phaedri aug liberti fabularum aesopiarum von phaedrus (21 Ergebnisse)

Zustand: Molto buono (Very Good). In 8vo (mm 203x162); pp. [62],  398, 258,  [72], [1] c. di tav. fuori testo. Frontespizio stampato in rosso e nero con marca xilografica (Motto: "Tuta sub aegide Pallas"). Antiporta calcografica, iniziali e fregi xilografici. L'ultima carta (Zz4) è quasi completamente staccata. Mezza pelle della prima metà dell'Ottocento. Piatti rivestiti con carta marmorizzata. Dorso con filetti e titolo in oro su tassello. Tagli marmorizzati. Ex libris al contropiatto anteriore: "Bibliothéque du Chàteau des Ormes". Leggermente sciolto. Book.

8vo (21x14 cm). Contemporary tree calf, spine nicely gilt in compartments, with morocco title-label; both covers surrounded by decorative borders and with gilt central piece: coats of arms of Novio Magum (Nijmegen). (Top spine damaged; first hinge broken and repaired with new endpapers (clumsy repaired). 62,(ii),398; (ii),258 and 72 pp. With engraved frontispiece-title (pasted on thick paper). Printed title printed in red and black, with woodcut vignette. - Contents: 1) 62 pp. "Praefatio'; 'Vita Phaedri à Joh. Scheffero'; 'De aetate Phaedri ex Vossio'; 'Catalogus Editionum Phaedri'; 'Phaedri Fabularum Inscriptiones'. 2) 398 pp. 'Phaedri Fabularum Aesopianum'. 3) (ii),258 pp. 'Marquardi Gudii Notae in Phaedrum' & Cunradi Rittershusii In Phaedri Fabulas Notae'. 4) 72 pp. Index I-III: 'Index in Phaedri Fabulas', 'Index Rerum', Index Auctorum'. - Schoolprize-binding, unfortunately first hinge damaged, but for the rest binding and interior (marginal small waterstain in 2 quires) in good condition. 900g.

Nice and well-printed Venice edition of the Phaedrus and additional fables, based on the Burman recension.Head of spine damaged.l Not in Bodemann; Schwabe/Barbier, 113-114. Half calf, ribbed spine gilt in compartments, lettered in gold, stamped ornamental paper over boards, red painted edges. With engraved frontispiece of Mercure addressing Aesop by P. Scataglia after Etienne Fessard and Louis Durand, title in an ornamental engraved frame with the illustration for the first fable (the wolf and the lamb) by the same artist, some woodcut typographical head- and tailpieces. Pages: [4], XXXII, 151 pp.

Third edition of the Burman recension of the 94 Fables of Phaedrus in Latin verses with Burman's commentary in two columns underneath The first edition appeared in Amsterdam, Wetstein, 1698 (see nr. 15), the second in 1727, Leiden by Luchtmans (see nr. 30). Our present third edition is for the most part a page-for-page reprint of the 1727 edition, printed by the same publisher. After his studies of Law and the classical languages in Utrecht, his native city, and Leiden, Petrus Burman the Elder (1668-1741) settled down to the practice of law, without, however, abandoning his classical studies. In 1696 he was nominated to the professorship of eloquence and history at the Utrecht University. To this chair was soon added that of Greek and politics. In 1714 he paid a short visit to Paris and ransacked the libraries. In the following year he was appointed successor to the celebrated Perizonius, who had held the chair of history, Greek language and eloquence at Leiden. In 1724 he became the 9th Librarian of Leiden University. His numerous editorial and critical works spread his fame as a scholar throughout Europe, his Phaedrus edition being the first. Burman was rather a compiler than a critic; his commentaries show immense learning and accuracy.Tear in title-page, browning and (water)staining at the beginning. Spine slightly damaged, corners bumped, binding edges rubbed.l Cf. Bodemann, 90.1-3 (1st, 2nd and 4th ed.); Fabula docet, 189-190, nr. 188; Landwehr, F152; Schwabe/Barbier, 93-94. Mottled calf over boards, ribbed spine gilt in compartments with red and green title labels lettered in gold, edges painted red. With the well-known engraved frontispiece after the original by Joseph Mulder and Tiedeman: Phaedrus is writing in the foreground, inspired by his Muse; on the 'stage' (background) is Aesop communicating with the animals (reduced to 166 x 100 mm.; cf. reprod. in Fabula docet, p. 190)); Title-page printed in red and black, with woodcut printer's device; some woodcut headpieces and initials. Pages: [64], 398, 258, [72] pp.

