New negro interpretation (20 Ergebnisse)

Zustand: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Zustand: Brand New. 429 pages. 7.75x5.00x1.00 inches. In Stock.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Zustand: Brand New. 508 pages. 8.50x5.50x1.13 inches. In Stock.

Hardcover. Zustand: Brand New. 508 pages. 5.50x1.25x8.50 inches. In Stock. Reiss, Winold (illustrator).

Taschenbuch. Zustand: Neu. Neuware - 'So the choice is not between one way for the Negro and another way for the rest, but between American institutions frustrated on the one hand and American ideals progressively fulfilled and realized on the other.'-Alain Locke, The New Negro (1925)The New Negro (1925) edited by Alain Locke is an anthology of fiction, poetry, and essays by artists who shaped the Harlem Renaissance such as W.E.B. du Bois, Walter Francis White, and Zora Neale Hurston, to name a few. With illustrations by Winold Reiss and Aaron Douglas, Locke defines the new negro as one who does not accept society's circumstances as of the old but seeks further rights and position in society. This in-depth look at the America of the early twentieth century juxtaposed to the America of today is for all who wish to deepen their understanding of the African American experience.…

Taschenbuch. Zustand: Neu. Neuware - 'The New Negro an Intrepretation' is a seminal anthology edited by Alain Locke that serves as the definitive manifesto of the Harlem Renaissance. This foundational work captures a pivotal moment in history when a burgeoning generation of African American artists, writers, and thinkers sought to redefine Black identity through creative excellence and intellectual autonomy. Moving away from historical stereotypes, the volume articulates a vision of the 'New Negro' characterized by self-respect, cultural pride, and a renewed sense of social purpose.The collection features a diverse array of contributions, including groundbreaking poetry, fiction, and essays from influential voices of the era. Through these works, the anthology explores themes of migration, heritage, and the search for social justice, while celebrating the richness of the African American experience. Locke's insightful introductions provide a philosophical framework for the movement, positioning art and literature as essential tools for social transformation. As a landmark of twentieth-century literature, 'The New Negro an Intrepretation' remains an indispensable resource for understanding the roots of modern African American culture and the enduring power of the artistic spirit.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

Zustand: New. Klappentext So the choice is not between one way for the Negro and another way for the rest, but between American institutions frustrated on the one hand and American ideals progressively fulfilled and realized on the other. -A.

Buch. Zustand: Neu. Neuware - 'So the choice is not between one way for the Negro and another way for the rest, but between American institutions frustrated on the one hand and American ideals progressively fulfilled and realized on the other.'-Alain Locke, The New Negro (1925)The New Negro (1925) edited by Alain Locke is an anthology of fiction, poetry, and essays by artists who shaped the Harlem Renaissance such as W.E.B. du Bois, Walter Francis White, and Zora Neale Hurston, to name a few. With illustrations by Winold Reiss and Aaron Douglas, Locke defines the new negro as one who does not accept society's circumstances as of the old but seeks further rights and position in society. This in-depth look at the America of the early twentieth century juxtaposed to the America of today is for all who wish to deepen their understanding of the African American experience. Reiss, Winold (illustrator). …

Zustand: New. Klappentext So the choice is not between one way for the Negro and another way for the rest, but between American institutions frustrated on the one hand and American ideals progressively fulfilled and realized on the other. -A. Reiss, Winold (illustrator).

Buch. Zustand: Neu. Neuware - 'The New Negro an Intrepretation' is a seminal anthology edited by Alain Locke that serves as the definitive manifesto of the Harlem Renaissance. This foundational work captures a pivotal moment in history when a burgeoning generation of African American artists, writers, and thinkers sought to redefine Black identity through creative excellence and intellectual autonomy. Moving away from historical stereotypes, the volume articulates a vision of the 'New Negro' characterized by self-respect, cultural pride, and a renewed sense of social purpose.The collection features a diverse array of contributions, including groundbreaking poetry, fiction, and essays from influential voices of the era. Through these works, the anthology explores themes of migration, heritage, and the search for social justice, while celebrating the richness of the African American experience. Locke's insightful introductions provide a philosophical framework for the movement, positioning art and literature as essential tools for social transformation. As a landmark of twentieth-century literature, 'The New Negro an Intrepretation' remains an indispensable resource for understanding the roots of modern African American culture and the enduring power of the artistic spirit.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you may see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. …

