painters object von evans (5 Ergebnisse)

Zustand: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition, suitable as a reading copy. Dust jacket in poor condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:

Hardcover. Zustand: Good. Zustand des Schutzumschlags: No D/J. First Edition. Boards a little marked with some fading. Slight darkening and spotting to end papers. Light shelf wear to extremities.

hardback. Zustand: Good. No Jacket. hardback, blue cloth lettered gilt to spine, no dust jacket. Lower board with some scuff marks, minor foxing to the verso of the frontis. The binding remains tight and the text clean and unmarked, coloured frontis, b&w plates, 145pp.

Hardback. Zustand: Very good. Reprint. 19 x 27cm 147pp very good hardback, mustard-coloured boards, no dust jacket. A reprint of the 1937 edition, originally published in the UK by Gerald Howe Limited. Black and white reproductions of works by Picasso, Leger, Henry Moore, Jean Helion, Paul Nash, Ozenfant, Kandinksy, Julian Trevelyan, Alexander Calder, John Piper, Max Ernst, Picasso, Graham Sutherland and more. Texts by individual artists ie Paul Nash on Swanage, or Seaside Surrealism and John Piper on England's Early Sculptors.

First edition. 255x185mm. pp. viii, 147 [1bl]. Blue cloth, lettered in gilt to spine. Original illustrated dust jacket designed by John Piper. Tear to upper cover and head and foot of spine of jacket and some foxing on lower cover but otherwise a very good, and internally fine, copy of a book that is uncommon in the Piper designed jacket. An interesting set of essays by, amongst others, Henry Moore, Paul Nash, Picasso, Max Ernst and John Piper who married Myfanwy Evans the same year that this book appeared. Between 1935 and 1937, Evans edited the modern art journal Axis and this collection reflects the aesthetic currents at work in that magazine although occasionally ranges more widely such as in John Piper's piece on England's Early Sculptors. The Painter's Object is extensively illustrated with black and white photographs and reproductions.