photographie origines progrès transformations von blanquart evrard (7 Ergebnisse)

Zustand: New. KlappentextrnrnWORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, prov.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - WORK IS IN FRENCH This book is a reproduction of a work published before 1920 and is part of a collection of books reprinted and edited by Hachette Livre, in the framework of a partnership with the National Library of France, providing the opportunity to access old and often rare books from the BnF's heritage funds.

Taschenbuch. Zustand: Neu. La Photographie, Ses Origines, Ses Progrès, Ses Transformations (Éd.1869) | Louis-Désiré Blanquart-Evrard | Taschenbuch | Kartoniert / Broschiert | Französisch | 2012 | Hachette Livre - BNF | EAN 9782012683075 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Taschenbuch. Zustand: Neu. La Photographie, Ses Origines, Ses Progrès, Ses Transformations | Louis-Désiré Blanquart-Evrard | Taschenbuch | Kartoniert / Broschiert | Französisch | 2017 | Hachette Livre - BNF | EAN 9782019716257 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

In-4 (306 x 230 mm), (4)-61-(1 bl.) pp., 14 planches de procédés de reproduction de photographies. Reliure d'époque demi-percaline, rousseurs. Rare et important ouvrage sur l'histoire de la photographie. Le 21 mai 1869 Blanquart-Evrard, lors d'une séance de la Société impériale des sciences, de l'agriculture et des arts de Lille, donna une conférence sur l'histoire de la photographie. "Son intervention comporte trois éléments essentiels qui sont : la réhabilitation de Nicéphore Niepce face à la gloire excessive de Daguerre ; la propre réhabilitation du conférencier malmené par W. H. F. Talbot ; et surtout un historique précis du développement des procédés de la photogravure." Publiée d'abord dans les Mémoires de la société, avec plusieurs illustrations, elle fut réimprimée en 1869 et 1870. Pour les illustrations, Blanquart-Evrard avait sollicité les différents inventeurs et obtenu d'eux des tirages de leurs anciennes photographies, des pierres lithographiques, des cuivres.et avait puisé dans ses propres archives, ainsi tous les exemplaires connus des Mémoires de Lille et des "tirés à part" de 1869 et 1870 sont différents. (Isabelle Jammes, Blanquart-Evrard et les origines de l'édition photographique française.)Une photographie de Maxime Du Camp de 1852 extraite de l'ouvrage "Égypte, Nubie, Palestine et Syrie", une reproduction d'un bas-relief avec le procédé Poitevin, deux exemples de Photo-lithographie par Zurcher, deux tirages du Musée Goupil, une photogravure selon le procédé de H. Garnier, deux héliogravures de E. Baldus, reproduction d'un parchemin manuscrit, deux photogravures en relief procédé H. Garnier, une photographie au charbon de M. Ernest Edwards et un tirage d'A. Braun.

First edition. 4to., Original printed front wrapper, 2 blanks, half-title, title, 61 pp., 14 leaves of plates with tissue guards, rear printed wrapper. Newly bound in half navy morocco and marbled paper over boards, spine in 6 compartments with raised bands and gilt titling, rules and simple decorative devises. There are two rubbed spot on the spine. A fine and bright copy. Additionally, this copy is signed and inscribed by Blanquard-Evrard: "a M. Poitevin, hommage affectuer", making this an exceptional association copy. Louis Désire Blanquart-Évrard's 'Imprimerie Photographique' opened in 1851 in Loos-lès-Lille. This facility was the first of its kind in France, with his production higher than that of Talbot in England. Through his advances on the calotype process and the albumen print, he was an active publisher of books, albums and portfolios. However, his original estimate of the costs involved in operation fell well short, and by 1855 he closed his factory. A partnership with Thomas Sutton in Jersey began in September of 1855, and closed in 1857. LA PHOTOGRAPHIE, SES ORIGINES, SES PROGRÈS, SES TRANSFORMATIONS, is regarded as his enduring work, an accurate history of the first three decades of photography, illustrated with contemporary examples. "Seminal discussion of photomechanical printing and photographic illustration . the text of this treatise was the earliest to explore the importance that these new processes would eventually have in printing and publishing. Blanquart-Evrard clearly understood that the ink-based image would eventually completely replace the silver based print in publishing."--Hanson Collection catalog, p. 36. The original mounted plates include: Blanquard-Évrard's 1852 printing of a Maxime Du Camp photograph from Egypte, Nubie, Palestine et Syrie; photo-lithographs by Zurcher; a heliogravure by Baldus; carbon prints by Ernest Edwards and Alphonse Braun, et al. There are three different editions with this title; one is of a smaller format, and one was issued in 1870 for presentation and has additional plates. Most copies of this quarto edition of 1869 have fourteen plates. The presentation of this copy to Alphonse Louis Poitevin is significant; Poitevin is responsible for the basic principles of photolithography, carbon printing, and collotype printing. Exceedingly rare, with WorldCat locating only two copies of this editions: Rijkmuseum, and the Bibliotheque Nationale de France. Roosens and Salu No. 928.