Mourning religion (29 Ergebnisse)

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Soft cover. Zustand: Near Fine. 1st Edition. From the Wis.consin Project on American Writers series (Frank Lentricchia, general editor). Endnotes, index. 223 pages. Near fine in paperback (several pencil checkmarks in the margins of the endnotes, otherwise clean and unmarked).

Paperback. Zustand: Very Good. Symbolic Loss: The Ambiguity of Mourning and Memory at Century's End (Studies in Religion & Culture) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

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Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. 420 p. Book.

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Hardcover. Zustand: Brand New. 273 pages. 9.00x6.00x1.00 inches. In Stock.

Zustand: New. 2008. hardcover. . . . . . Books ship from the US and Ireland.

Gebunden. Zustand: New. &Uumlber den AutorWilliam B. Parsons is Associate Professor in the Department of Religious Studies at Rice University. He and Diane Jonte-Pace coedited Religion and Psychology: Mapping the Terrain. Diane Jonte-Pace is Vice Provost for U.

Zustand: New. 2014. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Zustand: Brand New. 352 pages. 9.50x6.25x1.00 inches. In Stock.

Gebunden. Zustand: New. Contends that democracy - along with its secular norms - is founded on the idea of a promise deferred to the future. This title presents examples of religion in public life and calls into question the projects of refashioning the aporetic premises of libera.

Zustand: New. pp. 288.

Buch. Zustand: Neu. Neuware - Ananda Abeysekara contends that democracy, along with its cherished secular norms, is founded on the idea of a promise deferred to the future. Rooted in democracy's messianic promise is the belief that religious& mdash;political identity-such as Buddhist, Hindu, Sinhalese, Christian, Muslim, or Tamil& mdash;can be critiqued, neutralized, improved, and changed, even while remaining inseparable from the genocide of the past. This facile belief, he argues, is precisely what distracts us from challenging the violence inherent in postcolonial political sovereignty. At the same time, we cannot simply dismiss the democratic concept, since it permeates so deeply through our modernist, capitalist, and humanist selves. …

Zustand: Good. Hardcover, dust jacket, ex-library, light tan on jacket, in good condition, 223pp.

Zustand: New. pp. 126.

Zustand: New.

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1st edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Physical description; ix, 406 pages; 24 cm. Contents; A Note on Transliteration Introduction. Art, Religion, and Philology (Translated by G. M. Goshgarian) Part I. "The Seal of Silence" (Translated by G. M. Goshgarian) 1. Variants and Facets of the Literary erection 2. Abovean and the Birth of the Native 3. Orientalism and Neo-archeology Part II. Daniel Varuzhan: The End of Religion (Translated by Jeff Fort) 4. The Disaster of the Native 5. The Other Scene of Representation 6. Erection and Self-Sacrifice 7. The Mourning of Religion I 8. The Mourning of Religion II Epilogue. Nietzsche in Armenian Literature at the Turn of the Twentieth Century (Translated by G. M. Goshgarian) Appendices: Translations 1. Philology and Ethnography in the Nineteenth Century (Translated by G. M. Goshgarian) 2. Constant Zarian: Essays in Mehyan and Other Writings (Translated by G. M. Goshgarian) 3. Daniel Varuzhan: Poems and Prose (Translated by G. M. Goshgarian, Nanor Kebranian, and Lena Takvorian) Notes. Bibliography. Index. Summary; "Pagan life seduces me a little more with each passing day. If it were possible today, I would change my religion and would joyfully embrace poetic paganism," wrote the Armenian poet Daniel Varuzhan in 1908. During the seven years that remained in his life, he wrote largely in this "pagan" vein. If it was an artistic endeavour, why then should art be defined in reference to religion? And which religion precisely? Was Varuzhan echoing Schelling's Philosophy of Art? Mourning Philology draws on Varuzhan and his work to present a history of the national imagination, which is also a history of national philology, as a reaction to the two main philological inventions of the nineteenth century: mythological religion and the native. In its first part, the book thus gives an account of the successive stages of orientalist philology. The last episode in this story of national emergence took place in 1914 in Constantinople, when the literary journal Mehyan gathered around Varuzhan the great names to come of Armenian literature in the diaspora. Subjects; Varuzhan, Daniel 1884-1915 - Criticism and interpretation. Armenian literature - 20th century - History and criticism. Religion and literature - Armenia. Poetry & poets; Literary studies: 19th century. POLITICAL SCIENCE / General. Varuzhan, Daniel - Criticism and interpretation. 1 Kg.…