max papart (30 Ergebnisse)

Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand des Schutzumschlags: dj. First Edition. First edition and first printing. Hardcover. Monograph on French artist Max Papart. Features an introduction by Jean-Marie Dunoyer, text by Roger Green, and the text of a 1973 interview of Papart by Madame Fayard. Includes 366 illustrations with 103 in color, chronology, list of previous exhibitions, bibliography, and a list of works. A fine copy in a fine dust jacket. A fresh copy.

Softcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Couverture rigide. Zustand: Comme neuf. Zustand des Schutzumschlags: Comme neuf. Garnier Nocera, 1995. r, 80 pp. Illustrations couleur in-4°.

Hardcover. Zustand: Bon. Ancien livre de bibliothèque avec équipements. Edition 1985. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 1985. Ammareal gives back up to 15% of this item's net price to charity organizations.

Zustand: Good. 8vo; wraps. 10"X9". Color reproductions. October 9 - Novmber 5, 1974.

Klammerhft., tr. omslag. Fint skick. Linköping 1983. 4:o. 25 x 21 cm. [16] sid. Med 8 illustrationer, 3 i färg. Utställningspublikation med en presentation av Papart, men utan nummerlista eller katalog.

Couverture souple. Zustand: Bon état. In-8 broché, 40 pp. Illustrations couleurs in-8°.

Soft cover. Zustand: Very Good. 1st Edition. Title - Max Papart - Master prints and other works on paper / Author - Kenneth Nahan / Publisher - New Orleans museum of art / Year - 1985 / Language - English / Binding - Paperback / Size - 23 x 19,5 cm / Pages - 48 / ISBN - 0874940236.

broché. 230x155mm, 8 reproductions couleurs et n/b et un portrait de l'artiste contrecollés, 1 des 75 exeplaires de tête sur papier vélin, n° 43, mais sans la gravure originale annoncée. En cas de problème de commande, veuillez nous contacter via notre page d'accueil / If there is a problem with the order, please contact us via our homepage.

Hardcover. Zustand: Very Good. From the Library of John Russell Taylor.

Couverture rigide. Zustand: Très bon état. In-4 reliure éditeur sous jaquette, 190 pp. Illustrations noir & couleurs. in-4°.

Hardcover. Zustand: As New. Zustand des Schutzumschlags: Fine. Special Limited Edition. SIGNED by the noted artist at first free endpaper. Special Limited Edition copy bound in hardcover quarto format. Sterling condition hardcover copy, with unbruised tips, tight binding, and clean internals, showing only very slight shelf- and edge-wear; not ex-library, with neither underlining nor highlighting anywhere. Bound in white linen cloth, with sharp and distinct lettering to spine, stamped in black. Bright and shiny dust jacket, illustrated, showing only very minor wear, protected by a plastic coat, dust jacket not being price-clipped. [6], 7-215 pp., and an Introduction by Jean-Marie Dunoyer. Profusely illustrated in full, glorious color and black-and-white. Features an original, folding lithograph bound in at frontis. Illustrated endpapers.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets. Signed by Author.

Couverture souple. Zustand: bon. R240001876: JUIN 1957. In-4. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. 23 pages. Quelques illustrations en noir et blanc, dans le texte et hors texte. Quelques rousseurs. Texte en deux colonnes. . . . Classification Dewey : 70.49-Presse illustrée, magazines, revues.

Hardcover. Zustand: Gut. 215 pp. With an folded lithograph. Dust jacket with slight signs of wear and old price stickers on back cover. Well preserved inside, pages very slightly browned from the edges due to age. 431 Sprache: Französisch Gewicht in Gramm: 1800.

Soft cover. Zustand: Very Good. 1st Edition. 8° - 187 pp - Retrospective of the artist's works. Many colour and b/w photographs and reproductions. Text in french.

Broché. Zustand: . Max Papart (illustrator). In 12 broché, 187 pages, nombreuses illustrations. Exemplaire enrichi d'un envoi avec dessin de Max Papart, ainsi qu'une carte postale signée Max Paprt et Andrée Carrère; adressés à Pierre Baudier.

Broché. Zustand: . Max Papart (illustrator). In 12 broché, 187 pages, nombreuses illustrations. Exemplaire enrichi d'un envoi et d'un dessin de Max Papart adressé à Pierre Baudier.

Softcover. Zustand: Fine. Braida, Gerard; Stettin, Helmut (illustrator). Leichte Rillen / Abschürfungen / Risse / Knicke.

