Verlag: University of Chicago Press, 1989
ISBN 10: 0226735575 ISBN 13: 9780226735573
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: University of Chicago Press, 1992
ISBN 10: 0226735583 ISBN 13: 9780226735580
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Reprint. Used book that is in excellent condition. May show signs of wear or have minor defects.
Verlag: University of Chicago Press, 1992
ISBN 10: 0226735583 ISBN 13: 9780226735580
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Reprint. Former library book; may include library markings. Used book that is in clean, average condition without any missing pages.
Verlag: University of Chicago Press, 1989
ISBN 10: 0226735575 ISBN 13: 9780226735573
Anbieter: Books From California, Simi Valley, CA, USA
hardcover. Zustand: Good.
Verlag: Chicago : University of Chicago Press, 1989
ISBN 10: 0226735583 ISBN 13: 9780226735580
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Zustand: Sehr gut. XVI, 308 S. Einband leicht berieben. - The Object of Performance. THE RHETORIC OF THE POSE -- Photography and the Portrait as Performance. A NEW PERSON(A) -- Feminism and the Art of the Seventies. TRACING DANCE -- Collaboration and the New Gesamtkunstwerk. THREE PERFORMANCES -- Laurie Anderson, Eleanor Antin, and Carolee Schneemann. "SO MUCH TO TELL" -- Narrative and the Poetics of the Vernacular. OPEN SPACE -- Landscape and the Postmodern Sublime. CRITICAL PERFORMANCE. ISBN 9780226735580 Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. Abb. Originalbroschur.
Verlag: Chicago [u.a.] : Univ. of Chicago Press, 1989
ISBN 10: 0226735575 ISBN 13: 9780226735573
Anbieter: Fundus-Online GbR Borkert Schwarz Zerfaß, Berlin, Deutschland
Zustand: Sehr gut. XVI, 308 S. Gebraucht, aber gut erhalten. - Text engl. - Henry M. Sayre liefert mit dem vorliegenden Buch den Versuch die sehr unterschiedlich wirkenden Ansätze der Amerikanischen Avantgarde seit 1970 über ihr Verständnis von Kunst als etwas Performativem zu verbinden. -- The lack of common style in American art since 1970 has generally been explained as a function of the avant-garde's confused diversity, its willful eclecticism-in short, its "pluralism." Henry M. Sayre instead defines this art in terms of its shared, distinctly postmodern concerns, showing for the first time how the entire range of contemporary art-including dance, photography, oral poetry, performance art, and earth sculpture-is associated in a collective avantgarde project. What artists like Cindy Sherman, Andy Warhol, Laurie Anderson, David Antin, and Robert Smithson have in common, Sayre convincingly argues, is a view of art as primarily performative.-- Inhalt: The Object of Performance -- THE RHETORIC OF THE POSE -- Photography and the Portrait as Performance -- A NEW PERSON(A) -- Feminism and the Art of the Seventies -- TRACING DANCE -- Collaboration and the New Gesamtkunstwerk -- THREE PERFORMANCES -- Laurie Anderson, Eleanor Antin, and Carolee Schneemann -- "SO MUCH TO TELL" -- Narrative and the Poetics of the Vernacular -- OPEN SPACE -- Landscape and the Postmodern Sublime -- CRITICAL PERFORMANCE. ISBN 0226735575 Sprache: Englisch Gewicht in Gramm: 550 Mit zahlr. Abb. - Originalleinen mit Schutzumschlag.