Hardcover. Zustand: Good. First Edition. Is there a reader in "Negro," African-American literature more stuffed with such heavy-hitters, verily, a Murderer's Row of brilliance? Alaine Locke has edited this fine collection and that has been beautifully augmented with the portraits and book decorations of Winold Reiss. This anthology of short fiction, literary essays and poetry surveys the moment of African-American and African art, criticism, experience and literature, the opening salvo of the Harlem Renaissance. Alain LeRoy Locke for a long time taught at Howard University in Washington, D.C., a leading H.B.C.U. A perfectly serviceable reference copy; nothing fancy, but complete and still sturdy, bound in now rubbed and scratched, illustrated black paper over boards, light brown linen cloth-backed. Rubbing to, scuffing of tips, edges, bumping to spine head and foot, moderate toning to text-block, else a remarkably attractive, tightly bound tome. Raspberry and tan illustrated endpapers (a stylized "African" man and women, a toucan and two cats). Chapter heads and tails. An extremely arresting Madonna and child at frontis. Contributions, sometimes multiple, by the editor, Alain Locke, and by Jean Toomer, Zora Neale Hurston, Claude McKay, Countee Cullen, Angelina Grimke, Langston Hughes, W.E.B. DuBois, Melville Herskovits, Winold Reiss, William Stanley Braithwaite, John Mathews, Bruce Nugent, James Weldon Johnson, Georgia Douglas Johnson, Anne Spencer, Angelina Grimke, Lewis Alexander, Walter White, Elise Johnson MacDougold, Montgomery Gregory, Jessie Fouset, J.A. Rogers, Paul U. Kellog, E. Franklin Frazier, W.A. Domingo, Kelly Miller, Robert R. Moton, Cugo Lewis and Arthur A. Schomburg (Arturo Alfonso Schomburg). xviii [1], 3-446 pp.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

Hardcover. First Edition. Octavo, xviii, 446 pages. In Very Good condition. Bound in publisher's quarter tan cloth and navy blue paper boards with blue lettering to spine. General shelf wear, with moderate to heavy rubbing along extremities. Some sunning and scratching to boards. Fading to red dye on top edge of textblock. With pink pictorial endpapers. Previous bookseller's sticker adhered to rear pastedown. Mild tearing to fore edges of pages xv-xviii. Light age toning with minor penciling scattered throughout. Shelved in Case 1. "The New Negro: An Interpretation" is an anthology of fiction, poetry, and essays on African-American and African art and literature. The title lent itself to The New Negro Movement, a contemporary name for what is now commonly known as the Harlem Renaissance. Editor Alain LeRoy Locke was a leading figure in the Harlem Renaissance and a professor at HBCU Howard University in Washington, DC. 1405855. Shelved Dupont Bookstore.…

Zustand: Good. First Edition. First edition, first printing. xviii, 446 pp. Bound in publisher's blue paper-covered boards over buckram spine cloth lettered in blue. Good with moderate rubbing and toning to covers, mottling to front cover, boards exposed at edges. Dust-soiling and light staining to upper edge of textblock, dampstaining to endpapers, pencil inscriptions to front endpapers and half-title. First two leaves clipped at the lower corner, contents toned with occasional foxing, binding exposed at multiple places. Lacking jacket. A serviceable copy. A landmark African American anthology featuring stories, essays, and poetry by the leaders of the Harlem Renaissance movement: Langston Hughes, Zora Neale Hurston, James Weldon Johnson, Countee Cullen, Claude McKay, Jean Toomer, and more.…

Zustand: Very Good+. First Edition. First edition, first printing. xviii, 446 pp. Bound in publisher's blue paper-covered boards over buckram spine cloth lettered in blue; lacking the dust jacket. Very Good+ with moderate rubbing and toning to covers, boards exposed at edges. Dust-soiling and light staining to upper edge of textblock, contemporary bookplate and several small abrasions to front endsheet. Contents slightly overopened at several places. A landmark African American anthology featuring stories, essays, and poetry by the leaders of the Harlem Renaissance movement: Langston Hughes, Zora Neale Hurston, James Weldon Johnson, Countee Cullen, Claude McKay, Jean Toomer, and more.…