Couverture souple. Zustand: Bon. in 8° . En feuillets, sous couverture rempliée. 10 pointes sèches originales de Max Papart, dont 6 hors texte, 3 dans le texte et une lettrine. Le tirage des gravures a été effectué par les soins de André Moret, taille doucier, à Paris. Tirage à 106 exemplaires numérotés. Notre exemplaire, non numéroté, est imprimé sur papier vergé, au nom de P. O. Lapie.

Zustand: Good. Oblong 12mo., printed wraps. Ltd. ed., No. sur Perigord 1235 of 4750. Fr. [96] pp. Ill. color & black & white plates throughout. Essays. NF.

Barcelona, Ediciones Poligrafa, 1985, in-4°, 215 pp, frontispiece is triple-page oriignal lithograph, publisher's cloth with printed dust wrapper. Fine copy. Text in Spanish. (libro en Español ).

First edition. Limited edition. This is number 127 from a total edition of 135 examples. This one of the 120 on grand vélin d'Arches. Publisher's clamshell slipcase covered in mustard cloth, with black title on the spine. A touch of bumping and handling, but clean and tidy. Preface and poem by Georges Ribemont-Dessaignes. Poetic work by Andrée Caraire with 10 photographs by André VILLERS reproduced in colour phototype, full page and 2 original "linogravures" (one in black and one in colour) by Max PAPART. Signed by the two poets and the two artists. A homage to Alberto Magnelli. 58 pages loose in sheets within a title folder of the same paper. Overall inside it is in excellent condition, with just a touch of foxing to the pages. 58 pages. 46cm x 35.5cm. Conforms to WorldCat / OCLC: 27721718 which lists only one library holding. Georges Ribemont-Dessaignes (18841974) was a French writer, poet, playwright, and painter associated with the Dada movement. Max Papart (1911-1994) was a French painter, engraver, illustrator and collagist. Andrée Caraire was the pseudonym of Andrée Garbit, who was Papart's second wife. They married in 1949. They had a daughter, Anne. André Villers (1930-2016) was a French photographer and visual artist.

Couverture souple. Zustand: Bon état. In-8, en feuilles, 10 pp. Gravures en couleurs 15 X 10 cm signées et justifiées par les artistes. Couverture lég. passée. Bon exemplaire. Tiré à 80 exemplaires num. sur Arches. Bel envoi de l'auteur au faux-titre. in-8°.

Hardcover. Zustand: As New. 1st Edition. in4° - Illustrated book - 7pp - 4 + 4 (suite) by Max Papart (1911-1994) French artist: painter, illustrator, collagist . and James Coignard (1925-2008) rench painter and graphic artist.He was considered a master of Carborundum - etching. Original color etchings. First edition published in 90 copies signed and numbered the first ten copies with a suite containing 4 additional etchings (our copy N° 10/90 ) totalling four prints by each artist. Wonderful Illustrated book! The Colophon is signed by A. Caraire, Max Papart and James Coignard. Original covers. As new! Signed by Author(s).

No Binding. Zustand: Near Fine. Original lithograph by Max Papart. 87/100 Edition, signed by the artist.48 x 65 cm. In fine condition Master printmaker, born in Marseille in 1911, Max Papart learned the techniques of classic engraving in 1936 in Paris. In 1960, he added to the classic processes the technique of etching with carborundum invented by his friend Henri Goetz. In the years 1969-73 Papart taught printmaking at the University of Paris VIII-Vincennes. He continues to make his own plates and to supervise the hand printing of his prints. One of the most intriguing intellectual concepts which Papart achieves in his two-dimensional, semi-cubistic style is a "window" through which the viewer senses the past or future, or even another time or place. This development has become more pronounced since 1981 and in recent years it is seen even more graphically in such works as Circle, Indian Summer, Dreams, and Silent Woman. It has been said the Papart does not "paint," he "composes." His compositions come together in a symphony of line, shape and color. Papart contends that he never attributes any specific meaning to his work. He feels that each painting has its own meaning and needs no interpretation from him. Papart's paintings, in his own words, "force the viewer to think, and it is for the viewer to respond to the art based on his own personal experiences." Excerpted from "The Artist" by Kenneth Nahan, in "Max Papart, Master Prints and Other Works on Paper" published by the New Orleans Museum of Art. The artist will die in 1994 in Paris. Signed by Author(s).