Hardcover. Zustand: poor. 4to. [28],160,[84],pp. Original calf. Engraved half-title, title page with engraved vignette. Rare 1701 edition of Phaedri Aug. liberti Fabularum Aesopiarum libri V (various fables) by Phaedrus (c. 15 BC - c. AD 50). Phaedrus was a Roman fabulist who is recognized as the first writer to Latinize entire books of fables, using the iambic metre Greek prose of the Aesop tales. Illustrated with 18 full-page and 38 in-text reproductions of copper-engravings by Jan van Vianen (1660-1703), illustrated decorative initials, as well as many head- and tailpieces. One fold-out engraving with a portrait of Joannes Gulielmus. Fold-out with three small closed tears on edges, six-inch tear expertly repaired affecting image, 1/4" x 7" strip on lower right edge of margin missing. Boards detached, almost all pages disbound but complete. Spine missing. Leaf following title-page expertly repaired. Heavy age wear, abrasions and staining on boards. Some age toning and sporadic foxing throughout. Plates in overall very good, otherwise book in poor condition. As is.

Enlarged fourth edition of the original edition of the Burman redaction of the Phaedrus fables in Latin (Amsterdam, 1698). Petrus Burman the Elder (1668-1741) became famous as a scholar throughout Europe due to his numerous editorial and critical works, with his Phaedrus edition being the first. As compiler, he is especially known for his learning and accuracy. Added are prefaces, commentaries and notes by Marqautus Gudius (1635-1686), Conradus Ritterhusius (1560-1613), Nicolaus Rigaltius (1577-1654), Isaacus Neveletus (added for the first time in this edition), Nicolaus Heinsius (1620-1681), Joannes Scheffer (1621-1679) and Johannes Ludivicus Praschius (1637-1690).With two different library stamps, one on the verso of the first free endpaper, the other on the title-page. Binding a little worn, especially around the edges and on the boards, corners bumped, some occasional stains on a few pages, otherwise in good condition.l Bodemann, 90.3; Fabula docet, 189-190, nr. 118; Landwehr, F154; Schwabe/Barbier, 108. Later half black morocco, blue marbled sides, title in gold on spine, marbled endpapers, marbled edges. With an engraved frontispiece, a woodcut printer's device on the title-page and some woodcut head- and tailpieces and initials. Pages: [60], 398, 258, [40] pp.

Between 1718 and 1742 at least seven unillustrated editions of David Van Hoogstraten's redaction of the Phaedrus fables in Latin verses were published in Amsterdam for use in the Latin Schools (Landwehr, F157-F162). This is the seventh. Apart from being a prolific Dutch and Neo-Latin poet, Van Hoogstraten (1658-1724) was an esteemed linguist and philologist who edited a number of classical authors. His annotated Latin Phaedrus edition of 1701 (see nr. 17) is considered his masterpiece.Some annotations in ink, some stains.l Landwehr, F162; not in Schwabe/Barbier. Title printed in red and black, with frontispiece (139 x 78 mm.) after Muller/Tiedeman, with the imprint: Amsterdam, D. Onder de Linden; engraved printer's device. Pages: [32], 151, [32] pp.

Two parts in one volume. Octavo. [62], 398; 258, [70] pp. Elaborate engraved frontispiece, woodcut title vignette, head & tail pieces, index. Title printed in red & black. Internally generally clean and tight, with offsetting to title. Later full red straight grain morocco single-ruled in gilt with gilt-stamped and lettered spine with solid single gilt roll to edges, foot of spine gilt-stamped: TRAJ: AD RHEN [publisher]: 1718, all edges gilt, marbled endsheets; somewhat rubbed. Bookplates of Thomas M. Lowndes and Henry Drury. Very good. With a fore-edge painting depicting a scene of HAWICK, ROXBURGHSHIRE, SCOTLAND, after an engraving by John Greig (fl. 1800-1843) from an original study by Luke Clennell (1781-1840). The fore-edge painting is based on an engraving found in Sir Walter Scott's, Border Antiquities of England and Scotland (Longman & Co., 1814-1817). This well-painted scene is likely of 20th century vintage. / The Dutch scholar Peter Burman was professor of the art of rhetoric and the history of Utrecht, and also of Greek philology. In 1715, he succeeded Perizonius, receiving the chair of history and the Greek language and the art of rhetoric at the Lyon-Batava Academy. Later he was librarian and director of the Lyon-Batava Academy. This is his commentary on Phaedrus, which was originally issued in 1698. PROVENANCE: Thomas M. Lowndes âÂÂ" Henry Drury [both pre-fore-edge] âÂÂ" Jack Bartfield Fine Books, New York âÂÂ" Randall J. Moskovitz, MD, Memphis, Tennessee.

