII Seiten, 2 Bll., 192 Seiten, mit zahlreichen Notenbeispielen und einer gefalteten Notentafel. *Eitner VIII, 339. Wolffheim I, 984. - Neben Rameau war Roussier /1716/17-1792) einer der bedeutendsten Musiktheoretiker seiner Zeit, obgleich sein Werk deutlich unter Rameaus Einfluss geschrieben wurde. - Beigebunden: Pierre-Joseph Roussier, Observations sur differents points d'Harmonie, Genève et se trouve a Paris, chez d'Houry, 1765; 4 Bll., 170 + 79 Seiten, mit einer Falttafel. - Einband etwas bestoßen. Im vorderen Innendeckel der zeitgenössische Aufkleber eines Buchhändlers in Nîmes: "A Nismes, Chez Buchet". Besitzstempel eines Marianisten- oder Maristenpatres-Klosters auf dem Titelblatt. Einzelne Seiten etwas braunfleckig. Ansonsten sauber und gut erhalten. Sprache: Französisch Gewicht in Gramm: 400 Lederband der Zeit mit Rückenschild und Rückenvergoldung.

Hardcover. Zustand: Gut. 1. Auflage. XXXII, 192 S. (davon 1 Bl. auf altem Papier faksimiliert), 3 Notenkupfer (davon 1 gefaltet) und 1 gefaltete Tabelle (auf altem Papier faksimiliert). Zahlreiche Holzschnitt-Bordüren im Text. Titelblatt mit minimalen Läsuren (geringer Textverlust), erste Blatt wasserrandig, 2 Bl. mit Anmerkungen von alter Hand. Pappband im Stil der Zeit. Erstlingswerk eines des bedeutendsten Musiktheoretikers seiner Zeit in der Erstausgabe. - Angeregt durch Rameau, dessen Ausführungen er z. T. modifizierte, gelangte er zu Erkenntnissen in der Harmonik, die kurze Zeit später ihre praktische Anwendung auch in Mozarts Werk fanden. - RISM B VI , 739; Cortot 172; nicht bei Hirsch.

Couverture rigide. Zustand: Bon. Paris . Chez l'Autheur , Rue Ste Anne près St Roch , au bout de la Rue du Hasard . Sans Date . 1689 . Un volume in-4 oblong , 30 x 22,8 cm , en reliure contemporaine de l'époque , plein veau marbré , dos à nerfs orné de caissons . VIII , 128 pages . Ouvrage composé d'un Frontispice & d'un portrait d'ANGLEBERT , gravés par C. VERMEULEN , d'après Pierre MIGNARD , une page de titre , texte de la dédicace à la Princesse de CONTI , une préface , Une partition de Marques des Agréments , Privilège , suivi de 128 pages de partitions gravées . Pages 25 à 29 morceaux extraits d'oeuvres de LULLY , transcrits pour CLAVECIN par d'ANGLEBERT . Cuir vieilli , mors en partie fissurés mais reliure trés solide , texte & partitions en EXCELLENT ETAT .

Hermann, 1983, 416 p., cartonnage éditeur, environ 25x18cm, bon état. Edition critique et annotée présentée par Jean Mayer et Pierre Citron ; avec les soins de Jean Varloot.