Postcolonial narrative work mourning von durrant sam (10 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

hardcover. Zustand: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Paperback. Zustand: Brand New. 142 pages. 8.25x5.50x0.50 inches. In Stock.

Zustand: New. 2006. Annotated. paperback. . . . . . Books ship from the US and Ireland.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorSam Durrant is Lecturer of English at the University of Leeds.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. &Uumlber den AutorSam Durrant is Lecturer of English at the University of Leeds.KlappentextrnrnSam Durrant s powerfully original book compares the ways in which the novels of J. M. Coetzee, Wilson Harris, and .

Buch. Zustand: Neu. Neuware - A cross-cultural analysis of the work of Coetzee, Harris and Morrison, demonstrating that the fundamental task of postcolonial narrative is the work of mourning.Sam Durrant's powerfully original book compares the ways in which the novels of J. M. Coetzee, Wilson Harris, and Toni Morrison memorialize the traumatic histories of racial oppression that continue to haunt our postcolonial era. The works examined bear witness to the colonization of the New World, U.S. slavery, and South African apartheid, histories founded on a violent denial of the humanity of the other that had traumatic consequences for both perpetrators and victims. Working at the borders of psychoanalysis and deconstruction, and drawing inspiration from recent work on the Holocaust, Durrant rethinks Freud's opposition between mourning and melancholia at the level of the collective and rearticulates the postcolonial project as an inconsolable labor of remembrance. …