Rebacked contemporary full calf preserving original boards with double and triple filleted gilt stamped borders, edges, central rectangular design and corners, edges speckled. , Text in Latin. Ex Typographia Franciscus Halma., Size : large quarto (278x217mm), Illustrated with one engraved portrait, a ful page illustrated half-title, 18 plates, 38 vignettes, including a red and black ink title with vignette; plus 9 engraved initials. , P: Folding portrait, illustrated title, bl., red and black ink title, bl., dedication (6), preface (6), vita phaedri (8), Judicia et Testimonia (5), Inscriptiones (3), bl., frontis, 1-160, index (84). A very good example of this fine illustrated work; text and plates are clean and crisp.

rigide. Zustand: Bon. 1 vol. in-8 reliure demi-chagrin brun, Excudebat Ambrosius Firminus Didot, Firminis Didot Fratres [ Ambroise Firmin Didot, Firmin Didot Frères ], Paris, 1830, 266 pp. Bon état (petite mouill. marginale en marge des premiers ff., bel état par ailleurs) pour cet exemplaire très agréablement relié. Langue: Latin.

Zustand: mäßig. 266 S., 24 cm, Ränder ungeschnitten, Einband fleckig, Rücken beschädigt, Rand mit Wasserfleck, Ecke geknickt, leicht stockfleckig, Inhalt gut erhalten. edidit Julius Berger de Xivrey. Sprache: Latin.

Zustand: Gut. Erstausgabe. 149 S., 8°, Halbpergament, Kl. 8°, mit gest. Vortitelseite von J. G. Seiller und gest. Vignette auf Titelseite, mit Vorwort, Index rerum, ausführlichen Anmerkungen in Fussnoten, Index im Anhang, Tiguri, apud Davidem Gessnerum. Einband berieben und bestossen, hschr. Titel auf Rücken, hschr. Einträge auf Vorsatz, Bindung leicht angeplatzt, mässig stockfleckig.

Kl. - 8°. 2 Bll., Frontispiz, 11 Bll., 156 S. 1 Bl., S. 157 - 218, S. 157 - 298 S. 1 Bl. Pgmt. d. Zt. Wappensupralibros. Einband fleckig. Innengelenke gebrochen. Schnitt fleckig. Name a. Vorsatz. Papier gewellt u. teils fleckig. 2 kolorierte Druckemarken. Paginierung beginnt doppelt mit S. 157, einmal Dispontinii Praefatio, sowie Dispontinii in Phaedrum Collectanea.

Amsterdam, Henricum Wetstenium, 1698. Frontispice. (LII) 462 (58) pp. Vellum. *text here and there slightly foxed, top frontboard spotted, old owner's name, spot verso frontcover and on endpaper, otherwise in good condition* Decorated boards.

8vo. 2 parts in 1: (LXII),398;258,(70 index) p., including frontispiece. Calf 21 cm (Ref: STCN 296744565; Schweiger 2,736; cf. Dibdin 2,280; cf. Moss 2,394; Graesse 5,253; Brunet 4,588; Ebert 16595) (Details: Back with 5 raised bands. Morocco letterpiece, once red, in the second compartment. Floral gilt ornaments in the other compartments. Marbled endpapers. Title in red & black. Woodcut ornament on the title. Frontispiece designed by P. Tiedeman and executed by J. Mulder, depicting Phaedrus with pen on paper while he listens to his Muse; in the background Aesopus surrounded by fable animals) (Condition: Back scuffed. Corners bumped) (Note: The Roman poet Phaedrus, 15 B.C. - ca. 50 A.D., occupies in the history of the fable a very important role. He was a slave of Thracian descent, and became a freedman (libertus) of the first Roman emperor Augustus. He composed 5 books (probably incomplete) of verse fables. His beast-tales are adaptions of the fables of the Greek poet and archfabulist Aesopus, or Aisopos (6th century B.C), and inventions of his own. Phaedrus prides himself to have elevated the fable into an independent genre of literature. Sometimes he satirizes contemporary conditions, and he is always fond of emphasizing the moral of the story. 'The presentation is, in general, animated and marked by a brevity of which Phaedrus is rightly proud, but which sometimes leads to obscurity'. (OCD 2nd ed. p. 809) Nevertheless, his style is clear, pure and simple, this in contrast to the swollen rhetoric of his time. He was widely read in the Middle Ages. During the 17th & 18th he was also very much en vogue. Schweiger lists hundreds of editions. Very popular among scholars and students were the Dutch 'Variorum editions' of Phaedrus. This kind of editions offered a 'textus receptus' which was widely accepted, and was accompanied with the commentary and the annotations of various specialists, taken, or excerpted from earlier useful, normative or renewing editions. Editions like these, 'cum notis Variorum', were useful, but never broke new ground. This 'Variorum edition' was produced by the leading scholar Petrus Burmannus, 1668-1741. He was professor of Latin at the University of Utrecht from 1696, and at Leiden from 1715. As an editor he was an industrious manufacturer of 'Variorum editions', confining himself to the Latin classics. He edited besides Phaedrus, Horace, Claudian, Ovid, Lucan, and the Poetae Latini Minores, Petronius, Quintilian, Suetonius. (Sandys 2 p. 343/5) Didbin and Moss do not mention this 'Variorum edition' of 1728. They mention only the Burmannus editions of 1698 and 1718. Schweiger had a sharper eye, for he observes about this edition of 1728: 'Bloss neuer Titel zur Ausgabe von 1718'. This 1728 edition is indeed exactly the same as the edition of 1718. We compared both editions, and must conclude that Luchtmans must have bought the unsold copies of the edition of 1718 from the publisher Scheurleer in The Hague, removed the original title, added only a new title-page dated 1728, and brought them to the market for the second time) (Collation: pi1, *8 (minus leaf *8), 2-3*8, 4*6, (5*)1; A-2B8 (minus blank leaf 2B8); a-v8, x4) (Photographs on request) 1100 gr.

