Photography humanities (22 Ergebnisse)

Paperback. Zustand: Very Good. Fifth Printing. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

paperback. Zustand: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Zustand: Very Good. 4. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Zustand: Very Good. 4. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: New.

Paperback. Zustand: Brand New. 391 pages. 9.50x6.75x1.00 inches. In Stock.

Zustand: New. In English.

Hardcover. Zustand: Very Good.

Zustand: Very Good. Austin, TX: Harry Ransom Humanities Research Center - The University of Texas at Austin, 1994. First Edition. Large octavo. 411 pp. + publisher's advertisements. Black and white photographs. Illustrated wraps. Light wear and curling to edges of wraps with some general smudging. Binding sound and pages unmarked. Very Good. …

Paperback. Zustand: Brand New. 220 pages. 9.68x6.87x0.51 inches. In Stock.

Hardcover. First Edition. Quarto, 157 pages. In Very Good condition. Bound in publisher's tan cloth with light blue-silver lettering to spine. Mild general shelf wear. Spine slightly cocked. Inscribed by Janis and signed by MacNeil on title page. Shelved in Photo History. 1416922. Shelved Dupont Bookstore. Signed.…

Zustand: New. 2024. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Zustand: Neu. Neuware - This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities. It operates on the assumption that when photography was introduced, it did not oust other methods of image production but rather became part of ever more specialized and sophisticated technologies of representation. The epistemological break commonly set with the advent of photography since the nineteenth century has probably been triggered by photographic techniques but certainly owes much to the availability of a plethora of hybrid media-media that influence the relation of sciences, humanities, and their methods and subjects. This book will be of interest to scholars in art and visual culture, photography, and history of photography.…

Zustand: New. In English.

Zustand: New. In English.

Taschenbuch. Zustand: Neu. Hybrid Photography | Intermedial Practices in Science and Humanities | Friedrich Tietjen (u. a.) | Taschenbuch | Routledge History of Photography | Einband - flex.(Paperback) | Englisch | 2024 | Taylor & Francis Ltd | EAN 9780367744441 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

157 S. Oln 4°. During the month of April 1975, Wellesley College hosted several photographers in a series of ten symposia called ' Photography within the Humanities' (Internetquelle )- KMEX Fotografie.

30 x 22 cm 157 pp with b&w illustrations throughout. Cloth, lightly worn on cover o.w. very good.

Zustand: New.

Zustand: New.

Zustand: New. Sara Hillnhuetter is a research associate in the LOEWE cluster Architectures of Order at the Goethe University Frankfurt.Stefanie Klamm is a research associate at Gotha Research Centre, University of Erfurt.Friedrich Tietjen works as a re.

Buch. Zustand: Neu. Neuware - This book explores the territories where manual, graphic, photographic, and digital techniques interfere and interlace in sciences and humanities. It operates on the assumption that when photography was introduced, it did not oust other methods of image production but rather became part of ever more specialized and sophisticated technologies of representation. The epistemological break commonly set with the advent of photography since the nineteenth century has probably been triggered by photographic techniques but certainly owes much to the availability of a plethora of hybrid media-media that influence the relation of sciences, humanities, and their methods and subjects. This book will be of interest to scholars in art and visual culture, photography, and history of photography.…