Making history visual arts (13 Ergebnisse)

Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Zustand: Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Unknown. Zustand: Good. No Jacket. Former library book; Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Unknown. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

spiral_bound. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Wrappers. Zustand: Very Good -. 256 pages. Paperback. Texts in English. There is a slight shaving of the front cover at the lower right. It is well done enough that it seemed at first to be a designed part of the cover, but I believe now that it is not. Otherwise, the binding is tight, the shelfwear minimal, the interior clean and free of markings. Bound in stiff printed paper French fold covers. A collection of thoughtful and illustrated essays on the subject. Book.…

Zustand: New. In English.

Paperback. Zustand: Brand New. 272 pages. 10.75x7.75x0.87 inches. In Stock.

Pictorial Laminated Board. Zustand: Very Good. No Jacket. First US. A very good copy of this lavishly illustrated translation by Scholastic Inc of 'La grande histoire du livre' by Editions Gallimard Jeunesse, France. No Dust Jacket (as issued). Cover: laminated pictorial board, embossed with image of illuminated manuscript and with black lettering on gilt ground to all faces: wire ring bound leaves inside; in excellent condition, little or no sign of shelf wear, just the slightest sign of fading to spine; rear cover and pouch containing stickers still in original plastic wrapping (unopened). Internally: loose leaves bound on multiple wire rings; most leaves laminated and brightly illustrated with many fold-outs, all in excellent condition (looks unread). 46 pp. At time of listing, only copy available in UK.…

Zustand: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Softcover. Zustand: New. A thought-provoking reflection on Black art within the Canadian cultural landscape. Featuring boundary-breaking artists and scholars, Making History collects poems, artist statements, and portfolios that showcase thoughtful understandings of Black aesthetics, Black contemporary arts institutional presence, and perspectives on modern and historical art practices throughout Canada. Making History explores new approaches to the relationship between institutions, artists, and audiences while emphasizing collaboration, resisting exclusionary curatorial practices, and allowing multiple perspectives to bring about transformative change.…