8vo. 2 parts in 1: (LXII),398;258,(70 index) p., including frontispiece. Vellum 19.5 cm (Ref: STCN ppn 189725249; Schweiger 2,735; Dibdin 2,280; Moss 2,394; Graesse 5,253; Ebert 16595) (Details: 6 thongs laced through both joints. Borders of the boards tooled in blind with double fillet, and with gilt floral ornaments at the corners of blind tooled rectangles. Title in red & black. Printer's device on the title, which depicts a flying Hermes; with an appropriate motto: 'Voor konst en koopmanschap'. Frontispiece designed by P. Tiedeman and executed by J. Mulder, depicting Phaedrus with pen on paper while listening to his Muse; in the background Aesopus surrounded by fable animals) (Condition: Vellum soiled. Back spotted. All 4 ties gone. Front hinge cracking, but still strong. A few gatherings are slightly loosening. The paper of the frontispiece is yellowing) (Note: The Roman poet Phaedrus, 15 B.C. - ca. 50 A.D., occupies in the history of the fable a very important role. He was a slave of Thracian descent, and became a freedman (libertus) of the first Roman emperor Augustus. He composed 5 books (probably incomplete) of verse fables. His beast-tales are adaptions of the fables of the Greek poet and archfabulist Aesopus, or Aisopos (6th century B.C), and inventions of his own. Phaedrus prides himself to have elevated the fable into an independent genre of literature. Sometimes he satirizes contemporary conditions, and he is always fond of emphasizing the moral of the story. 'The presentation is, in general, animated and marked by a brevity of which Phaedrus is rightly proud, but which sometimes leads to obscurity' (OCD 2nd ed. p. 809). Nevertheless, his style is clear, pure and simple, this in contrast to the swollen rhetoric of his time. He was widely read in the Middle Ages. During the 17th & 18th he was also very much en vogue. Schweiger lists hundreds of editions. Very popular among scholars and students were the Dutch 'Variorum' editions of Phaedrus. This kind of editions offered a 'textus receptus' which was widely accepted, and was accompanied with the commentary and the annotations of various specialists, taken or excerpted from earlier useful, normative or renewing editions. Editions like these, 'cum notis Variorum', were useful, but never broke new ground. This 'Variorum edition' was produced by the leading scholar Petrus Burmannus, 1668-1741. He was professor of Latin at the University of Utrecht from 1696, and at Leiden from 1715. As an editor he was an industrious manufacturer of 'Variorum' Editions, confining himself to the Latin classics. He edited besides Phaedrus, Horace, Claudian, Ovid, Lucan, and the Poetae Latini Minores, Petronius, Quintilian, Suetonius. (Sandys 2 p. 343/5). Moss declares that this edition of Phaedrus by Burmannus 'is held in considerable estimation'. Moss's high opinion may be correct, and the motto on the title, 'for art and trade' may also speak of great expectations, nevertheless it was not the success the publisher Scheurleer hoped for. We compared this 1718 edition with copies of the edition of 1728, brought on the market by the wellknown Leyden based firm of Samuel Luchtmans, and must conclude that Luchtmans must have bought the remainder of unsold copies of the edition of 1718 from Scheurleer, removed the original title, and added only a new title-page dated 1728. The books are identical, except for the title-page) (Collation: pi1, *8 (minus leaf *8), 2*-3*8, 4*6, chi1; A- 2B8 (leaf 2B8 blank); a-v8, x4) (Photographs on request) 1100 gr.

