nature politics von thomas struth (5 Ergebnisse)

214 Seiten 24x35 Gut, sauber. Deckel etwas geknickt.Bibliotheksexemplar mit Stempel und Signatur (gelöscht). ISBN: 9781910164532. 1500 Gramm Sprache: Deutsch. Original Broschur illustriert und foliert.

paperback. Zustand: Molto buono (Very Good). Prima edizione (First Edition). 95 fotografie a colori di Thomas Struth, anche su tavole ripiegate, intervallate da 8 inserti di carta Giappone colorata. Testi di Tobia Bezzola, Dirk Baecker e D. Graham Burnett. Pubblicato in occasione della mostra itinerante presso: Museum Folkwang, Essen - Martin-Gropius Bau, Berlin - High Museum, Atlanta - St Louis Art Museum Libro in brossura di grande formato con sovraccoperta in acetato stampata a 4 colori, numerose pagine apribili e 8 carte giapponesi. Cm 35x24. pp. 214. . Molto buono (Very Good). Sovracoperta in acetato leggermente sciupata nell'angolo superiore con piccola mancanza (Dust jacket in acetate slightly worn in the upper corner with a small lack). Prima edizione (First Edition). . Questo catalogo accompagna la mostra itinerante dedicata all'ultima produzione dell'artista tedesco Thomas Struth. La mostra si concentra sulle fotografie che Struth ha realizzato dalla sua ultima grande retrospettiva, che comprendeva opere del periodo 1978-2010.Il catalogo, con 65 opere (più dettagli) e tutte le 30 opere presenti in mostra, è il libro più completo del recente lavoro di Struth. Thomas Struth è famoso per la sua abilità di creare immagini singolari, ciascuna appartenente a sfere tematiche rigorosamente separate: architettura, ritratto, paesaggio e, più recentemente, siti di ricerca scientifica e tecnologica. Nature & Politics esplora in profondità diversi filoni della ricerca di Struth, elaborando contemporaneamente gli interstizi tra di essi.Il volume rappresenta la più significativa monografia in circolazione sul lavoro dell'artista. Book.

Mack (22. November 2016) - ISBN 978 191 0164471 184 Seiten / pages - , first printing. Mint, new, unread; still originally shrink-wrapped in publisher`s plastic foil. Large-format paperback book with 4 colour printed acetate jacket. 240 x 350 mm. 214 pages. 95 colour plates. Sprache: Englisch. *** Bitte kontaktieren Sie uns immer BEVOR Sie bestellen! Für ausführliche Beschreibungen und Bilder sowie günstigere Versandoptionen kontaktieren Sie mich bitte per Email! Please contact us always BEFORE you order! For detailled descriptions and photos as well as cheaper shipping options please send an email! ***.

Zustand: Wie neu. Mack Books, London. 2016. First english edition, first printing. Mint, new, unread; still originally shrink-wrapped in publisher`s plastic foil. Large-format paperback book with 4 colour printed acetate jacket. 240 x 350 mm. 214 pages. 95 colour plates. Numerous gatefolds and 8 japanese papers. Texts by Tobia Bezzola, Dirk Baecker and D. Graham Burnett. Text in english. Perfect condition! Collector`s copy! Struth is one of the most famous pupil of the Becher School (Bernhard and Hilla Becher), himself one of the most famous artists worldwide and maker of some of the best photo and artist books like "Museum Photographs" (Martin Parr, The Photobook vol 2, page 273/274). "This catalogue accompanies a museum exhibition of the latest work of German artist, Thomas Struth. The touring show focuses on photographs Struth has made since his last major retrospective, which covered the years 1978-2010. The catalogue comprises 65 works (plus details) and includes all of the 30 works in the exhibition to create the most comprehensive book of Struth`s recent work. Thomas Struth is renowned for his practice of creating singular images, each within strictly segregated subject fields: architecture, portraiture, landscape and, most recently, sites of technological and scientific research. Nature & Politics explores in depth diverse strands of Struth`s enquiry, whilst also elaborating the interstices between them, to present the most significant current monograph of the artist`s work. In recent years technology and the constructed landscape have become overarching subjects for Struth. Photographing at sites of techno-industrial and scientific research, including physics institutes, pharmaceutical plants, space stations, dockyards, nuclear facilities and operating theatres - he has focused on machines which are some of the transformative instruments of our contemporary world, and edifices of technological production where the heights of human knowledge are enacted, debated and advanced. These works explore the aesthetics of innovation and experimentation through the recording of structural complexities and allude to the hidden structures of control, power and influence exerted by advanced technologies. In the same period, Struth was working on two quite distinct projects. The first was Disneyland, a theme park which was famously constructed by reference to Walt Disney`s memories of his trips across Europe, transforming the passive experience of watching and of fantasy into a latent reality in California. Struth was attracted to this ultimate human-crafted environment, where technology has facilitated the materialisation of images from Walt Disney`s imagination. The second project was the contested landscape of Israel and Palestine where Struth created a series of images which collapsed his strict subject fields, producing urban landscapes, portraits, landscapes and photographs of technology. Each photograph is a fragment which attempts to grasp the circumscribed reality of a region where coexistence has failed. Struth seeks, in his own words, `to open the doors to what our minds have materialised and transformed into sculpture and to scrutinise what our contemporary world has created in places which are not accessible to most people.? His images penetrate and report on the material spaces of the human imagination, and they are born from an accelerated moment when technology and the image industry have brought physical reality and the imagination closer together. Thomas Struth (b. 1954) is internationally recognised for his wide-ranging work, which includes photographs of urban views and architecture, landscapes, portraits, museums and places of worship. He trained at the Kunstakademie Düsseldorf (1973-80), and, during that time, he was the first artist in residence at the P.S.1 Studios in Long Island City. From 1993 to 1996 he was the first Professor of Photography at the newly founded Hochschule für Gestaltung, Karlsruhe. He has exhibited all ove.

