Postmodernism china (30 Ergebnisse)

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Zustand: Near Fine. No Dust Jacket. 6 x 9 inches. 281 pages. See photo for Contents. Near fine condition.

Paperback. Zustand: Brand New. reprint edition. 235 pages. 8.75x6.00x0.75 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. In English.

Zustand: New.

23pp, Printed Card Cover, VGC.

Paper. Zustand: Very Good. Very good copy. Occassional pencil underlining (not extensive). 281pp. Book.

Zustand: As New. Unread book in perfect condition.

Soft cover. Zustand: As New. Unused copy.

Zustand: New. In English.

Zustand: New.

Zustand: As New. Unread book in perfect condition.

Paperback. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: New. This special issue seeks to examine the effect of postmodernism on Chinese intellectual and creative activity. Editor(s): Zhang, Xudong; Dirlik, Arif. Num Pages: 464 pages, 16 illustrations. BIC Classification: 1FPC; GTB; JFC. Category: (P) Professional & Vocational. Dimension: 235 x 150 x 30. Weight in Grams: 680. . 2000. Illustrated. Paperback. . . . . Books ship from the US and Ireland.…

Hardcover. Zustand: Good. Good hardback copy, front board very slightly bowed. Thin black markerpen line on bottom edge. 452pp Size: 8vo - over 7¾" - 9¾" tall. Book.

Taschenbuch. Zustand: Neu. Neuware - Citing China explores the role film plays in creating a common ground for the exchange of political and aesthetic ideas between China and the rest of the world. It does so by examining the depiction of China in contemporary film, looking at how global filmmakers 'cite' China on screen. Author Gina Marchetti's aim is not to point to how China continues to function as a metaphor or allusion that has little to do with the geopolitical actualities of contemporary China. Rather, she highlights China's position within global film culture, examining how cinematic quotations link current films to past political movements and unresolved social issues in a continuing multidirectional conversation.Marchetti covers a wide range of cinematic encounters across the China-West divide. She looks closely at specific movements in world film history and at key films that have influenced the way 'China' is depicted in global cinema today, from popular entertainment to international art cinema, the DV revolution, video activism, and the emergence of 'festival films.' Marchetti first considers contemporary Chinese-language cinema (Edward Yang, Hou Hsiao-Hsien); she then turns to Italian Neorealism and its importance to the Chinese Sixth Generation (Jia Zhangke) and the French New Wave's ripple effect on filmmakers associated with the Hong Kong New Wave and Taiwan New Cinema (Ann Hui, Evans Chan). As the People's Republic of China has gained increased global economic clout, filmmakers draw on Euro-American formulae (Bruce Lee, Clara Law) to attract new viewers and define cinematic pleasures for new audiences on the other side of the earth. The book concludes with a consideration of the role film festivals, women filmmakers, and emerging audiences play in the new world of global cinema.Citing China offers a framework for examining cinematic influence as a dynamic and multidirectional process. It is carefully researched, theoretically sophisticated, and animated by detailed and historically nuanced studies of individual films, making clear just how much a part of global film culture today's China is. The book makes important contributions to debates in transnational film studies, postmodern versus modernist aesthetics and politics, and Asian as well as European art cinema.…

Zustand: New.

Paperback. Zustand: Brand New. 464 pages. 9.50x6.00x1.25 inches. In Stock.

paperback. Zustand: New. In shrink wrap. Looks like an interesting title.

Zustand: New. Explores the role film plays in creating a common ground for the exchange of political and aesthetic ideas between China and the rest of the world. The book does so by examining the depiction of China in contemporary film, looking at how global filmmakers .

Paperback. Zustand: New. Few countries have been so transformed in recent decades as China. With a dynamically growing economy and a rapidly changing social structure, China challenges the West to understand the nature of its modernization. Using postmodernism as both a global frame of periodization and a way to break free from the rigid ideology of westernization as modernity, this volume's diverse group of contributors argues that the Chinese experience is crucial for understanding postmodernism. Collectively, these essays question the implications of specific phenomena, like literature, architecture, rock music, and film, in a postsocialist society. Some essays address China's complicity in-as well as its resistance to-the culture of global capitalism. Others evaluate the impact of efforts to redefine national culture in terms of enhanced freedoms and expressions of the imagination in everyday life. Still others discuss the general relaxation of political society in post-Mao China, the emergence of the market and its consumer mass culture, and the fashion and discourse of nostalgia. The contributors make a clear case for both the historical uniqueness of Chinese postmodernism and the need to understand its specificity in order to fully grasp the condition of postmodernity worldwide. Although the focus is on mainland China, the volume also includes important observations on social and cultural realities in Hong Kong and Taiwan, whose postmodernity has so far been confined-in both Chinese and English-speaking worlds-to their economic and consumer activities instead of their political and cultural dynamism.First published as a special issue of boundary 2, Postmodernism and China includes seven new essays. By juxtaposing postmodernism with postsocialism and by analyzing China as a producer and not merely a consumer of the culture of the postmodern, it will contribute to critical discourses on globalism, modernity, and political economics, as well as to cultural and Asian studies.Contributors. Evans Chan, Arif Dirlik, Dai Jinhua, Liu Kang, Anthony D. King, Jeroen de Kloet, Abidin Kusno, Wendy Larson, Chaoyang Liao, Ping-hui Liao, Sebastian Hsien-hao Liao, Sheldon Hsiao-peng Lu, Wang Ning, Xiaobing Tang, Xiaoying Wang, Chen Xiaoming, Xiaobin Yang, Zhang Yiwu, Xudong Zhang.…

Zustand: New.

Hardcover. Zustand: Brand New. 248 pages. 9.00x6.00x0.75 inches. In Stock.

Hardcover. Zustand: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Zustand: New.

Zustand: New.

paperback. Zustand: New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Deconstruction and Construction - Postmodernism and China's 1990s novelFour Satisfaction guaranteed,or money back.

Soft cover. Zustand: New. Language:Chinese.Author:JIANG LA SHENG.Binding:Soft cover.Publisher:China Social Sciences Press; 1 edition (June 1. 20.