Samuel Luchtmans & Sons, Leiden 1745. 8vo. Engraved titlepage. Printed titlepage in red and black and with woodcut device. (60)+398+258+(72) pages. Contemporary full vellum binding with gilt ornaments to the spine and boards, including the gilt coat-of-arms of the City of Amsterdam on front and back board. * Phaedrus [c. 15 B.C. -50 A.D.], a Greek slave in Rome, made fables in the style of Aesop. Lovely copy of the edition by Pieter Burman (1668-1741).

Edition containg 91 fables translated by Phaedrus, including the 34 of the appendix in the edition by J.F. Nilant (1709), here in the redaction of Petrus Burmannus. The fables are presented without the commentaries by Gudius, Rittershausius etc.With the bookplate of John Landwehr on the front paste-down. Binding a little bit stained and dust-soiled, otherwise in good condition.l Landwehr, F149; Schwabe/Barbier, 79. Contemporary vellum, red sprinkled edges. With an engraved frontispiece by D. Coster and a woodcut printer's device n the title-page. Pages: [14], 98, [82].

Edition by the apparently unknown Dutch scholar Nicolaus Dispontinus (Nicolaas Verbruggen?) of the Latin Phaedrus fables, who also added his Collectanea to the text (pp. 157-218) and some emendations by the Dutch classical scholar Jacobus Gronovius (1645-1716) and his father Johann Friedrich Gronovius.Binding a bit dust-soiled, with a stain on the back board, some stains on the paste-downs and endpapers, a small stain on the title-page, but otherwise in good condition.l Fabula docet 121; Landwehr, F167; Schwabe/Barbier, 71-72. Contemporary vellum, manuscript title on spine. With an engraved frontispiece showing Phaedrus and Aesop on the stage of a theatre filled with men with animal-heads, title in red and black, some woodcut tailpieces and initials. Pages: [24], 156, [2], 157-218, 157-298, [2] pp.

First edition of the important Burman redaction of Phaedrus's Latin verse translation of Aesop, together with the important commentaries and notes by (1) Marquatus Gudius (1635-1686), with four new fables discovered by him, published here for the first time. His correspondence (edited by Burman, 1697) is the most important authority for the events of Gude's life, besides containing valuable information on the learning of the times; (2) Conradus Ritterhusius (1560-1613), Professor of Law at Altdorf and editor of classical texts; (3) Nic. Rigaltius (1577-1654, a French classical scholar who prepared annotated editions of Martial, Juvenal and others, in addition to Phaedrus. He was librarian to Louis XIII; (4) The famous Dutch classical scholar Nicolaus Heinsius (1620-1681), son of Daniël Heinsius and one of the purest and most elegant of Latinists of the Dutch golden age; (5) Joannes Scheffer (1621-1679), one of Sweden's most important philologists; and (6) Johannes Ludivicus Praschius (1637-1690), a magistrate at Regensburg who had published his notes on Phaedrus in 1660. Burman was more compiler than critic, but his commentaries show immense learning and accuracy. With library stamp on title-page. One corner bumped.l Bodemann 90.1; Landwehr F146; Schwabe/Barbier, pp. 65-67; cf. Fabula docet 118 (pp. 189-190: 1727 ed.). With an engraved frontispiece by Joseph Muller after Tydeman, title page in red and black, woodcut title vignette and woodcut decorated initials. Pages: [56], 312, [56], 201-462, [58] pp.

Kl.-8°, Fronti. (, 8 Bl., 149 S., 1 Bl., OPerg. der Zeit, Notizen von alter Hand (Schülerschmierereien), 3 Bl. m Wurmfrass (ohne Textverlust), Phaedrus (um 20 v. Chr. bis um 51 n. Chr.), voller Name wohl: Gaius Iulius Phaedrus, römischer Fabeldichter in der Regierungszeit der Kaiser Augustus, Tiberius, Caligula und Claudius. Phaedrus literarisches Vorbild war der griechischen Fabelschreiber Äsop (um 600 v. Chr.) dessen Fabeln er aus dem griechischen ins lat. übertrug und erstmalig in Versform fasste. David Gessner (1647-1729), Sohn eines reichen zürcher Eisenhändlers, gründete 1670 die Buchdruckerei gleichen Namens. Frontispiz von Johann Georg Seiller, Kupferstecher, aus Schaffhausen (1663?1740). 1100 gr. Schlagworte: Alte Drucke - nach 1550, Altphilologie.