opera vivaldi (21 Ergebnisse)

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. 1984. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.

8vo 218 pages. Cloth in lightly worn d/w. Internally VG. Illustrations and music examples.

Paperback. Zustand: Brand New. reprint edition. 398 pages. 9.00x6.00x1.00 inches. In Stock.

CD. Zustand: D'occasion - Très bon état.

Zustand: NEW.

Zustand: Sehr gut. Zustand: Sehr gut | Seiten: 56 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

8vo 398 pages. Red cloth, slightly bumped, pictorial d/w with a little shelf wear, else VG. Internally VG. Colour frontis., plates and music examples.

Couverture souple. Zustand: bon. RO30171317: 2011. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 127 pages augmentées de nombreuses photos en noir et blanc dans et hors texte - texte sur 2 colonnes. . . . Classification Dewey : 790.2-Arts du spectacle (Généralités).

Couverture souple. Zustand: bon. R110268997: AVRIL 2005. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 154 pages. Nombreuses illustrations en couleurs dans et hors texte. . . . Classification Dewey : 780-Musique.

Firenze, Mazza, 1951, 16mo cartonato editoriale con sovraccoperta, pp. 106. Molto ben conservato.

N° 44, Novembre 1957 - Petit In-4, broché, couverture et 4ème de couv. illustrées - Revue mensuelle illustrée - 61 p. Bon état. Traces de plis sur la première de couverture.

Musiknoten. Zustand: Gut. Ricordi 2005 : Antonio Vivaldi - Perfect tb . Gr. IL-L1EX-KDRU Sprache: Deutsch Gewicht in Gramm: 500.

Couverture souple. Zustand: bon. R260254721: Avril 1992. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 150 pages environ de quelques photos en noir et blanc dans texte. . . . Classification Dewey : 781.68-Musique classique.

LP. Zustand: Gut. LP-Vinyl Schallplatte(n) in einem guten bis sehr guten Zustand, am Cover kleinere Gebrauchsspuren. Die Vinyl-Platte(n) sind stets in Inlays. Stereo und/oder Mono. (Keine genaue Jahreszahl angegeben.) Platten top. (Trackliste; siehe Fotos.) LP24 Sprache: Deutsch Gewicht in Gramm: 2002.

Vinyl 10" - 33UpM. Zustand: Gut. LP-Vinyl Schallplatte(n) in einem guten bis sehr guten Zustand, am Cover kleinere Gebrauchsspuren. Die Vinyl-Platte(n) sind stets in Inlays. Stereo und/oder Mono. (Keine genaue Jahreszahl angegeben.) Platten top. (Trackliste; siehe Fotos.) LP23 Sprache: Deutsch Gewicht in Gramm: 2002.

Vinyl 10" - 33UpM. Zustand: Gut. LP-Vinyl Schallplatte(n) in einem guten bis sehr guten Zustand, am Cover kleinere Gebrauchsspuren. Stereo und/oder Mono. (Keine genaue Jahreszahl angegeben.) Platten top. (Trackliste; siehe Fotos.) LP18 Sprache: Deutsch Gewicht in Gramm: 4004.

LP. Zustand: Gut. LP-Vinyl Schallplatte(n) in einem guten bis sehr guten Zustand, am Cover kleinere Gebrauchsspuren. Stereo und/oder Mono. (Keine genaue Jahreszahl angegeben.) Platten top. (Trackliste; siehe Fotos.) LP103 Sprache: Deutsch Gewicht in Gramm: 4004.

legatura del editore in tela. frontispizio, 370x270mm, 213pagine, incisione b/n, Con custodia in cartone. Copia molto bella. Numero di serie 1210 / 1500. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.

