painters workshop von constable (17 Ergebnisse)

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Good. Reissue Edition. 5.5 X 0.5 X 8.75 inches; 148 pages; B&W illustrations. Light rubbing, fading, and creasing on the covers. Minor yellowing on pages. Good condition otherwise. No other noteworthy defects. No markings. ; Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be packaged with care and ship on the same or next business day. Buy with confidence.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Very Good. First Edition. Sturdy, attractive, tightly bound hardcover, clean, if toned, minimal rubbing to extremities. Bound simply in brown cloth over boards, gilt lettering to spine, head and foot bumped, else with a clean, bright interior. Bright and shiny dust jacket, illustrated, little worn, but price-clipped, protected by a plastic coat. The author tries to increase the layman's enjoyment of paintings by showing her the technical as well as the aesthetic means by which the artist right into the artist's workshop in terms of methods and materials, techniques and markets. xiii [1], 2-148 pp. + xxvii fine black-and-white plates.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Zustand: Good. 1954. No edition remarks. 148 pages. Pictorial dust jacket over brown cloth. Black and white illustration plates. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Unclipped jacket has light edge wear with minor tears, chipping and creasing.

hardcover. Zustand: very good. Illustrated with 24 plates. Small 4to, cloth, d.w. London: Oxford University Press, 1954. Very good.

Zustand: Good. 1954. No Edition Stated. 148 pages. Red & illustrated dust jacket with white lettering over brown cloth. B&W illustrations throughout. Clean pages. Notable foxing and tanning to endpapers and page edges. Previous owner's name to front endpaper. Mild wear and bumping to spine, board edges and corners, with sunning to spine and board edges. Clipped dust jacket. Moderate wear, tear and loss to edges and corners. Notable tanning to spine and edges, with soiling to DJ.

1st edition. Burgundy cloth with gilt titles on spine; front hinge split and neatly repaired; dust jacket price clipped. Used - Good. Good hardback in Good dust jacket.

First Edition. Review copy. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper. Boards slightly discoloured in patches. Notes in pencil to the rear dust-flap. Remains well-preserved overall. Physical description; frontispiece, xiii, 148 p., xxiv p. plates ; 25 cm. Notes; Includes index. Bibliography: p. 137-139. Subjects; Painting Technique. 1 Kg.

Cloth. Zustand: Good. Zustand des Schutzumschlags: Good. 148 pages and 24 full-page plates in black and white. Maroon cloth, gilt titles to spine, pictorial dust-jacket. A little damp-staining to covers, disguised by dust-jacket which is a little edge-worn. Rear endpaper has corner torn but missing portion tipped in. Takes the reader into the painter's studio and discusses the ways and means used in the several periods of art history from the Middle Ages.

Hardover. Zustand: Good. Zustand des Schutzumschlags: Good. Constable, W.G. The Painter's Workshop. Oxford University Press. London, 1954. Hardcover. 8vo. Burgundy cloth. xiv, 148 pp. 24 b/w plates. Burgundy cloth has some wear to the bottom edge. Staining to ffep., pencil notations on front endpaper, modern bookplate on front pastedown. Some loss to dustjacket at the top of spine, smudging to back of jacket. Good.

Second impression hard back binding in publisher's original finely grained claret cloth covered boards, blocked and lettered gilt back. Quarto. 10½'' x 8¼''. Contains (xiv), 148 pp followed by 24 plates. Fine condition book in Very Good condition price clipped dust wrapper. Member of the P.B.F.A. ART [Technique & Materials].

Hardcover. Zustand: Good. THERE ARE NO TARIFFS OR CUSTOMS DUTIES ON BOOKS. Clean text, firmly bound, illustrated with 24 b/w plates. Dustjacket shows wear to head of spine, overall slightly marked.

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:

Hardcover. 8vo. pp. xiii, 148. frontis. & 12 double-sided plates. biblio. index. cloth (bit faded & frayed). Second Impression.

Cloth. Zustand: Very Good. None (illustrator). A reference book on painting by W. G. Constable. With 24 black and white plates to the rear of the volume. In homage to Wilson Steer and Henry Tonks. In a brown cloth binding with gilt lettering to the spine. Externally, generally smart, lightly rubbed in places. Spine is sunned. There is some minor bumping to the top and tail of the spine. There is some discolouration to the extremities. Internally, firmly bound. Pages are bright and clean Very Good. book.

Zustand: Very good. 1955, London, Geoffrey Cumberlege, Oxford University Press, second impression, small 4to, ppxiii + 148 + xxiv black and white plates, claret cloth in dustwrapper.