Placing poetry (11 Ergebnisse)

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Taschenbuch. Zustand: Neu. Placing poetry within vocabulary teaching | Aurore Iglesias | Taschenbuch | Englisch | 2023 | Our Knowledge Publishing | EAN 9786205900963 | Verantwortliche Person für die EU: SIA OmniScriptum Publishing, Brivibas Gatve 197, 1039 RIGA, LETTLAND, customerservice[at]vdm-vsg[dot]de | Anbieter: preigu. …

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Buch. Zustand: Neu. Neuware - Placing Elysium in Renaissance Britain: Poetry, Politics, Theology, Eros is the first study of Elysium as a place in English Renaissance culture. The absence of such a study in the fields of literature and geography is surprising: from its captivating origin in the oceanic margins of Homer's Odyssey to its presence in the Eden of Milton's Paradise Lost, Elysium is a destination to be desired: it is the land of the blessed. As such, Elysium becomes a geographical site for an author's most valued space. In Britannia, Camden provides leadership for this project by citing Plutarch as locating the blessed place in Britain. Following Camden, Spenser centralizes the idea of Britain as Elysium. Subsequently, English authors make the Elysian place the site of a liberating sublimity as the height of artistic renown. This authorial template becomes the site for literary inflections in the realms of politics, theology, and eros. However, Kyd and Marlowe darken the Spenserian project, recalling Virgil's geographical positioning of Elysium next to Hell. In turn, Drayton, Chapman, and Marston champion the Spenserian idea of Britain as Elysium. As this conversation suggests, English authors make Elysium the central place of the 'Renaissance' period concept, and they do so in the nation-building genre of epic. In The Muses Elizium, Drayton crowns the Spenserian tradition by making the blessed place the monomyth of national poetry. At the centre of the monomyth is the cherished ideal of Renaissance culture: the Elysian capacity of the human to become divine.…

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Taschenbuch. Zustand: Neu. Neuware - The essays in this volume present a thorough re-evaluation of the idea of place for the twenty-first century, linking across theoretical interests in space and spatialisation and in motion and mobility. 'Placing' becomes an active process that happens in different parts of the world, and there is work here from the countries of the United Kingdom, from Ireland, the USA, Australia and mainland Europe. Placing also happens in different contexts, in the production of visual images, in translation, in performance and in poetry that is both 'there' and 'here'. The range of poets under consideration matches the breadth of the range of the contributors. International in scope, and drawn from a variety of practices and processes, their combination in a single volume leads to unusual connections and new readings of their work.…