Date: 1970 Size: 29 x 20.5 Artist: Max Papart About the artist : Max Papart was a French painter and printmaker. He is best known for his depictions of circus performers, birds, figures, still lifes, and landscapes in a colorful Cubist style. Papart's work captured the joy of life through a sense of movement, cheerful hues, and lighthearted subject matter. Born on December 19, 1911 in Marseilles, France, the artist studied at the School of Fine Arts in Marseilles before moving to Paris in 1936, where he began exhibiting at the Salon des Indepedants. In the years 1969-1973, he taught printmaking at the University of Paris VIII in Vincennes. The artist died on August 29, 1994 in Paris, France. Today, Papart's works are in the collections of the Victoria and Albert Museum in London, the Musée d'Art Moderne de la Ville de Paris, the High Museum of Art in Atlanta, and the National Gallery in London, among others. (art net) This Poster has some small fold creases, but Is in overall very good condition and ready to be framed !

No Binding. Zustand: Very Good. Original lithograph by Max Papart. 83/100 Edition signed by the artist. 56 x 72 cm. In fine condition. Master printmaker, born in Marseille in 1911, Max Papart learned the techniques of classic engraving in 1936 in Paris. In 1960, he added to the classic processes the technique of etching with carborundum invented by his friend Henri Goetz. In the years 1969-73 Papart taught printmaking at the University of Paris VIII-Vincennes. He continues to make his own plates and to supervise the hand printing of his prints. One of the most intriguing intellectual concepts which Papart achieves in his two-dimensional, semi-cubistic style is a "window" through which the viewer senses the past or future, or even another time or place. This development has become more pronounced since 1981 and in recent years it is seen even more graphically in such works as Circle, Indian Summer, Dreams, and Silent Woman. It has been said the Papart does not "paint," he "composes." His compositions come together in a symphony of line, shape and color. Papart contends that he never attributes any specific meaning to his work. He feels that each painting has its own meaning and needs no interpretation from him. Papart's paintings, in his own words, "force the viewer to think, and it is for the viewer to respond to the art based on his own personal experiences." Excerpted from "The Artist" by Kenneth Nahan, in "Max Papart, Master Prints and Other Works on Paper" published by the New Orleans Museum of Art. The artist will die in 1994 in Paris. Signed by Author(s).

No Binding. Zustand: Near Fine. Original etching by Max Papart, signed by the artist. This is an "epreuve d'artiste" , 56 x 76 cm in size. In fine condition. Master printmaker, born in Marseille in 1911, Max Papart learned the techniques of classic engraving in 1936 in Paris. In 1960, he added to the classic processes the technique of etching with carborundum invented by his friend Henri Goetz. In the years 1969-73 Papart taught printmaking at the University of Paris VIII-Vincennes. He continues to make his own plates and to supervise the hand printing of his prints. One of the most intriguing intellectual concepts which Papart achieves in his two-dimensional, semi-cubistic style is a "window" through which the viewer senses the past or future, or even another time or place. This development has become more pronounced since 1981 and in recent years it is seen even more graphically in such works as Circle, Indian Summer, Dreams, and Silent Woman. It has been said the Papart does not "paint," he "composes." His compositions come together in a symphony of line, shape and color. Papart contends that he never attributes any specific meaning to his work. He feels that each painting has its own meaning and needs no interpretation from him. Papart's paintings, in his own words, "force the viewer to think, and it is for the viewer to respond to the art based on his own personal experiences." Excerpted from "The Artist" by Kenneth Nahan, in "Max Papart, Master Prints and Other Works on Paper" published by the New Orleans Museum of Art. The artist will die in 1994 in Paris. Signed by Author(s).

No Binding. Zustand: Near Fine. Original etching by Max Papart. 38/40 Edition, signed by the artist. 50 x 67 cm. In fine condition. Master printmaker, born in Marseille in 1911, Max Papart learned the techniques of classic engraving in 1936 in Paris. In 1960, he added to the classic processes the technique of etching with carborundum invented by his friend Henri Goetz. In the years 1969-73 Papart taught printmaking at the University of Paris VIII-Vincennes. He continues to make his own plates and to supervise the hand printing of his prints. One of the most intriguing intellectual concepts which Papart achieves in his two-dimensional, semi-cubistic style is a "window" through which the viewer senses the past or future, or even another time or place. This development has become more pronounced since 1981 and in recent years it is seen even more graphically in such works as Circle, Indian Summer, Dreams, and Silent Woman. It has been said the Papart does not "paint," he "composes." His compositions come together in a symphony of line, shape and color. Papart contends that he never attributes any specific meaning to his work. He feels that each painting has its own meaning and needs no interpretation from him. Papart's paintings, in his own words, "force the viewer to think, and it is for the viewer to respond to the art based on his own personal experiences." Excerpted from "The Artist" by Kenneth Nahan, in "Max Papart, Master Prints and Other Works on Paper" published by the New Orleans Museum of Art. The artist will die in 1994 in Paris. Signed by Author(s).