origin perspective von damisch (9 Ergebnisse)

Paperback. Zustand: Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. 4to. Soft Cover. Very Good. 475 pp. Some B & W Plates.

Soft cover. Zustand: Very Good. No Jacket. First English Language Edition. Light wear to covers. Spine not creased. Internally clean. 504pp In part a response to Panofsky's Perspective as Symbolic Form, The Origin of Perspective is much more. In France it is considered one of the most important works of art history to have appeared in the last twenty years. With the exception of Michel Foucault's analysis of Las Meninas, it is perhaps the first time a structuralist method such as the one developed by Claude Le -Strauss in The Way of the Masks has been thoroughly and convincingly applied to Western art. The task Damisch has set for himself is to refute both the positivist critics, whose approach makes up the bulk of perspective studies and is based on a complete repression of Panofsky's early work, and the current pseudo-avant-gardist position (whether in the field of cinema studies or in literary criticism), which tends to disregard facts and theoretical analysis. Damisch argues that if a theoretical analysis of perspective is possible, using all the tools of structuralist semiotics, it is only possible in the context of a close look at its appearance in history, beginning with the details of the "invention" of perspective. Size: 175mm x 250mm. Book.

477 pp.; 27.2 x 20 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Hubert Damisch's work of critical theory "The Origin of Perspective," translated from the French by John Goodman. "In part a response to Panofsky's 'Perspective as Symbolic Form,' 'The Origin of Perspective' is much more. In France it is considered one of the most important works of art history to have appeared in the last twenty years. With the exception of Michel Foucault's analysis of 'Las Meninas,' it is perhaps the first time a structuralist method such as the one developed by Claude Lévi-Strauss in 'The Way of the Masks' has been thouroughly and convincingly applied to Western Art." --publishers statement. Very Good. Light shelf wear to dust jacket including soiling from dust. Contents are clean and unmarked and binding is tight to the spine. Due to large size and weight additional shipping charges may be required for international orders.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. Qto., xxiv, 477 pages, 134 illustrations. A Near Fine, clean bright copy in a Near fine dust jacket.

Halbleinen. Zustand: Sehr gut. 477 Seiten : Ill. ; Sprache: Englisch sehr guter Zustand, minimale Lagerspuren am Schutzumschlag, kleine Bleistiftnotiz im Vorsatz Sprache: Englisch Gewicht in Gramm: 1680.

Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine. 1st US Edition. 477 pages in near fine condition. Pages are clean and unmarked with black and white illustrations throughout. Quarterbound in brown cloth and beige paper. Lightly worn around the edges and bumped on the corners. Gilt titles on the spine. Beige dustjacket in near fine condition. Lightly worn and bumped around the edges. Sticker on the back of the jacket. 1ST US EDITION. NPC. NF/NF Size: 8 x 10 1/2. Book.

Cambridge, MIT Press, 1994. 477 pp., ills, 4to, h.cloth.