8 volumes. Small folio. Sewn. Housed in a custom-made brown linen clamshell archival box with printed title label to spine. Violino Primo: 1f. (title), [1] (blank) 2-27, 1f. (title), [1] (blank) 2-7, [i] ( blank), 8-18 pp. John Young overpaste to titles of both parts, several minor edge stains. Violino Secondo: 1f. (title), [1] (blank), 2-25, [1] (blank), 26-31 pp. Violino Terzo: 1f. (title), [1] (blank) 2-12, [1] (blank), 13-17, [1] (blank), 18-28 pp. Violino Quatro: 1f. (title), [1] (blank), 2-10, [1] (blank), 11-15; [1] (blank), 2-7, [1] (blank), 8-12 pp. Alto Primo: 1f. (title), [1] (blank), 2-23 pp. Alto Secondo: [1] (title), 2-23 pp. Violoncello: 1f. (title), [1] (blank), 2-27 pp. Violino e Cembalo: 1f.(title), [1](blank) 2-10; 1f.(title) 11-16, [1] (blank) 2-5, [1]( blank) 6-12 pp. Engraved throughout. Early manuscript numbering to upper margins of each page of music to parts for Violino Secondo, Terzo and and Alto Primo. "No. 451" absent from the Violino e Cembalo part. All parts with Japanese paper reinforcement to spines and binder's pinholes to inner margins; some outer margins trimmed, just affecting printed area. A mixed set, predominantly a reissue of the second London edition first published in 1717; the Violino Primo and Violino e Cembalo parts from an earlier issue, before 1730. Smith & Humphries, 1520. BUC p. 1047. Ryom: Répertoire des Oeuvres d'Antonio Vivaldi. Les compositions instrumentales, p. 17 (6a and 9). RISM V2205 and VV2203. "In 1711 Etienne Roger, the Amsterdam publisher, brought out what was to become the most influential music publication of the first half of the 18th century: Vivaldi's L'estro armonico op. 3, dedicated to Grand Prince Ferdinando of Tuscany; it comprised 12 concertos divided equally into works for one, two, and four solo violins. The third, fifth, and 12th concertos from op. 3 (along with the concerto published individually under the title 'The Cuckow,' RV 335), became staples of the repertoire of many violinists, were arranged for a variety of instruments, and were extracted for use in violin tutors throughout the 18th century and beyond. Nowhere was the enthusiasm for Vivaldi's concertos stronger than in Germany. Bach transcribed several of them (including five from op. 3) for keyboard, and his noble patron Prince Johann Ernst of Saxe-Weimar wrote concertos in Vivaldi's style." Michael Talbot, revised by Nicholas Lockey in Grove Music Online All lifetime editions of Vivaldi's works are rare.

No Binding. Zustand: Good. About the Poster: Beginning in the 1950s and through the 1980s, the Polish School of Posters combined the aesthetics of painting with the succinctness and simple metaphor of the poster. It developed characteristics such as painterly gesture, linear quality, and vibrant colors, as well as a sense of individual personality, humor, and fantasy. It was in this way that the polish poster was able to make the distinction between designer and artist less apparent./ Polish posters have come to stand apart from the advertising design conventions fostered in Europe during the 20th century. It was during the communist regime, a time when culture was closely monitored by the state, that Polish artists found liberation in poster art. Ironically, this foremost public art form became ground for individual expression. During that period, the cultural institutions, of theatre and cinema especially, flourished as they were funded by government agencies. Artists freshly out of the fine arts academy flocked towards poster production as the demand for this art was rapidly growing. The result became some of the most unique and expressive posters the world has ever seen - and artworks in themselves./ About the Artist: Born in 1929 in Warsaw, Poland, Jan Mlodozeniec is considered to be one of the great masters of Polish poster design. The artist graduated from the Warsaw Academy of Fine Arts and had won many prizes over the course of his career. Among them ,several awards and medals at the National Poster Biennial in Katowice (1965, 1971, 1977), First prize at the 2nd Biennial of Applied Graphic in Brno (1966), Gold medal at the 8th International Poster Biennial in Warsaw (1980) and a gold medal at the 5th International Biennial of Posters in Lahti, Finland (1983)./ About the Opera: Mamud had two sons, one by his favourite Damira and one by the Sultana Rustena. He had them exchanged at birth, so that Melindo, in truth the son of Damira, is thought to be the legitimate heir, a position rightfully held by Zelim. When marriage is proposed between Melindo and Rosane, the heiress to another Sultanate (who is in fact beloved by Zelim), Mamud resolves to reveal the true state of affairs. After various twists and turns, Zelim inherits the larger portion of his empire, while Melindo contents himself with a secondary kingdom (Rosane's country) and is allowed to marry the fickle princess Rosane. This leaves everyone satisfied. (Wikipedia)/ The poster has some minor ruffling in the top right corner. Rare and ready to frame! This poster measures 26 x 38.5 inches.