Zustand: Wie neu. Mack Books, London. 2016. First german edition, first printing. Mint, new, unread; still originally shrink-wrapped in publisher`s plastic foil. Large-format paperback book with 4 colour printed acetate jacket. 240 x 350 mm. 214 pages. 95 colour plates. Numerous gatefolds and 8 japanese papers. Texts by Tobia Bezzola, Dirk Baecker and D. Graham Burnett. Text in german. Perfect condition! Collector`s copy! Struth is one of the most famous pupil of the Becher School (Bernhard and Hilla Becher), himself one of the most famous artists worldwide and maker of some of the best photo and artist books like "Museum Photographs" (Martin Parr, The Photobook vol 2, page 273/274). "This catalogue accompanies a museum exhibition of the latest work of German artist, Thomas Struth. The touring show focuses on photographs Struth has made since his last major retrospective, which covered the years 1978-2010. The catalogue comprises 65 works (plus details) and includes all of the 30 works in the exhibition to create the most comprehensive book of Struth`s recent work. Thomas Struth is renowned for his practice of creating singular images, each within strictly segregated subject fields: architecture, portraiture, landscape and, most recently, sites of technological and scientific research. Nature & Politics explores in depth diverse strands of Struth`s enquiry, whilst also elaborating the interstices between them, to present the most significant current monograph of the artist`s work. In recent years technology and the constructed landscape have become overarching subjects for Struth. Photographing at sites of techno-industrial and scientific research, including physics institutes, pharmaceutical plants, space stations, dockyards, nuclear facilities and operating theatres - he has focused on machines which are some of the transformative instruments of our contemporary world, and edifices of technological production where the heights of human knowledge are enacted, debated and advanced. These works explore the aesthetics of innovation and experimentation through the recording of structural complexities and allude to the hidden structures of control, power and influence exerted by advanced technologies. In the same period, Struth was working on two quite distinct projects. The first was Disneyland, a theme park which was famously constructed by reference to Walt Disney`s memories of his trips across Europe, transforming the passive experience of watching and of fantasy into a latent reality in California. Struth was attracted to this ultimate human-crafted environment, where technology has facilitated the materialisation of images from Walt Disney`s imagination. The second project was the contested landscape of Israel and Palestine where Struth created a series of images which collapsed his strict subject fields, producing urban landscapes, portraits, landscapes and photographs of technology. Each photograph is a fragment which attempts to grasp the circumscribed reality of a region where coexistence has failed. Struth seeks, in his own words, `to open the doors to what our minds have materialised and transformed into sculpture and to scrutinise what our contemporary world has created in places which are not accessible to most people.? His images penetrate and report on the material spaces of the human imagination, and they are born from an accelerated moment when technology and the image industry have brought physical reality and the imagination closer together. Thomas Struth (b. 1954) is internationally recognised for his wide-ranging work, which includes photographs of urban views and architecture, landscapes, portraits, museums and places of worship. He trained at the Kunstakademie Düsseldorf (1973-80), and, during that time, he was the first artist in residence at the P.S.1 Studios in Long Island City. From 1993 to 1996 he was the first Professor of Photography at the newly founded Hochschule für Gestaltung, Karlsruhe. He has exhibited all over.