New york dada (121 Ergebnisse)

Paperback. Zustand: Fair. Now available in paperback, this lavishly illustrated and astonishingly comprehensive volume stands as the definitive study of the influential but deliberately elusive international Dada movement of the early twentieth century. Organized according to the city centres where this shifting, quintessentially avant garde movement emerged, Dada: Zurich, Berlin, Cologne, Hannover, New York, Paris features the work of 40 key artists, both infamous and lesser-known, including Louis Aragon, Hans Arp, Hugo Ball, André Breton, Otto Dix, Marcel Duchamp, Hannah Höch, Man Ray, Tristan Tzara and Kurt Schwitters, to name just a few, in media spanning from painting and sculpture to photography, collage, photomontage, prints and graphic work. It contains hundreds of reproductions of often quite ephemeral works which, until the major travelling exhibition of 2005 and 2006 for which this book was originally produced, had for the most part never been seen in one place together. Documentary images, topical essays and an invaluable illustrated chronology of the movement make this volume uniquely essential, along with witty chronicles of events in each city centre; a selected bibliography; and biographies of each artist, accompanied by Dada-era photographs.…

Paperback. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardcover. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Zustand: Good. 1st Edition. softcover edition only minor wear seen.

Zustand: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Zustand: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Zustand: Fine. Zustand des Schutzumschlags: No Dust Jacket As Issued. First Edition; Softcover issue. Paris. Washington: National Gallery of Art, (2005). First Edition, First Printing, Softcover Issue. 12" x 8.75". xv,520pp, Index. Essays by Brigid Doherty, Dorothea Dietrich, Sabine T. Kriebel, Michael R. Taylor, Janine Mileaf, and Matthew S. Witkovsky. Softcover with French flaps, fine condition. Exhibition catalogue fully illustrated in color and b&w. Study of this robust art that emerged between 1916 and 1924 in the centers listed above including more than forty artists. ISBN 0894683136; 12 x 9.75 inches; 520 pages. …

Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Cloth. Zustand: Near Fine. Near Fine. 334 pages. Hardcover. Texts in English. There appears to be a bit of sunning to the portions of the dustjacket immediately adjacent to the spine. Else, the book is in tight, bright, sharp and clean condition with no internal markings. Bound in pale green cloth covered boards and wrapped in an illustrated paper dustjacket. An insightful and informative analysis of a fascinating period of American art history. Book.…

Soft cover. Zustand: Near Fine. 1st Edition. Faint wear to covers. Otherwise a fine paperback copy without marks, inscriptions or fading. Not ex-library. Binding is firm. Appears unread. s13.

hardcover. Zustand: Very Good. Zustand des Schutzumschlags: very good.

Softcover. Zustand: Gut bis sehr gut. 334 p.

Softcover. Zustand: Gut. Fifth printing. 251 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, ein paar Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, some traces of use. A0766 087070284X Sprache: Englisch Gewicht in Gramm: 1050.

stapled softcover. Zustand: Sehr gut. [16] p. Text in Italian / French / English. Sprache: Englisch Gewicht in Gramm: 68.

Zustand: Good. Signed Copy First edition copy. . Inscribed by author on half title page. NOT AVAILABLE FOR SHIPMENT OUTSIDE OF THE UNITED STATES.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1700grams, ISBN:0810936763.…

Paperback. Zustand: Very Good. U.S. orders are shipped from N.Y. state.

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition.

First edition. Small 4to. 304 pp w/selected bibliography. Near fine in near fine dust jacket with a small price sticker on rear panel.

Zustand: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1100grams, ISBN:0874271053. …

1996, 304 pp., paperback, minimale gebruikssporen.

paperback. Zustand: near fine. 403 color plates, 217 in black-and-white. xv + 519pp., thick 4to, stiff pictorial wrappers; minor bump to upper front corner. Washington, D.C: National Gallery of Art, (2005). A near fine copy. With Essays by Brigid Doherty, Dorothea Dietrich, Sabine T. Kriebel, Michael R. Taylor, Janine Mileaf, and Matthew S Witkovsky. …

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Seminar paper from the year 2006 in the subject American Studies - Culture and Applied Geography, grade: 1, Friedrich-Alexander University Erlangen-Nuremberg (Anglistik), course: Proseminar 'Start Spreading the News': New York and Early Modernism, language: English, abstract: Never conventional, never following the rules of any given norm, but in contrast, making ironic statements on society, turning 'normal' items, traditions or circumstances into absurdity. This was what Dada artists like Marcel Duchamp, Francis Picabia, Man Ray, the Baroness Elsa von Freytag-Loringhoven and other practitioners were aiming at. A well-remembered incident is the scandal that introduced the concept of Dadaism into American Art. Duchamp brought a urinal to the first exhibition of the Society of Independent artists on 10 April 1917. He did not change anything, but moved it from its original place, called it 'Fountain' and signed it with the pseudonym 'R. Mutt'. Only four days before the exhibition took place, president Woodrow Wilson had declared war on Germany. As Michael R. Taylor writes in his essay 'New York Dada', this event 'may have played a role in Duchamp's decision to enter his scandalous submission'. The New York Dada artists wanted to show their neglect of the cruel war in Europe and with their art challenged ideas about art which were commonly accepted. They produced 'paintings, mixed-media assemblages, sculptures, found objects, readymades, photography, and performances' (Taylor, 277). With the photomontage, the film or a photography the author of a work could not be guessed by looking at the work of art (Taylor, 277), the importance of the work was rather the message behind it. The message to a society which had absurd traditions, absurd machineries whith which people killed each other and a society that had cultural prejudices, which again were absurd. Having this common interest the New York Dada artists soon came together in the appartment of Louise and Walter Arensberg in 33 West 67th Street which served for their meetings from 1915 to 1921. 'It was while surrounded by this stunning array of paintings and sculpture that the group members hotly debated such topics as art, literature, sex, politics, and psychoanalysis, while others preferred to play chess, drink champagne, or dance the night away in their bare feet.' (Taylor, 278). …

Encuadernación de tapa dura. Zustand: Excelente. Zustand des Schutzumschlags: Excelente. Texto en inglés. 255 pp. Tela editorial con sobrecubierta. 31 x 24 cm.

First Edition. 24 x 21 cm 334 pp with b&w illustrations. Fine copy in dustwrapper.